Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Our Lady of the Flowers, often considered Genet's masterpiece, was written in the cell of a French prison where he was being held for theft. Here is the darker side of Montmartre, a world of pimps, thieves, prostitutes, queens and blackmailers, where 'morality' in the common sense of the word has no meaning. The story of Divine, a drag-queen prostitute, is interwoven with that of one of his lovers, a young man due to be arrested for murder. A story of sex, crime and death, Our Lady of the Flowers is a powerful and original debut novel, which put Genet into the front rank of French writers.

The Thief's Journal is perhaps Jean Genet's most authentically autobiographical novel; an account of his impoverished travels across 1930s Europe. The narrator is guilty of vagrancy, petty theft and prostitution, but his writing transforms such degradations into an inverted moral code, where criminality and delinquency become heroic. With a holy trinity of his own making - homosexuality, theft and betrayal - in The Thief's Journal Genet produced a startlingly powerful novel without precedent.

A beautiful new edition of Jean Genet's classic work, which includes a new introduction by Jon Savage.

'One of the great writers of our times.' Sunday Telegraph

Querelle, a young sailor at large in the port of Brest, is an object of illicit desire to his diary-keeping superior officer, Lieutenant Seblon. He is coveted, too, by a corrupt policeman, Mario, and gives himself freely both to brothel-keeper Madame Lysiane and to her husband. But Querelle is a thief and a murderer - not a man to be trusted or trifled with.

Jean Genet's masterpiece, composed entirely in the solitude of his prison cell. With an introduction by Jean-Paul Sartre. Jean Genet's first, and arguably greatest, novel was written while he was in prison. As Sartre recounts in his introduction, Genet penned this work on the brown paper which inmates were supposed to use to fold bags as a form of occupational therapy. The masterpiece he managed to produce under those difficult conditions is a lyrical portrait of the criminal underground of Paris and the thieves, murderers and pimps who occupied it. Genet approached this world through his protagonist, Divine, a male transvestite prostitute. In the world of Our Lady of the Flowers, moral conventions are turned on their head. Sinners are portrayed as saints and when evil is not celebrated outright, it is at least viewed with a benign indifference. Whether one finds Genet's work shocking or thrilling, the novel remains almost as revolutionary today as when it was first published in 1943 in a limited edition, thanks to the help of one its earliest admirers, Jean Cocteau.

The complexity of the interplay and relationships over various borders in medieval Europe is here fully teased out. The processes by which ideas, objects, texts and political thought and experience moved across boundaries in the Middle Ages form the focus of this book, which also seeks to reassess the nature of the boundaries themselves; it thus appropriately reflects a major theme of Dr Malcolm Vale's work, which the essays collected here honour. They suggest ways of breaking down established historiographical paradigms of Europe as a set of distinct polities, achieving a more nuanced picture in which people and objects were constantly moving, and challenging previous conceptions of units and borders. The first section examines the construction of boundaries and units in the later Middle Ages, via topics ranging from linguistic units to social stratifications, and geographically from the Netherlands and Scotland to Gascony and the Iberian peninsula; it reveals how much the relationship between exchange and boundaries was reciprocal. The second section considers the mechanisms by which it took place, from West Africa to Italy and Flanders, and discusses the actual exchange of people, texts, and unusual artefacts. Overall, the essays bear witness to the constant interplay and interconnections throughout medieval Europe and beyond. Contributors: Paul Booth, Maria Joao Violante Branco, Rita Costa-Gomes, Mario Damen, Jan Dumolyn, Jean Dunbabin, Jean-PhilippeGenet, Michael Jones, Maurice Keen, Frederique Lachaud, Patrick Lantschner, Guilhem Pepin, R.L.J. Shaw, Hannah Skoda, Erik Spindler, John Watts.

Based on a collaboration between historians of Chinese and European politics, Political Communication in Chinese and European History, 800-1600 offers a first comprehensive overview of current research on political communication in middle-period European and Chinese history. The chapters present new work on the sources and processes of political communication in European and Chinese history partly through juxtaposing and combining formerly separate historiographies and partly through direct comparison. Contrary to earlier comparative work on empires and state formation, which aimed to explain similarities and differences with encompassing models and new theories of divergence, the goal is to further conversations between historians by engaging regional historiographies from the bottom up.

