Genine Lentine's new chapbook, a finalist in the NMP/DIAGRAM 2009 chapbook contest, is a great debut. "Reading Genine Lentine's poems--so ardent and playful, risky and affecting--I kept thinking that it's not true, what Ren Char once said, that 'no bird has the heart to sing in a thicket of questions.' These poems plunge headlong into uncertainties of both language and life and, in doing so, they are so original that I often felt while reading them that I was in the grip of a brand new and still unnamed emotion." --Richard McCann "These clear, refreshing acts of attention seem to wake us to another way of seeing, and to the problems and pleasures of saying what we see. Have we taken the act of speech for granted all along? In her short, formally inventive pieces--and especially in her dazzling long poem about language's power and limits that anchors this collection--Lentine sounds like no one else. Her wry, astonished, aching voice is a fresh presence in American poetry." --Mark Doty "Beautiful experiments from the spiraling ladder of someone who has spread out her root hairs and patiently attends the right words to assign; one who is there to honor the instant something shimmers before it disappears, be 'it' the meaning of 'all this' or the lack thereof, not unlike Mr. Worthington photographing a droplet's splash he so ingeniously rigged to measure. And what doesn't Genine Lentine's aqueous breath expel--a disquisition on Softsoap, a sideways look at the motivational expression of Grenville Kleiser, the speed of sperm, along with a little consideration of the comma, the prefix un-, the contour of a vowel. Ms. Lentine's experiments begin and end with the parent body as it breaks away, that 'which asks nothing of us, only that we're here for it.'" She is here. --C.D. Wright "These thrilling poems--restless, calm, reckless, wise--interrogate themselves by hovering over moments of aching beauty, as well as utter bewilderment, until they become the world itself." --Nick Flynn

This striking, oversized book, designed to evoke encyclopedias, is a highly creative amalgam of collage with a political bent and poetry. From 2011 to 2012, American artist Mel Chin (b. 1951) extracted all of the images from a twenty-five-volume set of Funk & Wagnall's Universal Standard Encyclopedia (ca. 1953-56) and began visually re-editing. Thousands of images rendered by photomechanical reproduction that served a populist, mid-century encyclopedia are reconfigured with 21st-century hindsight and idiosyncratic connections that convey social and artistic commentaries. Surrealism, humor, sarcasm, politics, history, and beauty permeate these sometimes raucous, often confounding, but consistently stunning images. Over 500 black-and-white collages are accompanied by twenty-five poems, one per encyclopedia volume, commissioned by Chin and author Nick Flynn specifically for this publication. Writers range from the well-known to the surprising. The Funk & Wag from A to Z offers mischievous fun with pointed commentary and hilarity. Distributed for The Menil Collection

Throughout his life (1905-2006) Stanley Kunitz created poetry and tended gardens. This book is the distillation of conversations, none previously published, that took place between 2002 and 2004. Beginning with the garden, that "work of the imagination," the explorations journey through personal recollections, the creative process, and the harmony of the life cycle. A bouquet of poems and a total of 26 full-color photographs accompany the various sections. The Wild Braid received a 2006 American Horticultural Society Book Award. "A miracle." Galway Kinnell "No one who has ever gardened passionately will be a stranger to the sentiments Kunitz expresses about this act of domestic creation, but very few of us will ever come close to writing about it with his grace and clarity. This is indeed a book to cherish." Kate Tyndall, Raleigh News & Observer"