This report examines how Joint Task Force Haiti (JTF-Haiti) supported the humanitarian assistance and disaster relief efforts in Haiti. It focuses on how JTF-Haiti was organized, how it conducted Operation Unified Response, and how the U.S. Army supported that effort. The analysis includes a review of existing authorities and organizations and explains how JTF-Haiti fit into the U.S. whole-of-government approach and the international response.

U.S. power plants seek to diversify their fuel sources. Biomass energy is a renewable resource, generally with lower life-cycle greenhouse-gas emissions than fossil fuels. Prospective users need information about infrastructure, logistics, costs, and constraints for the full biomass life cycle. This model estimates the cost and availability of biomass energy resources from U.S. agricultural lands from the perspective of an individual power plant.

Public and private institutions in the United States have long been home to a variety of art works, antiquities, and ethnological materials. For years, these collections have been seen as important archives that allow present and future generations to enjoy, appreciate, and value the art of all cultures. In the past decade, however, questions have been raised as to exactly what constitutes legal and ethical ownership of art and other cultural property. Some observers believe that art and ethnological materials should remain in source countries, and have lobbied for an end to art trading. Recent changes to U.S. law may curtail both private and public collecting. Contributors to "Who Owns the Past?" include legal scholars, museum professionals, anthropologists, archaeologists, and collectors. In clear, nontechnical language, they provide a comprehensive overview of the development of cultural property law and practices, as well as recent case law affecting the ability of museums and private collectors to own art from other countries. Topics covered include rights to property, ethical ownership, the public responsibilities of museums, threats to art from war and development, and international cooperation to preserve collections in the developing world. Engaging all perspectives on this debate, "Who Owns the Past?" challenges all who care about the arts to work together toward policies that consider traditional American interests in securing cultural resources, and respect international concerns over loss of heritage.

Evaluates the technical soundness of existing methods for assessing the risks posed by unexploded ordnance at U.S. military installations. This report examines methods for assessing the risks of unexploded ordnance (UXO) on former military training land, particularly sites on closed or transferred bases that will be or have been converted to civilian use. This work is the first to analyze in detail all the approaches the Army has developed to assess the risks of UXO sites, recommending ways for the Army to develop risk assessment protocols acceptable to all parties with an interest in UXO sites.

Answers the question: Under what circumstances could military medical assets be requested for support to civil authorities? Even before September 11, 2001, threat assessments suggested that the United States should prepare to respond to terrorist attacks inside its borders. This monograph examines the use of military medical assets to support civil authorities in the aftermath of a chemical, biological, radiological, nuclear, or conventional high explosives attack inside the United States. The authors focus on key questions, including under what circumstances military medical assets could be requested and what assets are likely to be requested.