Al Feldstein is best known as the main writer/editor of the EC comics line during the first half of the 1950s and then the editor of Mad Magazine for the first three decades of its existence. But what many don t know or remember is that Feldstein was also an accomplished and distinctive cartoonist, whose comics (which he both wrote and drew, a relative rarity in those days) adorned the pages of many of those self same EC comics. His powerfully composed, meticulously inked pages, often featuring grotesque creatures or scenes of ghastly destruction (and some of the greatest stiffly handsome/beautiful specimens of 1950s humanity ever put to paper), were a vital part of the allure of these classic comics. Feldstein s contributions to the first year and a half of EC s two SF titles, Weird Science and Weird Fantasy comprising 16 classic O. Henry-style shock-ending stories with such evocative, vintage title as Things From Outer Space. The Flying Saucer Invasion, Spawn of Venus, Destruction of the Earth, and Am I Man or Machine? will be collected in their integrity in this volume, which will also boast a new interview with Feldstein about his years at EC, focusing in particular in his work on these science fiction titles that were the company s pride and joy (and were killed a few years later by the Comics Code)."

The definitive Comics Journal interviews with the cartoonists behind Zap Comix, featuring: Supreme 1960s counterculture/underground artist Robert Crumb on how acid unleashed a flood of Zap characters from his unconscious; Marxist brawler Spain Rodriguez on how he made the transition from the Road Vultures biker gang to the exclusive Zap cartoonists club; Yale alumnus Victor Moscoso and Christian surfer Rick Griffin on how their poster-art psychedelia formed the backdrop of the 1960s San Francisco music scene; Savage Id-choreographer S. Clay Wilson on how his dreams insist on being drawn; Painter and Juxtapoz-founder Robert Williams on how Zap #4 led to 150 news-dealer arrests; Fabulous, Furry, Freaky Gilbert Shelton on the importance of research; Church of the Subgenius founder Paul Mavrides on getting a contact high during the notorious Zap jam sessions; and much more. In these career-spanning interviews, the Zap contributors open up about how they came to create a seminal, living work of art."

Buckle up for a wild ride, as Bob Levin interviews underground-comix legend S. Clay Wilson and survives to tell the tale. This definitive profile covers Wilson s career and artistic philosophies but more to the point, it s a conversation with S. Clay Wilson, which means that it s anybody s guess what he ll say next. This is, as they say, one for the books. Also in this issue: Box Office Poison author Alex Robinson talks comics with Tom Crippen; Noah Van Sciver presents a cartoon interview with The Poor Bastard creator Joe Matt; an extensive comics section featuring the Center for Cartoon Studies 2008 graduating class; R. C. Harvey reports from the annual gathering of the Association of American Editorial Cartoonists; Dan Vado remembers the beginning of California s Alternative Press Expo; a preview of Yuichi Yokoyama s forthcoming book Travel; and much, much more.

Fantagraphics turns their eye to Barks' another great protagonist: the miserly, excessively wealthy Scrooge McDuck, whose giant money bin, lucky dime, and constant wrangles with his nemeses the Beagle Boys are well-known to, and beloved by, young and old.

Oh, for gosh sakes Floyd Gottfredson s classic 1930s Mickey Mouse is back for another round of thrills, chills, and epic quests taking him from the depths of teeming jungles to the halls of spooky Blaggard Castle. Mickey s classic Disney bad guys are here, too, with arch-enemy Pegleg Pete joined for this book by the mysterious Bill Shakespeare and hypnosis-happy Professors Ecks, Doublex, and Triplex Floyd Gottfredson, artist of Mickey Mouse from 1930-1975, made it the most popular cartoon-based comic of its time. Unafraid to tackle social satire and grown-up action-adventure, Gottfredson produced a Mouse for all ages. Today as Disney's Epic Mickey video game brings Mickey s gutsy side to a new medium. Fantagraphics Mickey Mouse series shows just how long Mickey has been a hero In this book you ll relive Mickey s fight with pirates on desolate Treasure Island; his quest with Goofy to catch ruthless counterfeiters; and his battles to save windy Horace Horsecollar from mad scientists, a robbery frame-up and himself Lovingly restored from Disney s original negatives and proof sheets, Mickey Mouse: Trapped on Treasure Island also includes more than 50 pages of fascinating supplementary features. You ll enjoy rare behind-the-scenes art, vintage publicity material, and vivid commentary by a full team of seasoned Disney scholars. Walt Disney often said that his studio s success all started with a mouse and today Mickey is among the world s most recognizable icons in the world. Now it s time to rediscover the wild, unforgettable personality behind the icon: Floyd Gottfredson s Mickey Mouse.

Floyd Gottfredson's classic 1930s Mickey Mouse is back for more adventures - taking him from the depths of teeming jungles to the halls of spooky Blaggard Castle. Mickey's classic Disney bad guys are here, too, with arch-enemy Pegleg Pete joined for this book by the mysterious Bill Shakespeare and Professors Ecks, Doublex and Triplex.

