The relationship between Conrad's Malay fiction and colonialism is a prominent subject of commentary now, and has been for some time. Most scholars would point to Chinua Achebe's important article "An Image of Africa" as the initiation into the interest in Conrad and colonialism, but if fact decades previously, Florence Clemens had begun this conversation in her ground-breaking commentary on Conrad's Malay fiction. At the time Florence Clemens was writing, almost nothing had been written on the Conrad's colonial world, and for many years her work thus was relatively unknown and relatively difficult to obtain. However, Clemens' work is significant, and its appearance in Brill's Conrad Studies series now makes this important study readily available to scholars.

When Joseph Conrad died in 1924, Ford Madox Ford immediately published a memoir of his involvement with Conrad at which Conrad's widow took offense. The ensuing "controversy" left Ford with a lasting reputation for "unreliability" which Morey examines in detail, uncovering evidence that substantiates most of Ford's claims. Morey's judicious assessment of the literary friendship and interdependence between two remarkable writers is a much-needed addition to studies of Conrad and Ford.

Introduction and Notes by Gene M. Moore, Universiteit van Amsterdam. Generally regarded as the pre-eminent work of Conrad's shorter fiction, Heart of Darkness is a chilling tale of horror which, as the author intended, is capable of many interpretations. Set in the Congo during the period of rapid colonial expansion in the 19th century, the story deals with the highly disturbing effects of economic, social and political exploitation of European and African societies and the cataclysmic behaviour this induced in some individuals. The other two stories in this book - Youth and The End of the Tether - concern the sea and those who sail upon it, a genre in which Conrad reigns supreme.

This book offers the first comprehensive, international survey of more than eighty films and videos based on the life and work of Joseph Conrad. Essays by leading film and literary scholars examine the films, both in the context of film history and technology, and in terms of the theoretical and practical problems facing directors - including Alfred Hitchcock, Orson Welles, Francis Ford Coppola and Andrzej Wajda - who have attempted to put Conrad on film. Conrad was the first major English author to adapt his work for the screen, and the story of his unpublished 'film-play' is told in an important chapter. The challenges of finding visual analogues for Conrad's narrative irony and filmic equivalents for his narrators are also examined. The volume is well illustrated and includes a detailed filmography and film bibliography, making it a landmark study of Conrad films and film adaptations in general.

Published posthumously in 1925, Suspense is set in Genoa in early 1815. This edition of Conrad's last novel, established through modern textual scholarship, presents the text in a form more authoritative than any so far printed. The introduction situates the novel in Conrad's career and traces its sources and contemporary reception. The explanatory notes explain literary and historical references, identify real-life places and indicate Conrad's main research materials. A glossary of foreign words and phrases enriches the explanatory matter, as do four illustrations and a map. A notebook of Conrad's research for the novel and deleted drafts are published here for the first time. The essay on the text and apparatus lay out the history of the work's composition and publication and detail interventions in the text by Richard Curle, who, as Conrad's de facto literary executor, saw the novel into print, along with typists, compositors and editors.

This casebook assembles historical and theoretical materials relevant to a deeper understanding of the origins and reception of Joseph Conrad's best-knowen and most controversial work, with texts by Conrad himself, Sir Arthur Conan Doyle and Max Beerbohm, and distinguished scholars such as Zdzislaw Najder and Ian Watt.

The very successful Oxford Reader's Companion series, described recently in the TLS as 'scholarly, ambitious and scrupulous', is now available in paperback. 'Lively and thorough' says the Library Journal of the Oxford Reader's Companion to Conrad. Bringing together all of the best scholarship around on this compelling and complex figure in English literature, this handy paperback edition of thisCompanion will prove invaluable to students of 19th-century Victorian fiction.

The last volume in The Collected Letters of Joseph Conrad presents over two hundred new letters written between 1892 and 1923. Some are to correspondents who have not previously appeared in the collected letters; others are to family members, friends, and colleagues familiar from earlier volumes. Many of the letters in both categories are substantial enough to justify a recharting of Conrad's work, his friendships, his experiences, and his opinions on such subjects as opera, marriage, editorial tampering, the reading public, British foreign policy, the consolations and the penalties of faith, the Dutch Empire, translating Maupassant, the power of oratory, the revolutions of 1917, and the deficiencies of Ibsen's Ghosts. This volume holds enough surprises to suggest that there can never be a final word on Conrad and includes indexes and further apparatus for the whole series.

