This title was first published in 2001. By examining the way the ruling Nationalist Party (KMT) dominated Taiwan's three mainstream television stations before the introduction of political reform in the mid-1980s, the book provides an insightful investigation of how the media can be used as an instrument of both political power and emancipation. This new approach challenges many accepted assumptions about Taiwan's political development, such as the sacrifice of democracy for stability and wealth and recognizes that threats to society often originate within the state itself, rather than from external forces. However, the development of public television also broadened the political agenda, allowing the Taiwanese population to express its will through collective activities and to exercise the power of (civil) society. Taiwan is an exciting case study with which to explore the post-Cold War understanding of Critical Security. A fascinating look at one of the world's most rapidly developing nations, this book makes a striking contribution to a fresh area of political thought.

This title was first published in 2001. By examining the way the ruling Nationalist Party (KMT) dominated Taiwan's three mainstream television stations before the introduction of political reform in the mid-1980s, the book provides an insightful investigation of how the media can be used as an instrument of both political power and emancipation. This new approach challenges many accepted assumptions about Taiwan's political development, such as the sacrifice of democracy for stability and wealth and recognizes that threats to society often originate within the state itself, rather than from external forces. However, the development of public television also broadened the political agenda, allowing the Taiwanese population to express its will through collective activities and to exercise the power of (civil) society. Taiwan is an exciting case study with which to explore the post-Cold War understanding of Critical Security. A fascinating look at one of the world's most rapidly developing nations, this book makes a striking contribution to a fresh area of political thought.

This edited volume presents the results of a three-year comparative study on Chinese cultural diplomacy (CD) across Europe, Central Asia, the Middle East, and Southeast Asia, which contributes to the broader theoretical debate on China`s increasing soft power in international relations. The study, 'China's Cultural Diplomacy and the Role of Non-State Actors' was conducted by a research team at the Oriental Institute of the Academy of Sciences of the Czech Republic from 2015 to 2018. This book pays special attention to China's localized forms of CD, focusing on the regional variations and involvement of non-state actors, especially local actors outside China. Local actors involved in Chinese CD diplomacy are characterized by their intermediary status as working for the aims of two states, while trying to bridge conflicts and enhance mutual understanding. This book will be of interest to scholars, diplomats, and China watchers.

The book examines recent developments in Taiwan cinema, with particular focus on a leading contemporary Taiwan filmmaker, Wei Te-sheng, who is responsible for such Asian blockbusters as Cape No.7, Warriors of the Rainbow: Seediq Bale and Kano. The book discusses key issues, including: why (until about 2008) Taiwan cinema underwent a decline, and how cinema is portraying current social changes in Taiwan, including changing youth culture and how it represents indigenous people in the historical narrative of Taiwan. The book also explores the reasons why current Taiwan cinema is receiving a much less enthusiastic response globally compared to its reception in previous decades.

The book examines recent developments in Taiwan cinema, with particular focus on a leading contemporary Taiwan filmmaker, Wei Te-sheng, who is responsible for such Asian blockbusters as Cape No.7, Warriors of the Rainbow: Seediq Bale and Kano. The book discusses key issues, including: why (until about 2008) Taiwan cinema underwent a decline, and how cinema is portraying current social changes in Taiwan, including changing youth culture and how it represents indigenous people in the historical narrative of Taiwan. The book also explores the reasons why current Taiwan cinema is receiving a much less enthusiastic response globally compared to its reception in previous decades.

This edited volume presents the results of a three-year comparative study on Chinese cultural diplomacy (CD) across Europe, Central Asia, the Middle East, and Southeast Asia, which contributes to the broader theoretical debate on China`s increasing soft power in international relations. The study, 'China's Cultural Diplomacy and the Role of Non-State Actors' was conducted by a research team at the Oriental Institute of the Academy of Sciences of the Czech Republic from 2015 to 2018. This book pays special attention to China's localized forms of CD, focusing on the regional variations and involvement of non-state actors, especially local actors outside China. Local actors involved in Chinese CD diplomacy are characterized by their intermediary status as working for the aims of two states, while trying to bridge conflicts and enhance mutual understanding. This book will be of interest to scholars, diplomats, and China watchers.