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The "Psychological Report Writing Assistant" software is a highly interactive program that guides the report writer through all phases of writing a report that is comprehensive, includes integrated interpretation, uses everyday language, and answers the referral questions. Key features include: A composition screen with links to resources to facilitate report writingSample reports with links to guidelines on how to write sections of the reportA comprehensive menu of treatment recommendationsSearch function to identify problem phrases with suggestions for alternative wordingCompatible with Microsoft(R) Windows and some Mac Windows emulator software

Blending the best of science with an appreciation for the art of doing clinical work, the accompanying guide: Describes six core qualities of an optimal psychological reportProvides an overview of cognitive, neuropsychological, personality, psychoeducational, and forensic reportsOffers guidelines for formatting and completing various sections of a reportDiscusses recommendations for treatment and for tailoring the report to the individualIncludes instructions for navigating the" "software

Filling the need for an easy-to-use, intuitive tool for organizing and writing relevant psychological reports, " Psychological Report Writing Assistant "will help you quickly and easily create thorough and complete psychological reports.

With this volume, The Complete Carl Barks Disney Library loops back to Barks s earlier days, collecting the entirety of Barks s (astounding) 1948 output. The title story, The Old Castle s Secret, is notable not just for being the first full-length 32-page adventure instigated by Scrooge McDuck (in his second-ever appearance), but for featuring some of Barks s spookiest, lushest settings in old Clan McDuck castle of Dismal Downs. The other long story, The Sheriff of Bullet Valley, plunks Donald and the nephews in the Wild West, with Donald as an overconfident deputy having to deal with some high-tech rustlers. The book also includes the less-known In Darkest Africa, originally published in a giveaway and unreleased for decades. This volume also features an even 10 of Barks s dynamic Walt Disney s Comics and Stories 10-pagers, including Wintertime Wager (the first appearance of a not-yet-lucky-but-still-obnoxious Gladstone Gander); Spoil the Rod (in which the exquisitely named educational professor Pulpheart Clabberhead is brought in to help tame the nephews); Rocket Race to the Moon (a rare full-on adventure interplanetary, no less in the short form); Gladstone Returns and Links Highjinks (two more Gladstone yarns); and five more stories... plus a half-dozen hilarious one-page gags. Of course, once again all the stories have been shot from crisp originals, then re-colored (and printed) to match, for the first time since their original release over 60 years ago, the colorful yet soft hues of the originals and of course the book is rounded off with essays about Barks, the Ducks, and these specific stories by Barks experts from all over the world.

Barely old enough to drink when he joined the EC Comics stable, Al Williamson may have been the new kid on the block, but a lifetime of studying such classic adventure cartoonists as Alex Raymond (Flash Gordon) and Hal Foster (Prince Valiant) had made him a kid to reckon with as he proved again and again in the stories he created for EC s legendary New Trend comics, in particular Weird Science and Weird Fantasy. As a result of Williamson s focus, it s possible to compile all of Williamson s New Trend EC work into one book which Fantagraphics is finally doing here. Sci-fi aficionados should note that although most of the stories were written by Al Feldstein, 50 Girls 50 features three of EC s legendary Ray Bradbury adaptations, including I, Rocket and A Sound of Thunder and a unique curiosity, a strip adapted from a short story submitted by a teenage Harlan Ellison. Williamson ran with a gang of like-minded young Turks dubbed the Fleagle Gang, who would help one another out on assignments. Thus this book includes three stories upon which Williamson was joined by the legendary Frank Frazetta, and one story ( Food for Thought ) where Roy Krenkel provided his exquisite alien landscapes, to make it one of the most gorgeous EC stories ever printed. As a supplementary bonus, 50 Girls 50 includes three stories drawn by Fleagles sans Williamson: Frazetta s Shock SuspenStories short Squeeze Play; Krenkel s meticulous Time to Leave; and Angelo Torres s An Eye for an Eye, an EC story that famously fell prey to censorship and was not released until the 1970s. As with other Fantagraphics EC titles, 50 Girls 50 will also include extensive story notes by EC experts."

With its independent editorial stance, the 'Comics Journal' has won numerous awards over the last quarter of a century. A cross between a magazine and an art book, it features wide-ranging interviews, iconoclastic criticism, scholarly essays and new comic strips by the most innovative cartoonists working today.

Surrounded by the ornate, retro, proto-splatter horror graphics of Jack Davis and Graham Ingels and the slick, futuristic sci-fi stylings of Wally Wood and Al Williamson, EC Comics superstar Johnny Craig stood out in the 1950s with his elegant, crisp, contemporary graphic style. And nowhere did this style work more beautifully than in the dozens of superb crime and horror comics he wrote and drew for EC, mostly for the two comics he also edited, Crime SuspenStories and The Vault of Horror. (Craig was the only EC artist to habitually write his own material for the entire length of EC's run.) Featuring murderous husbands and wives, executioners, thieving surgeons, vengeful sword-swallowers, time bombs, private dicks, vampires, werewolves, and ghouls, the 23 stories in this book comprise a perfect encapsulation of the very best and darkest kind of noir and horror writing, stunningly executed (in more than one sense of the word) by one of the great cartoonists of his (or any) era. And all in seven or eight pages per story Fall Guy For Murder And Other Stories is once again, as are the other EC Comic Library releases, supplemented with several fascinating essays and informative historical notes on the stories.

