This book surveys and interprets the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars, satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ('Peter Pindar') and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramification for women writers of satire's 'masculine' connotations. The book includes a bibliography of more than 700 volumes containing satirical verses.

Gary Dyer breaks new ground by surveying and interpreting hundreds of satirical poems and prose narratives published in Britain during the Romantic period. These works have been neglected by literary scholars, satisfied that satire disappeared in the late eighteenth century. Dyer argues that satire continued to be a major and widely-read genre, and that contemporary political and social conflicts gave new meanings to conventions inherited from classical Rome and eighteenth-century England. He includes a bibliography of more than 700 volumes containing satirical verses.

Melincourt (1817), Thomas Love Peacock's only three-volume novel, is also his most comprehensive work. In it, he explores a broad range of controversies: the dangers of 'paper money'; British consumers' complicity in slavery; the inequities of the current system of parliamentary representation; the problem of differentiating between human beings and other animals; and, most centrally, the question of whether and how the human condition might be improved. Peacock's brilliant synthesis of courtship novel and quest romance can only be fully appreciated against its colourful and fraught historical background, and Gary Dyer expertly equips readers with the historical and literary awareness required to recognise it as one of Peacock's most stimulating works. Vividly illuminating its remarkable plot - from the suitors' courtship of Anthelia Melincourt to the rescue party comprised of Sylvan Forester, Mr Fax and the chivalrous 'oran outang' Sir Oran Haut-ton - this edition makes Melincourt more accessible than ever before.