Sixteen-year-old Anna should not have been born. It is the year 2140 and people can live for ever. No one wants another mouth to feed, so she lives in a Surplus Hall, where unwanted children go to learn valuable lessons . . . at least she wasn't put down at birth. One day, a new inmate arrives. Anna's life is thrown into chaos. He says things about her parents and the Outside that couldn't possibly be true . . . Or could they? Thrilling, passionate and beautifully written, this dystopian novel is perfect for fans of The Hunger Games

The chilling, powerful sequel to Gemma Malley's acclaimed debut, The Declaration. For fans of The Hunger Games In a world where nobody dies, Peter and Anna are Opt Outs - they choose not to live for ever . . . but is that enough? To try and fight the system further, Peter infiltrates Pincent Pharma, the company behind Longevity - the drug that offers eternal life. But he finds himself involved in things he didn't think possible . . . and begins to struggle with his own family. It appears Richard Pincent will stop at nothing to get what he wants, even if it means ripping Peter and Anna's new life apart.

The unimaginable has happened - Longevity, the drug that is supposed to guarantee eternal youth, isn't working. A virus is sweeping the country, killing many in its wake, and Longevity is powerless to fight it. The Outside is frightened, death is suddenly a possibility and Pincent Pharma need someone to blame.The Underground are accused of deliberately contaminating a batch of the drugs and Peter and Anna are hunted down. But someone knows the truth . . . Will they speak up or watch as everything is torn to pieces? The thrilling conclusion to the brilliant dystopian trilogy that began with The Declaration. For fans of The Hunger Games.

To survive you need people watching you, following your every move. That's the only currency now: being interesting, being liked ... And, of course, you have to update every fifteen minutes. It means everyone knows where you are, what you're doing; it means that there are no secrets... Everybody watches everyone else; nothing is hidden. And for those who fail to 'update' every fifteen minutes, the consequences are deadly. Evie and Raffy may have escaped the City but they still fear for their lives. Now the only person who can help them is Frankie, a total stranger, the most popular girl in the world, watched every second by millions of people. But Frankie has other ideas... And all the time, Lucas is waiting desperately for word from Evie, word that she is coming back to him. The conclusion to Gemma Malley's terrifyingly dark vision of our near future will leave you gasping for air.

Riveting, brilliantly imagined and passionate, THE DISAPPEARANCES, the compelling sequel to THE KILLABLES, will appeal to everyone who loved the powerful and gripping storytelling of THE HUNGER GAMES. They walked in silence onto the raised path that led to the East Gate. The closer they got, the louder the buzzing was. As they approached the gate it was almost unbearable. There was a stench in the air that made it hard to breathe, a stench that made the hair on the back of Lucas' neck stand up on end. Whatever had brought the flies here wasn't good. It's been a year since Evie and Raffy escaped the controlling regime of the City, leaving Lucas behind to rebuild the ruins of the place they once called home. And Lucas knew that once he said goodbye, Evie would be lost to him forever... But the City soon finds itself plagued by another terrifying threat: the Disappearances: teenagers who have gone missing from within the City walls, apparently vanishing into thin air. With the City at stake, Lucas has no choice but to call on his old friends - even if seeing them together is more than he can bear.

Evil has been eradicated. The City has been established. And citizens may only enter after having the 'evil' part of their brain removed. They are labelled on the System according to how 'good' they are. If they show signs of the evil emerging, they are labelled a K . . . But no one knows quite what that means. Only that they disappear, never to be seen again . . .