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Stratagem of the Corpse - Dying with Baudrillard, a Study of Sickness and Simulacra (Paperback): Gary J. Shipley Stratagem of the Corpse - Dying with Baudrillard, a Study of Sickness and Simulacra (Paperback)
Gary J. Shipley; Foreword by William Pawlett
R951 R791 Discovery Miles 7 910 Save R160 (17%) Ships in 12 - 17 working days
Stratagem of the Corpse - Dying with Baudrillard, a Study of Sickness and Simulacra (Hardcover): Gary J. Shipley Stratagem of the Corpse - Dying with Baudrillard, a Study of Sickness and Simulacra (Hardcover)
Gary J. Shipley; Foreword by William Pawlett
R2,831 R2,318 Discovery Miles 23 180 Save R513 (18%) Ships in 12 - 17 working days
Serial Kitsch (Paperback): Gary J. Shipley Serial Kitsch (Paperback)
Gary J. Shipley
R220 Discovery Miles 2 200 Out of stock
Crypt(o)spasm (Paperback): Gary J. Shipley Crypt(o)spasm (Paperback)
Gary J. Shipley
R897 Discovery Miles 8 970 Out of stock
Serial Killing - A Philosophical Anthology (Paperback): Gary J. Shipley, Edia Connole Serial Killing - A Philosophical Anthology (Paperback)
Gary J. Shipley, Edia Connole
R526 Discovery Miles 5 260 Out of stock
The Death of Conrad Unger (Paperback): Gary J. Shipley The Death of Conrad Unger (Paperback)
Gary J. Shipley
R441 Discovery Miles 4 410 Out of stock

The death by suicide of Gary J Shipley's close friend, Conrad Unger (writer, theorist and amateur entomologist), has prompted him to confront not only the cold machinery of self-erasure, but also its connections to the literary life and notions surrounding psychological bewitchment, to revaluate in both fictional and entomological terms just what it is that drives writers like Unger to take their own lives as a matter of course, as if that end had been there all along, knowing, waiting. Like Gerard de Nerval, David Foster Wallace, Ann Quin and Virginia Woolf before him, Unger was not merely a writer who chose to end his life, but a writer whose work appeared forged from the knowledge of that event's temporary postponement. And while to the uninitiated these literary suicides would most likely appear completely unrelated to the suicide behaviors of insects parasitized by entomopathogenic fungi or nematomorpha, within the pages of this short study we are frequently presented with details that allow us to see the parallels between their terminal choreographies. He investigates what he believes are the essentially binary and contradictory motivations of his suicide case studies: where their self-dispatch becomes an instance of necro-autonomy (death as solution to an external thraldom, or the zombification of everyday life as something requiring the most extreme form of emancipation), while in addition being an instance of necro-equipoise (death as solution to an internal thraldom, or the anguish of no longer being able to slip back comfortably inside that very everydayness). The deadening claustrophobia of human life and achieving a stance outside of it: both barbs on the lines that can only ever detail the sickness, never cure it. Through extracts and synopses of Unger's books, marginalia and underscorings selected from his extensive library, and a brief itinerary of his movements in that last month of exile, a picture of the writer's suicidal obsession begins to form, and it forms at the expense of the man, the idea eating through his brain like a fungal parasite, disinterring the waking corpse to flesh its words.

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