In this unique collection of short stories, the small events of daily life reveal big themes--love and friendship, youth and growing up, success and failure. Calling on his own experiences of growing up in California's Central Valley, poet Gary Soto brings to life the joys and pains of young people everywhere. The smart, tough, vulnerable kids in these stories are Latino, but their dreams and desires belong to all of us.

Lincoln is in a jam when his basketball team at his new school--where the students are rich and mostly white--faces his old team from the barrio on the boards. How can he play his best against his friends? No matter who wins, it looks like it will be lose-lose for Lincoln.

In thirteen stories full of wit and energy, Gary Soto illuminates the ordinary lives of young people. Meet Angel, who would rather fork over twenty bucks than have photos of his naked body plastered all over school; Philip, who discovers he has a "mechanical mind," whatever that means; Estela, known as Stinger, who rules Jose's heart "and "the racquetball court; and many other kids, all of them with problems as big as only a preteen can make them.
Funny, touching, and wholly original, "Local News" is Gary Soto in top form.

Maria tries on her mother's wedding ring while helping make tamales for a Christmas family get-together. Panic ensues when hours later, she realizes the ring is missing.

Ninth grader Rudy has a date with eleventh grader Patricia. Now he has to come up with the money, the poise, and the conversation to carry it off. This one-act play, by turns heartwarming and heart-wrenching, follows Rudy from his desperate search for guidance through the hilarious date itself--all the way to its happy conclusion. "Includes a glossary of Spanish phrases."

You'd think a knife in the ribs would be the end of things, but for Chuy, that's when his life at last gets interesting. He finally sees that people love him, faces the consequences of his actions, finds in himself compassion and bravery . . . and even stumbles on what may be true love. A funny, touching, and wholly original story by one of the finest authors writing for young readers today.

Few writers capture the everyday moments of life like Gary Soto. In direct and vivid poems, he draws from his own youth in California's Central Valley to portray the joys and sorrows of young people. His writing focuses on Latino characters, yet speaks to readers of all ethnicities. Acclaimed by educators since its original publication in 1998, "A Fire in My Hands" has been revised and expanded in this new edition. Old and new fans of Soto's work will welcome the return of his compelling poems.One of the poems in this collection, "Oranges," is a Common Core State Standards Exemplar (Grades 6-8, Poetry).
"Includes an introduction and an interview with the author."

Eddie's father, two uncles, and best friend are all dead, and it's a struggle for him not to end up the same way. Violence makes Fresno wallow in tears, as if a huge onion were buried beneath the city. Making an effort to walk a straight line despite constant temptations and frustrations, Eddie searches for answers--and discovers that his closest friends may actually be his worst enemies." Includes a reader's guide and a glossary of Spanish words and phrases."

The Spanish Civil War, a precursor to World War II, was a testing ground of not only political might between feuding factions in Europe but also military hardware-modern tanks and aircraft from Hitler's Germany and Mussolini's Italy, for instance. The civil war, which began in 1936 and ended in 1939, witnessed more than 500,000 deaths. One volunteer was Francisco Perez Lopez, Spanish by birth but raised in France. He began as a recruit at the age of twenty and emerged a platoon leader in roadside skirmishes, firefights in villages and forests, and in the Battle of the Ebro, the last stand for the Republican cause. He became a prisoner, a medic, a favorite among nuns, and then an escapee-his feats for survival are nothing less than genius. Gary Soto's condensed yet artful and sensitive retelling is a gripping tale of human dignity and one man's unflagging commitment to justice.

On his thirteenth birthday, Ronnie woke up feeling like a chimp - all long armed, big eared, and gangly. Now his best friend, Joey, has turned thirteen, too - and after Joey humiliates himself in front of a cute girl, he climbs a tree and refuses to come down. So Ronnie sets out to woo the girl on Joey's behalf. After all, teenage chimps have to stick together.

In his engaging new collection, National Book Award finalist Gary Soto creates poems that each begin with a line from Shakespeare and then continue in Soto's fresh and accessible verse. Drawing on moments from the sonnets, Hamlet, Macbeth, A Midsummer Night's Dream , Romeo and Juliet , and others, Soto illuminates aspects of the source material while taking his poems in directions of their own, strategically employing the colour of thee" and "thine," kings, thieves, and lovers. The results are inspired, by turns meditative, playful, and moving, and consistently fascinating for the conversation they create between the Bard's time and language and our own here and now.

Award-winning poet Gary Soto and Caldecott winner David Diaz turn their eyes on the world of kids. From family pictures to pinatas, from the "gato "with a meow like a rusty latch to Fourth of July fireworks, the startling and often overlooked moments that define childhood are vividly brought to life by these two acclaimed talents.