Jean Genet, French playwright, novelist and poet, turned the experiences in his life amongst pimps, whores, thugs and other fellow social outcasts into a poetic literature, with an honesty and explicitness unprecedented at the time. Widely considered an outstanding and unique figure in French literature, Genet wrote five novels between 1942 and 1947, now being republished by Faber & Faber in beautiful new paperback editions.

Jean Genet began to write his third novel in 1943, but it was to be changed utterly by the death of Jean Decarnin. Genet's sensual and brutal portrait of the Second World War unfolds between the poles of his grief for his lover Jean, killed in the Resistance during the liberation of Paris, and his perverse attraction to the collaborator Riton. Powerfully written, and with moments of great poetic subtlety, Funeral Rites is a dark meditation on the mirror images of love and hate, sex and death.

Includes a new introduction by Neil Bartlett.

Jean Genet, French playwright, novelist and poet, turned the experiences in his life amongst pimps, whores, thugs and other fellow social outcasts into a poetic literature, with an honesty and explicitness unprecedented at the time. Widely considered an outstanding and unique figure in French literature, Genet wrote five novels between 1942 and 1947, now being republished by Faber & Faber in beautiful new paperback editions.

Miracle of the Rose was Jean Genet's second novel, composed in 1943 while incarcerated in prison. The novel is informed by Genet's memories of confinement, both in prison and the Mettray reformatory where he spent three years from the age of 15. The central figure of the novel is Harcamone, whom Genet first encountered at Mettray, and who resurfaces in an adult prison -- now a murderer and, in the world-turned-upside-down of Genet's vision, a quasi-divine figure.

Includes a new introduction by Terry Hands.

Three young convicts share a cell. Locked into a world of dangerous rivalries, criminals Lefranc and Maurice compete for the attention of the charismatic condemned man, Green-Eyes. Informed by his own experience in French prisons, Jean Genet's first play, Deathwatch is an explosive exploration of the inversion of moral order. Genet was one of the most prominent and provocative writers of the twentieth century. Jean Genet's Deathwatch premiered in this translation by David Rudkin with the Royal Shakespeare Company in 1987 and was revived at the Print Room, London, in April 2016.

Civil wars and internal conflicts pose the greatest threat to international peace and security in the twenty-first century. Nowhere is this problem more acute than in East Asia and the Pacific, which has far more of its share of such conflicts. Unraveling Internal Conflicts in East Asia and the Pacific: Incidence, Consequences, and Resolution, edited by Jacob Bercovitch and Karl DeRouen, Jr., is a book of originally commissioned essays on civil wars which provide a compelling area of inquiry. Many of the Asia-Pacific region's wars are very long (such as in Myanmar), some tend to recur (also in Myanmar); some involve religion (Philippines, Thailand), and some (Aceh, Bougainville, East Timor) of the longest have ended in the last few years. In short, the region presents a variety of interesting dynamics that merit close attention in one volume. The aim of Unraveling Internal Conflicts in East Asia and the Pacific is to provide an original look at these civil wars. The unique feature of the book is that it brings a variety of perspectives together into one volume. Bercovitch and DeRouen, Jr., do this in four sections: The first, titled "Security and Internal Conflicts in the Region," is an overview of conflict and conflict management in the region. Section Two is called "Features of Conflict in the Region." Here the authors cover conflict contours, including intractability, conflict resolution, recurrence, and Islam. Section Three, "External Involvement in Regional Conflicts," focuses on third party intervention in regional conflicts. The individual chapters cover mediation, peacekeeping, and other forms of third party involvement. The final section ties the chapters together. Unraveling Internal Conflicts in East Asia and the Pacific: Incidence, Consequences, and Resolution, edited by Jacob Bercovitch and Karl DeRouen, Jr., provides a fresh and comprehensive look at conflict in the part of the world where internal conflict is most prevalent.

