The last decade has seen an incredible growth in the production and distribution of images and other cultural artefacts. The internet is the place where all these cultural products are stored, classified, voted, collected and trashed. What is the impact of this process on art making and on the artist? Which kind of dialogue is going on between amateur practices and codified languages? How does art respond to the society of information? This is a book about endless archives, image collections, bees plundering from flower to flower and hunters crawling through the online wilderness. Alterazioni Video, Kari Altmann, Cory Arcangel, Gazira Babeli, Kevin Bewersdorf, Luca Bolognesi, Natalie Bookchin, Petra Cortright, Aleksandra Domanovic, Harm van den Dorpel, Constant Dullaart, Hans-Peter Feldmann, Elisa Giardina Papa, Travis Hallenbeck, Jodi, Oliver Laric, Olia Lialina & Dragan Espenshied, Guthrie Lonergan, Eva and Franco Mattes, Seth Price, Jon Rafman, Claudia Rossini, Evan Roth, Travess Smalley, Ryan Trecartin.

The last decade has seen an incredible growth in the production and distribution of images and other cultural artefacts. The internet is the place where all these cultural products are stored, classified, voted, collected and trashed. What is the impact of this process on art making and on the artist? Which kind of dialogue is going on between amateur practices and codified languages? How does art respond to the society of information? This is a book about endless archives, image collections, bees plundering from flower to flower and hunters crawling through the online wilderness. Alterazioni Video, Kari Altmann, Cory Arcangel, Gazira Babeli, Kevin Bewersdorf, Luca Bolognesi, Natalie Bookchin, Petra Cortright, Aleksandra Domanovic, Harm van den Dorpel, Constant Dullaart, Hans-Peter Feldmann, Elisa Giardina Papa, Travis Hallenbeck, Jodi, Oliver Laric, Olia Lialina & Dragan Espenshied, Guthrie Lonergan, Eva and Franco Mattes, Seth Price, Jon Rafman, Claudia Rossini, Evan Roth, Travess Smalley, Ryan Trecartin.

Post Internet is a blog developed between December 2009 and September 2010 by the New York based art critic Gene McHugh, thanks to a grant of the Creative Capital | Andy Warhol Foundation Arts Writers Grant Program. For almost a year, Gene McHugh kept filling this folder with his personal notes. Writing and posting became a daily, regular activity, that sometimes produced many posts a day, sometimes long (or very long) texts posted at a slower pace. However, Post Internet is not just a piece of beautiful criticism, as reading this book proves. It's also, in itself, a piece of Post Internet art in the shape of an art criticism blog. GENE MCHUGH is an art writer and curator based in Brooklyn. His writing has appeared in Artforum and Rhizome, and he was the recipient of the Creative Capital | Warhol Foundation Arts Writers Grant for his blog, Post Internet: http://122909a.com/. McHugh is currently the Kress Fellow in Interpretive Technology at the Whitney Museum of American Art.