A timely new edition of a pioneering work in Latino literature, National Book Award nominee Gary Soto's first collection (originally published in 1977) draws on California's fertile San Joaquin Valley, the people, the place, and the hard agricultural work done there by immigrants. In these poems, joy and anger, violence and hope are placed in both the metaphorical and very real circumstances of the Valley. Rooted in personal experiences-of the poet as a young man, his friends, family, and neighbors-the poems are spare but expansive, with Soto's voice as important as ever. This welcome new edition has been expanded with a crucial selection of complementary poems (some previously unpublished) and a new introduction by the author.

This inspiring story of Jessie De La Cruz, the United Farmer Workers, and la Causa is told as only Gary Soto-novelist, essayist, poet, and himself a field laborer during his teens-can tell it, with respect, empathy, and deep compassion for the working poor. A field worker from the age of five, Jessie knew poverty, harsh working conditions, and the exploitation of Mexicans and all poor people. Her response was to take a stand. She joined the fledgling United Farm Workers union and, at Cesar Chavez's request, became its first woman recruiter. She also participated in strikes, helped ban the crippling short-handle hoe, became a delegate to the Democratic National Convention, testified before the Senate, and met with the Pope. Jessie's life story personalizes an historical movement and shows teens how an ordinary woman became extraordinary through her will to make change happen, not just for herself but for others.

Maria tries on her mother's wedding ring while helping make tamales for a Christmas family get-together. Panic ensues when hours later, she realizes the ring is missing.

Love is a good thing-so true in The Spark and Fire of It, this classic one-act romance: two young people smitten to the point of delirium and a gruff father who will have none of it. The father sees his daughter's suitor only as a penniless lad with nothing to offer. But the young woman's mother sees her own husband in the young man, remembering a time when he, too, was an empty-handed suitor. Add internal complications: the young women questions her own judgment, and the young man is tempted by a hooligan called Rascal. Then there is Old Gentleman, who, like a befuddled Socrates, understands this thing called love. The romance contains poems that begin with a line of Shakespeare that Soto artfully extends into his own original poetry. The dialogue is written in the vernacular of Elizabethan times-though occasionally it falls into contemporary street slang. The code switching reminds readers that love is a human experience that makes the young go crazy no matter the century!

"Sudden Loss of Dignity" represents where Gary Soto is in his life. He finds himself positioned in life as the older gent, or old guy. His poetry mirrors his personality, snarky and full of mockery. Soto writes about mainly aging and the loss of one's dignity as the years pass. It's very funny, poignant, sad, and especially true.

Thirteen-year-old Gabe Mendoza is headed to the public library when he hears a voice call, ""Son."" Gabe sizes up an approaching vagrant. ""It's me, your dad.""Dad? Couldn't be. This man looks homeless—is homeless. He's hauling a suitcase with everything he possesses—nothing. To Gabe, the figure doesn't look right. He's wearing a sweatshirt on a hot summer afternoon. His neck is filthy, his teeth rotten in an unsmiling mouth.  Gabe's father had abandoned him and his mother five years earlier. As the story unfolds, Gabe wrestles with confusion. Should he give his father a second chance—the father who is now destitute, possibly ill, pathetic, and an alcoholic? Life has never been easy for Gabe on the streets of Fresno. He's always escaping trouble, especially from Frankie Torres, who practices his gangbanging tactics on Gabe.  The novella is quick as anger, but Gabe isn't angry. There's tenderness in his troubled heart. It is meant to be read more than once—each reading will reveal more about his mother, playground life, forgiveness, and the healing nature of dog that comes into his life. . . . The afternoon was hot, maddening hot. He stopped under a tree and spied the temperature on the corner bank building: 104. Through the wavering heat, he eyed a figure in a 49ers sweatshirt. Dang, Gabe thought. What's wrong with this guy? A sweatshirt in this heat? ""Son,"" the figure beckoned to him. Son? Gabe wondered. Was this homeless man looking for a handout? ""It's me, your dad."" The figure in dirty clothes was pulling a large suitcase on wheels. The man did his best to hoist a smile. The vagrant did resemble his dad, whom Gabe hadn't seen in four years. His dad had driven away in the family's best car, with his clothes and the household computer in the backseat. He had also loaded the car with cases of soda and bottledwater, as if he were thirsty for a life other than the one he had with them. . . "" He's homeless,"" Gabe whispered to himself. Everything he owned was stuffed in that suitcase on wheels, which he hauled like a donkey pulling a cart.

The coolest cat in the barrio is back! Chato decides to throw a "pachanga for his friend Novio Boy, who has never had a birthday party, but when it is time to party, Novio Boy cannot be found.

When Chato--the original party animal--discovers that his best friend Novio Boy has never had a birthday party, the coolest cat in the barrio decides to throw a major shindig. When it's time for the big surprise, Novio Boy is nowhere to be found, but he soon arrives with a few surprises of his own.