This comprehensive guide to the world of terrariums details every part of creating highly unusual and beautiful miniature indoor gardens. Easy to make, these 33 unique terrarium projects are inspired by ecosystems around the world, including a fern-filled Black Forest from Germany, a delicate bonsai garden from Kyushu in the south of Japan, and a tableau of olive and thyme from the shores of the Sea of Galilee in Israel. Lush photography and helpful insider tips and tricks round out this one-of-a-kind handbook. With a variety of projects and plenty of step-by-step instructions covering every element of crafting a terrarium, anyone can fashion a stunning piece of living art.

How did the kings of England and France govern their kingdoms? This volume, the product of a ten-year international project, brings together specialists in late medieval England and France to explore the multiple mechanisms by which monarchs exercised their power in the final centuries of the Middle Ages. Collaborative chapters, mostly co-written by experts on each kingdom, cover topics ranging from courts, military networks and public finance; office, justice and the men of the church; to political representation, petitioning, cultural conceptions of political society; and the role of those excluded from formal involvement in politics. The result is a richly detailed and innovative comparison of the nature of government and political life, seen from the point of view of how the king ruled his kingdom, but bringing to bear the methods of social, cultural and economic history to understand the underlying armature of royal power.

The highly anticipated follow-up book from the New York Times bestselling author of The Plan. The Metabolism Plan will help you lose even more weight with a revolutionary diet and exercise program that boosts your metabolism to burn fat and improve energy. It takes The Plan to a new level with a program that's customised to target the metabolism. Complete with delicious new recipes, and an exercise plan The Metabolism Plan shows you how to workout smarter, not harder - as little as 12 minutes, 3 times a week! The Metabolism Plan also addresses many hidden issues that can sabotage your metabolism and inhibit weight loss, including thyroid dysfunction and over-exercise.

Starting in 1970, Jean Genet-petty thief, prostitute, modernist master-spent two years in the Palestinian refugee camps in Jordan. Always an outcast himself, Genet was drawn to this displaced people, an attraction that was to prove as complicated for him as it was enduring. Prisoner of Love, written some ten years later, when many of the men Genet had known had been killed, and he himself was dying, is a beautifully observed description of that time and those men as well as a reaffirmation of the author's commitment not only to the Palestinian revolution but to rebellion itself. For Genet's most overtly political book is also his most personal-the last step in the unrepentantly sacrilegious pilgrimage first recorded in The Thief's Journal, and a searching meditation, packed with visions, ruses, and contradictions, on such life-and-death issues as the politics of the image and the seductive and treacherous character of identity. Genet's final masterpiece is a lyrical and philosophical voyage to the bloody intersection of oppression, terror, and desire at the heart of the contemporary world.

Jean Genet was one of the world's greatest contemporary dramatists, and his last play, The Screens, is his crowning achievement. It strikes a powerful, closing chord to the formidable theatrical work that began with Deathwatch and continued, with even bolder variations, in The Maids, The Balcony, and The Blacks.
Explicitly political, The Screens is set within the context of the Algerian War. The play's cast of over fifty characters moves through seventeen scenes, the world of the living breaching the world of the dead by means of shifting the screens--the only scenery--in a brilliant tour de force of spectacle and drama.

Genet's sensual and brutal portrait of World War II unfolds between the poles of his grief for his lover Jean, killed in the Resistance during the liberation of Paris, and his perverse attraction to the collaborator Riton. Elegaic, macabre, chimerical, Funeral Rites is a dark meditation on the mirror images of love and hate, sex and death.

A collection of Jackson's letters from prison, "Soledad Brother" is an outspoken condemnation of the racism of white America and a powerful appraisal of the prison system that failed to break his spirit but eventually took his life. Jackson's letters make palpable the intense feelings of anger and rebellion that filled black men in America's prisons in the 1960s. But even removed from the social and political firestorms of the 1960s, Jackson's story still resonates for its portrait of a man taking a stand even while locked down.