Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

"From the inspired mystic to the man of practical analytic mind, the transition was instantaneous..." Astro, the Seer of Secrets, and his lovely assistant, Valeska, sound more like a magic act than a private detection team. Astro, in fact, hides his powers of observation and reasoning beneath a turban and a cape, pretending to read palms and consult crystals while in fact keenly observing details that most people-police included-miss. Valeska, his beautiful blond protege, assists Astro with his investigations, all the while honing her own skills. Called upon by believers and skeptics both, they adeptly recover what is missing-a rare Shakespeare folio, a missing husband, a kidnapped child-while also solving actual murders. But it is their burgeoning romance, and their mutual zeal to work pro bono where matters of the heart are at stake, that set this crime-solving duo apart.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

Experience for yourself the treasure that inspired generations of children's authors, including the young Dr. Seuss. Gelett Burgess first published Goops and How to be Them in 1900, giving life to a set of characters he would continue to develop over several decades, through numerous books and even a comic strip. This collection contains the two most popular of these, the original Goops and How to be Them and its sequel, More Goops and How Not to be Them. We've even included an excerpt from The Burgess Nonsense Book that showcases an entire Alphabet of Famous Goops

"The Goops they lick their fingers / And the Goops they lick their knives / They spill their broth on the tablecloth -- / Oh, they lead disgusting lives!" Reminiscent of the gross-out humor of Raold Dahl and Babbette Cole, this book on manners was an instant hit when it was first published a century ago and will still appeal to -today's sophisticated readers.

Gelett Burgess (1866 - 1951) was born in Boston and lived in Berkeley, California, New York City and Paris.