As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. Yet even those who have marveled at Serra's intellectually rigorous and large works of sculpture may not be familiar with his equally intriguing drawings. This handsome book brings together for the first time Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper. Distributed for The Menil Collection Exhibition Schedule: The Metropolitan Museum of Art(04/11/11-08/28/11) San Francisco Museum of Modern Art (10/15/11-01/16/12) The Menil Collection (03/02/12-06/10/12)

Discussions in Contemporary Culture is an award-winning series co-published with the Dia Center for the Arts in New York City. These volumes offer rich and timely discourses on a broad range of cultural issues and critical theory. The collection covers topics from urban planning to popular culture and literature, and continually attracts a wide and dedicated readership.

The beautiful catalogue that accompanies the critically-acclaimed exhibition currently on view at the Metropolitan Museum Best known for her striking drawings of ocean surfaces, begun in 1968 and revisited over many years both in drawings and paintings, Vija Celmins (b. 1938) has been creating exquisitely detailed renderings of natural imagery for more than five decades. The oceans were followed by desert floors and night skies-all subjects in which vast, expansive distances are distilled into luminous, meticulous, and mesmerizing small-scale artworks. For Celmins, this obsessive "redescribing" of the world is a way to understand human consciousness in relation to lived experience. The first major publication on the artist in twenty years, this comprehensive and lavishly illustrated volume explores the full range of Celmins's work produced since the 1960s-drawings and paintings as well as sculpture and prints. Scholarly essays, a narrative chronology, and a selection of excerpts from interviews with the artist illuminate her methods and techniques; survey her early years in Los Angeles, where she was part of a circle that included James Turrell and Ken Price; and trace the development of her work after she moved to New York City and befriended figures such as Robert Gober and Richard Serra. Published in association with the San Francisco Museum of Modern Art Exhibition Schedule: San Francisco Museum of Modern Art (12/15/18-03/31/19) Art Gallery of Ontario (05/04/19-08/04/19) The Met Breuer, New York (09/24/19-01/12/20)

Artist Bruce Conner (1933-2008) moved to San Francisco in 1957 and quickly enmeshed himself in the Bay Area's distinctive cultural milieu, combining a vision and a multifaceted body of work that went beyond the limitations of any genre. From early assemblages of the 1950s and 1960s to iconic and pioneering works in film, from photography and photograms to prints, drawings, and paintings, Conner's oeuvre continues to exert tremendous influence on artists working today. This historic retrospective catalogue will be the definitive resource on this important artist for decades to come. Offering a highly anticipated contemporary perspective on Conner, it will prove revelatory in assessing his output and place in postwar art. Illustrated in full color throughout, this comprehensive volume provides access to a range of material that has never been published, including early paintings from the 1950s and works from the last decade of Conner's life, along with a trove of fascinating ephemeral materials. The publication features original scholarship by a range of luminaries, including essays by Frieling, Garrels, Stuart Comer, Diedrich Diederichsen, Rachel Federman, and Laura Hoptman as well as contributions from Michelle Barger, Kevin Beasley, Dara Birnbaum, Carol Bove, Stan Brakhage, Will Brown, David Byrne, Johanna Gosse, Roger Griffith, Kellie Jones, Christian Marclay, Greil Marcus, Michael McClure, Megan Randall, Henry S. Rosenthal, Dean Smith, and Kristine Stiles. Published in association with the San Francisco Museum of Modern Art Exhibition dates: Museum of Modern Art, New York: July 3-October 2, 2016 San Francisco Museum of Modern Art: October 29, 2016-January 29, 2017 Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain: February 21-May 22, 2017