Volume Eight of Conrad's collected letters covers the last nineteen months of his life (1923-24). Much of this correspondence is unpublished; its editors have had access to the major private collections as well as holdings in public and academic libraries. The letters themselves are accompanied by notes on contexts, allusions, and editorial problems, and prefaced with a general introduction and biographies of the correspondents. Letters to his family written during his visit to the United States are a notable feature of this collection, which is also rich in comments on literary questions, current events, his experiences at sea, the reception of The Rover, and work on his unfinished novel, Suspense.

The signing of the Gdansk Agreements in August 1980 signaled the birth of the Solidarity independent trae union movement. The sixteen months that followed until the December 1981 declaration of martial law remain one of the most fascinating chapter in the history of communist states. But the events of August 1980 did not materialize from thin air. The groundwork for Solidarity was prepared five years before when a group of dissident intellectuals gathered to boldly proclaim their solidarity with persecuted workers at Random and Ursus. This group called itself the Komitet Obrony Robotnikow (KOR) or the Worker's Defense Committee. What was KOR? What were the social and political circumstances that lead to its formation? And how did it presage a movement that would come to symbolize the hopes of a whole generation of Poles? The answers to these questions lie in the rare insights provided by one of Poland's most respected historians, Jan Jozef Lipski, who was also a found and active member of KOR. His book, translated from the Polish, is a meticulously detailed, insider's account of KOR from its formation in 1976 to its dissolution of 1981 when it was subsumed by the more powerful movement of mass, organized protest, Solidarity. The history of KOR is painted on the broad canvass of Polish society, in a manner which sheds light on the roles of other actors--workers, peasants, government officials, the Catholic Church, the Soviet Union--who also had a hand in shaping events during this period. KOR: A History of the Workers' Defense Committee in Poland is a work of first-rate importance unlike any other published in the West. It provides a deep insight into the origins of events in Poland, and will also inform those intersted in the process of liberation elsewhere in Eastern Europe. Although written with a historian's attention to detail and objectivity, it is a riveting work of sustained dramatic tension. For Lipski is a dissident who writes about Poland from Poland and the history he writes about is till in the making. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985. 

The signing of the Gdansk Agreements in August 1980 signaled the birth of the Solidarity independent trae union movement. The sixteen months that followed until the December 1981 declaration of martial law remain one of the most fascinating chapter in the history of communist states. But the events of August 1980 did not materialize from thin air. The groundwork for Solidarity was prepared five years before when a group of dissident intellectuals gathered to boldly proclaim their solidarity with persecuted workers at Random and Ursus. This group called itself the Komitet Obrony Robotnikow (KOR) or the Worker's Defense Committee. What was KOR? What were the social and political circumstances that lead to its formation? And how did it presage a movement that would come to symbolize the hopes of a whole generation of Poles? The answers to these questions lie in the rare insights provided by one of Poland's most respected historians, Jan Jozef Lipski, who was also a found and active member of KOR. His book, translated from the Polish, is a meticulously detailed, insider's account of KOR from its formation in 1976 to its dissolution of 1981 when it was subsumed by the more powerful movement of mass, organized protest, Solidarity. The history of KOR is painted on the broad canvass of Polish society, in a manner which sheds light on the roles of other actors--workers, peasants, government officials, the Catholic Church, the Soviet Union--who also had a hand in shaping events during this period. KOR: A History of the Workers' Defense Committee in Poland is a work of first-rate importance unlike any other published in the West. It provides a deep insight into the origins of events in Poland, and will also inform those intersted in the process of liberation elsewhere in Eastern Europe. Although written with a historian's attention to detail and objectivity, it is a riveting work of sustained dramatic tension. For Lipski is a dissident who writes about Poland from Poland and the history he writes about is till in the making. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.