Light-hearted made-for-TV sequel in which former police dog Zeus once again comes to the rescue of his family. The Bannister family and their trusty dog, Zeus (voice of Joey Lawrence), have moved into a new house. All is well in the house itself, but their neighbour, Eli (Lance Henrikson), and his dog, Medusa (voice of Mayim Bialik), seem to be strange characters. So strange are the happenings across at Eli's, that George Bannister (Gary Valentine) enlists the help of his former enemies, Ted (Dean Cain) and Stewey (Joey Diaz), to investigate. When the three fail to return, Zeus is once again called to save the day.

High school comedy co-written by and starring Kevin James. Scott Voss (James) used to wrestle at college but now performs the slightly less dangerous role of teaching biology at Wilkinson High School. The school is underperforming and it isn't long before the relevant authorities announce that its music budget will have to be cut, leaving Scott's buddy Marty (Henry Winkler), the school music teacher, without a job. Voss announces that he intends to raise the 50,000 dollars necessary to keep the programme alive himself and takes on night tuition. The profession isn't as lucrative as he hoped but when he discovers that one of his students, Niko (Bas Rutten), used to compete in the Ultimate Fighting Championship and could earn 10,000 dollars for losing a fight, Voss is possessed by an idea. If he can make it into the unforgiving territory of the UFC he can earn the money to save the school music programme... Salma Hayek also stars.

By 1970, the hippie dream of the 60s was dead -- the soundtrack of the revolution had become a multimillion-dollar industry. Glitter tried to save music's soul, but was too commercial to be cutting edge for long. Then, in 1974, a rescue movement arrived. Three chords, black jeans, a pair of shades, and a whole lot of attitude made music that matched the facts of life on its home ground, mid-70sNew York City's East Village. The initiators of punk, Richard Hell, Tom Verlaine, and Patti Smith had one foot in nineteenth-century French symbolist poetry and the other in the raw sound of their predecessors such as the Velvet Underground. This first-hand account of a little-documented era features luminaries such as Lou Reed, Iggy Pop, David Bowie, Debbie Harry, Divine, Devo, and the New York Dolls, and tells of the gigs at CBGB hitting the news as Warhol and his glittering crew descended. What began as a unique blend of fin-de-siecle ennui and razor-sharp rock became anarchic frenzy and safety pins, overrun by gutter decadence and stupid-chic. With Malcolm McLaren hijacking the scene's momentum, the Blank Generation plunged into excess and eventual ruin, its survivors making the leap into mainstream.