Whether shooting with the mobster Crazy Joey Gallo, attending a dinner party hosted by an aged but remarkably spry Groucho Marx, or simply playing doctor with a classmate in the former house of F. Scott Fitzgerald, Kipp Friedman led a colourful childhood. The youngest son of celebrated writer and satirist Bruce Jay Friedman, Kipp looks back fondly on the amusing and sometimes confusing events and encounters that helped shape his early life in this moving tribute to growing up among a family of artists in 1970s New York.

Graham Ingels' loving depictions of the endless corruption of flesh and nature made him the go-to guy for stories involving swamps, maniacs and dismemberment. This collection features 25 classic stories.

The influence of Fantagraphics flagship anthology of new comic art and storytelling continues to grow with annual award nominations, a widely-acknowledged banner 2008 that found MOME on many year-end critics lists, increasing academic and library interest, several gallery exhibitions mounted nationwide, and an increasingly potent well of top-notch, known and unknown talent making every issue a surprising, dense and delightful read. With this season, the quarterly journal of comics will have brought over 2,000 pages of new comics to the world since its inception in 2005. Upcoming contributors of short stories to MOME include: Lilli Carre, Laura Park, Olivier Schrauwen, Tom Kaczynski, Dash Shaw, Ray Fenwick, Emile Bravo, Andrice Arp, Al Columbia, Eleanor Davis, Nathan Neal, Conor O Keefe, Jon Vermilyea, Jonathan Bennett, Robert Goodin, Sara Edward-Corbett, Derek Van Gieson, and many more. 2009 saw the end of three serials for MOME legendary cartoonist Gilbert Shelton s serialized graphic novel, Last Gig in Shngrlig, Paul Hornschemeier s Life with Mr. Dangerous, and Tim Hensley s Wally Gropius and the launch of two more. T. Edward Bak s biography of German naturalist Georg Wilhelm Steller who traveled with Vitus Bering on what is generally known as the Second Kamchatka Expedition in 1741 is certain to eventually become one of the most acclaimed graphic novels of the decade. In the hands of Bak, Steller s narrative story transcends natural history, science and biography and becomes a riveting, beautifully illustrated drama. Ted Stearn s cult favorite characters have struck a chord with comic lovers over the years (Matt Groening declares them why I love comics ) in two previous graphic novels, Fuzz & Pluck and Fuzz & Pluck: Splitsville. Stearn now graces MOME with a new, serialized adventure in which the hapless Fuzz & Pluck discover a literal money tree. The ensuing entanglement of intrigue and desire is a surrealist, picaresque tour de force of comics storytelling with strong thematical ties to America s housing and financial meltdown, and the dreams that led to it. There s also a pirate, and we all know that pirates sell."

The Comics Journal #298 is chock full of all the comicky goodness you need to get through the summer. Check it out: Diego Assis presents a full-length interview with breakout comic-book stars Fabio Moon and Gabriel Ba, who discuss their self-publishing apprenticeship in Brazil, their entry into the North American comics scene, their work on such titles as Casanova and The Umbrella Academy, and exactly who does what on their various projects. Shaennon Garrity sits down for a chat with Perry Bible Fellowship creator Nicholas Gurewitch, who explains how he became an Internet cartoon sensation, where he goes next after ending his weekly run on the strip, and the joys of being an envelope artist. Michel Fiffe tracks down one of the most fascinating cartoonists to rise out of the superhero-comics scene in the last three decades, Trevor Von Eeden, in a no-holds-barred conversation that illuminates Von Eeden s struggles in the New York City corporate-comics industry and the attendant racism that came with it. You will definitely not want to miss our comics section this issue, which features a massive gallery of Percy Crosby s legendary newspaper strip, Skippy the first publication of these exquisite strips in decades Bill Randall takes us through an issue of the renowned avant-garde manga anthology AX, and prepares us for the eagerly anticipated English-language collection of comics from said magazine scheduled for release later this year. Plus Jiro Taniguchi's A Distant Neighborhood previewed; a cartoon interview of Peter Bagge by Noah Van Sciver; and much more It s a wondrous bouquet of cartoon excellence The Comics Journal #298 Accept no substitutes.

The sixth volume of the acclaimed quarterly comics anthology.
This acclaimed, reasonably priced, quarterly anthology runs approximately 120 pages per volume and spotlights a regular cast of a dozen of today's most exciting cartoonists. "Mome" is quickly earning a reputation as the premiere literary anthology in comics. Think of something like "The Believer" or "Granta"--especially in regard to iconic design, format, and content--but with comics. Featuring new comics by Andrice Arp, Gabrielle Bell, Jonathan Bennett, Jeffrey Brown, Martin Cendreda, Sophie Crumb, David Heatley, Tim Hensley, Paul Hornschemeier, Anders Nilsen, Zak Sally, and Kurt Wolfgang.

This acclaimed quarterly anthology features new talent in the comic book world. Volume 11 includes favourites such as David B. and Al Columbia alongside newcomers such as Jonathan Bennett and Eleanor Davis.