The city of Constantinople was named New Rome or Second Rome very soon after its foundation in AD 324; over the next two hundred years it replaced the original Rome as the greatest city of the Mediterranean. In this unified essay collection, prominent international scholars examine the changing roles and perceptions of Rome and Constantinople in Late Antiquity from a range of different disciplines and scholarly perspectives. The seventeen chapters cover both the comparative development and the shifting status of the two cities. Developments in politics and urbanism are considered, along with the cities' changing relationships with imperial power, the church, and each other, and their evolving representations in both texts and images. These studies present important revisionist arguments and new interpretations of significant texts and events. This comparative perspective allows the neglected subject of the relationship between the two Romes to come into focus while avoiding the teleological distortions common in much past scholarship.
An introductory section sets the cities, and their comparative development, in context. Part Two looks at topography, and includes the first English translation of the Notitia of Constantinople. The following section deals with politics proper, considering the role of emperors in the two Romes and how rulers interacted with their cities. Part Four then considers the cities through the prism of literature, in particular through the distinctively late antique genre of panegyric. The fifth group of essays considers a crucial aspect shared by the two cities: their role as Christian capitals. Lastly, a provocative epilogue looks at the enduring Roman identity of the post-Heraclian Byzantine state. Thus, Two Romes not only illuminates the study of both cities but also enriches our understanding of the late Roman world in its entirety.

Theoretical writing on the company and company law has been dominated in recent years by economics. This collection of essays by a distinguished team of authors drawn from a variety of disciplines seeks to build on the insights of this economic analysis and broaden understanding by examining the company in a wider historical,legal, political, and sociological context. Issues discussed include the attitudes of political parties in the UK to the company, the rise of the non-executive director, institutional activism and stakeholder protection, and the evolution of the nexus of contracts theory of the company. There is also a strong comparative theme, with discussions of the political and sociological context of corporate governance in France, Germany, and Japan, together with developments at the European level.

The city of Constantinople was named New Rome or Second Rome very soon after its foundation in AD 324; over the next two hundred years it replaced the original Rome as the greatest city of the Mediterranean. In this unified essay collection, prominent international scholars examine the changing roles and perceptions of Rome and Constantinople in Late Antiquity from a range of different disciplines and scholarly perspectives. The seventeen chapters cover both the comparative development and the shifting status of the two cities. Developments in politics and urbanism are considered, along with the cities' changing relationships with imperial power, the church, and each other, and their evolving representations in both texts and images. These studies present important revisionist arguments and new interpretations of significant texts and events. This comparative perspective allows the neglected subject of the relationship between the two Romes to come into focus while avoiding the teleological distortions common in much past scholarship. An introductory section sets the cities, and their comparative development, in context. Part Two looks at topography, and includes the first English translation of the Notitia of Constantinople. The following section deals with politics proper, considering the role of emperors in the two Romes and how rulers interacted with their cities. Part Four then considers the cities through the prism of literature, in particular through the distinctively late antique genre of panegyric. The fifth group of essays considers a crucial aspect shared by the two cities: their role as Christian capitals. Lastly, a provocative epilogue looks at the enduring Roman identity of the post-Heraclian Byzantine state. Thus, Two Romes not only illuminates the study of both cities but also enriches our understanding of the late Roman world in its entirety.

Ammianus Marcellinus is usually regarded as our most important source for the history of the second half of the fourth century AD, while his literary qualities are neglected. This book demonstrates what a subtle and manipulative writer Ammianus is; attention is paid particularly to his rich and variegated intertextuality with earlier classical literature and history. Questioning the prevailing interest in the historian's life as the key to his work, Dr Kelly evaluates the historiographical function of the vivid and thrilling autobiographical passages. The range of Ammianus' allusions is surveyed, including his use of classical examples, his relationship with historical source-texts and the workings of internal echoes within the history. His interactions with other texts are seen as carefully controlled and meaningful; and both his allusive techniques and writing in general, it is argued, are better viewed as reflecting a classical, rather than a late antique, aesthetic.

Ammianus Marcellinus is usually regarded as our most important source for the history of the second half of the fourth century AD, while his literary qualities are neglected. This book demonstrates what a subtle and manipulative writer Ammianus is; attention is paid particularly to his rich and variegated intertextuality with earlier classical literature and history. Questioning the prevailing interest in the historian's life as the key to his work, Dr Kelly re-evaluates the historiographical function of the vivid and thrilling autobiographical passages. The range of Ammianus' allusions is surveyed, including his use of classical examples, his relationship with historical source-texts and the workings of internal echoes within the history. His interactions with other texts are seen as carefully controlled and meaningful; and both his allusive techniques and writing in general, it is argued, are better viewed as reflecting a classical, rather than a late antique, aesthetic.

A multidisciplinary survey of Sidonius Apollinaris and his works First ever comprehensive research tool for Sidonius Apollinaris Assembles leading international specialists on Sidonius and his age Offers an assessment of past and currernt research in the field Comprehensive bibliography includes all the scholarly literature on Sidonius Supplemented by the regularly updated Sidonius website www.sidonapol.org Sidonius Apollinaris, c.430 - c.485, poet and letter-writer, aristocrat, administrator and bishop, is one of the most distinct voices to survive from Late Antiquity and an eyewitness of the end of Roman power in the west. The Edinburgh Companion to Sidonius Apollinaris is the first work of its kind, giving a full account of all aspects of his life and works and surveying past and current scholarship as well as new developments in research. This substantial and significant work of scholarship is divided into six thematic sections covering his social, political, linguistic, literary and prosopographical context as well as extensive new scholarship on the manuscript tradition and history of reception. This interdisciplinary book combines the utility of a key research tool for the study of Sidonius with a significant offering of wholly new scholarly research.

Ryan O'Nan writes, directs and stars in his debut feature, a musical road trip comedy following two young musician friends as they set out to pursue their dreams. Alex (O'Nan) and Jim (Michael Weston), aka The Brooklyn Brothers, head out for the West Coast from their home city of New York in the hope of bringing their music to a wider audience. As they travel across the country, they play a series of gigs at random music venues in the build-up to a 'Battle of the Bands' event. Along the way they meet self-styled music revolutionary Cassidy (Arielle Kebbel), who becomes their road manager.