Light-hearted made-for-TV sequel in which former police dog Zeus once again comes to the rescue of his family. The Bannister family and their trusty dog, Zeus (voice of Joey Lawrence), have moved into a new house. All is well in the house itself, but their neighbour, Eli (Lance Henrikson), and his dog, Medusa (voice of Mayim Bialik), seem to be strange characters. So strange are the happenings across at Eli's, that George Bannister (Gary Valentine) enlists the help of his former enemies, Ted (Dean Cain) and Stewey (Joey Diaz), to investigate. When the three fail to return, Zeus is once again called to save the day.

Kevin James returns to work as everyone's favourite mall cop in the sequel to the 2009 comedy. When clumsy, overweight security guard Paul Blart (James) travels to Las Vegas with his daughter Maya (Raini Rodriguez) to attend the annual Security Guard Conference, he inadvertently discovers that a heist is being planned by master criminal Vincent (Neal McDonough). As the security team of the Las Vegas hotels refuse to take the threat seriously, Blart takes it upon himself to find the crooks and catch them in the act, proving to himself and everyone around him that he's still got what it takes to be a good security guard. The cast also includes Eduardo Verastegui, Daniella Alonso and David Henrie.

All nine series of the popular US sitcom about a beleaguered courier driver and his family. Doug and Carrie Heffernan are a young Queens couple who should be sitting pretty. Doug (Kevin James) is a courier driver with a cheeky, playful nature who, given a choice, almost always chooses what's most likely to rile his wife's fiery temper. Carrie (Leah Remini) is a legal assistant, vivacious, wise, and, on the face of it, way too good for Doug - a fact that informs much of the comedy here. In the first flush of their married life together, however, Carrie's parents' house burns down. Her mum dies, and dad Arthur needs a place to stay. Arthur (Jerry Stiller) is an oddball, hilariously volatile old man who never says anything that isn't in anger or indignation. An ensemble of Doug's quirky friends, who constantly dispense advice he takes to heart but which is utterly, disastrously wrong, round out the cast in this long-running family comedy.

Triple bill of films following the Christmas adventures of the irrepressible dog, Zeus. 'The Dog Who Saved Christmas' (2009) sees ex-police dog Zeus (voiced by Mario Lopez), who failed spectacularly at his former vocation, adopted by the Bannister family as an early Christmas present. When the house is broken into while the family are away on holiday it is up to Zeus to save the day with his dubious crime-fighting skills. 'The Dog Who Saved Christmas Vacation' (2010) follows the Bannister family and Zeus to a plush Rocky Mountain resort, where Zeus strikes up a promising friendship with flirtatious poodle Bella (voice of Paris Hilton). Finally, 'The Dog Who Saved the Christmas Holidays' (2012) sees Zeus and his owners fly to California to stay with their relative, Aunt Barbara (Shelley Long), at her extravagant beach mansion. Here Zeus finds a rival for human affection, the boisterous puppy, Eve. How will he deal with the young pretender?

By 1970, the hippie dream of the 60s was dead -- the soundtrack of the revolution had become a multimillion-dollar industry. Glitter tried to save music's soul, but was too commercial to be cutting edge for long. Then, in 1974, a rescue movement arrived. Three chords, black jeans, a pair of shades, and a whole lot of attitude made music that matched the facts of life on its home ground, mid-70sNew York City's East Village. The initiators of punk, Richard Hell, Tom Verlaine, and Patti Smith had one foot in nineteenth-century French symbolist poetry and the other in the raw sound of their predecessors such as the Velvet Underground. This first-hand account of a little-documented era features luminaries such as Lou Reed, Iggy Pop, David Bowie, Debbie Harry, Divine, Devo, and the New York Dolls, and tells of the gigs at CBGB hitting the news as Warhol and his glittering crew descended. What began as a unique blend of fin-de-siecle ennui and razor-sharp rock became anarchic frenzy and safety pins, overrun by gutter decadence and stupid-chic. With Malcolm McLaren hijacking the scene's momentum, the Blank Generation plunged into excess and eventual ruin, its survivors making the leap into mainstream.