Francis (FA) Mann was among the most brilliant of an exceptional group of German-Jewish emigres who came to Britain in the 1930s to escape persecution in Hitler's Germany. Born and educated in Germany, he was in time to become one of Britain's most distinguished international lawyers; a scholar of English, German and international law, a practitioner admired for his skill and tenacity, and the author of countless books and articles on international and domestic law whose views were very much shaped by his personal experiences and who in turn helped to shape international law in the 20th century. Mann enjoyed a traditional German education and was set for a career in the law when Hitler came to power in 1933. Being Jews, both Mann and his wife, Lore (also a brilliant law student) immediately left the country of their birth for England. Francis was naturalised in 1946 and became an ardent, if not uncritical, patriot. Having re-trained as a lawyer in England, it was not long before his rapidly expanding practice merged with that of Herbert Smith, which was to provide the setting in which he developed into one of the most original and enterprising legal practitioners of his day, and among the most influential legal writers of his generation. While his reputation in the field of international law spread throughout the world, in England he was that rare thing - a true jurist, steeped in the learning of the civil and common law, a 'cosmopolitan' lawyer long before such a term had entered the legal lexicon. This book is a personal recollection by someone who knew him as a friend and professional colleague for more than 30 years. For his early life the author has drawn upon on the personal memories of family, colleagues and friends as well as upon Mann's surviving papers, including the important and revelatory series of letters that Mann wrote to his wife from Berlin in 1946 where he was sent as a member of the Allied Control Commission.

Los Angeles trucker Phil Beddoe (Clint Eastwood) is less than delighted to win orangutan Clyde in a fight. Together, the unlikely twosome set out to track down Phil's lost love, a country and western singer (Sandra Locke). Along the way they get involved in various brawls and escapades. 2. Sequel to 'Every Which Way But Loose', in which trucker come street-fighter Philo Beddoe (Clint Eastwood) once more hits the road looking for a well-paid brawl. The purse this time round is offered by an underworld king, whose boxing champion has gained such a reputation that no-one dare face him. Philo, however, knows no fear and can always rely on the back-up of his trusty orang-utan sidekick, Clyde.

One of the greatest of all English common lawyers,Lord Atkin it was who asked the question in Donoghue v. Stevenson 'Who then in law is my neighbour?' which became the foundation of the whole modern law of negligence. His courageous dissent in the wartime detention case of Liversidge v. Anderson is now recognised as a historic stand on principle. This book contains absorbing accounts of the background to these two great cases, as well as an assessment of their significance in the legal history of this century. It is the only legal biography of its kind. Instead of taking the conventional narrative form it treats individually the principal themes of Lord Atkin's decisions and illuminates some less well known aspects of his work including the critical series of Canadian constitutional appeals in 1936. In showing the strong influence on his thinking of Lord Atkin's home life and upbringing in the Welsh countryside, this study confirms Lord Wright's conclusion that it was first and foremost a liberal spirit which animated Atkin's work. This is a reprint of a work first published by Butterworths in 1983.

Two mismatched cops, one sharp-suited (Sylvester Stallone), the other a slob (Kurt Russell), are thrown together when they are framed by a big-shot gun-runner (Jack Palance). They are put in prison, duly escape, and then try to clear their names whilst trying to track down a massive haul of weapons before the weapons are shipped abroad.

This is the first full account of the transformation of Ottoman Turkish into modern Turkish. It is based on the author's knowledge, experience and continuing study of the language, history, and people of Turkey. That transformation of the Turkish language is probably the most thorough-going piece of linguistics engineering in history. Its prelude came in 1928, when the Arabo-Persian alphabet was outlawed and replaced by the Latin alphabet. It began in earnest in 1930 when Ataturk declared: Turkish is one of the richest of languages. It needs only to be used with discrimination. The Turkish nation, which is well able to protect its territory and its sublime independence, must also liberate its language from the yoke of foreign languages. A government-sponsored campaign was waged to replace words of Arabic or Persian origin by words collected from popular speech, or resurrected from ancient texts, or coined from native roots and suffixes. The snag - identified by the author as one element in the catastrophic aspect of the reform - was that when these sources failed to provide the needed words, the reformers simply invented them. The reform was central to the young republic's aspiration to be western and secular, but it did not please those who remained wedded to their mother tongue or to the Islamic past. The controversy is by no means over, but Ottoman Turkish is dead. Professor Lewis both acquaints the general reader with the often bizarre, sometimes tragicomic but never dull story of the reform, and provides a lively and incisive account for students of Turkish and the relations between culture, politics and language with some stimulating reading. The author draws on his own wide experience of Turkey and his personal knowledge of many of the leading actors. The general reader will not be at a disadvantage, because no Turkish word or quotation has been left untranslated. This book is important for the light it throws on twentieth-century Turkish politics and society, as much as it is for the study of linguistic change. It is not only scholarly and accessible; it is also an extremely good read.

Two mismatched cops, one sharp-suited (Sylvester Stallone), the other a slob (Kurt Russell), are thrown together when they are framed by a big-shot gun-runner (Jack Palance). They are put in prison, duly escape, and then try to clear their names whilst trying to track down a massive haul of weapons before the weapons are shipped abroad.

Liza Minnelli, Burt Reynolds and Gene Hackman star in this comedy drama set in Prohibition-era America. Young widow Claire (Minnelli) joins rum-runners Walker (Reynolds) and Kibby (Hackman) on their boat, the Lucky Lady, off the coast of San Diego to help with their liquor smuggling operation. But the trio's romantic peace is disturbed by an angry Coast Guard captain and the mafia, who send out hitman McTeague (John Hillerman) to deal with the small-timers who are infringing on their business operations.

Pilot episode and all 15 episodes from Season 1 of the 1970s series set in the 1870s and starring David Carradine as Kwai Chang Caine, a half-Chinese, half-American Shaolin priest, who is roaming the Wild West in search of his missing brother. In the pilot epsiode, 'Kung Fu: The Way of the Tiger, the Sign of the Dragon', Caine runs away from his native China after accidentally killing the Emperor's nephew. He ends up in the American West, where he becomes the champion of the oppressed workers building the transcontinental railroad. Bounty hunters are after Caine in 'King of the Mountain', threatening the safety of a widow and homeless boy Caine has befriended. 'Dark Angel' sees Caine mentoring Serendipity Johnson, a poor preacher who has been blinded by the Indians, and helping him to develop his other senses so that his blindness is less of a handicap. In 'Blood Brother', Caine discovers that the narrow-minded, bigoted residents of a small town have killed a priest of whom they were suspicious and mistrusting. A young woman approaches Caine in 'An Eye for an Eye' to enlist his help with getting revenge on the soldier who raped her. In 'The Tide', Caine relies on the protection of a beautiful and mysterious Chinese girl to protect him from bounty hunters after sustaining serious injuries. 'The Soul is the Warrior' sees Caine encountering a sheriff who is facing imminent death. In 'Nine Lives', Caine meets an Irish miner who has accidentally killed his camp's mascot: a beer-drinking cat. In order to return to work he must find a replacement - and quickly. 'Sun and Cloud Shadow' sees Caine acting as mediator between a small Chinese mining village and a powerful rancher who claims that the mine they are working belongs to him. In 'Chains', Caine finds himself shackled to an angry and bitter man, and teaches him how to control his hatred and be at peace with himself. Jodie Foster, then a relatively unknown child actor, guest stars in 'Alethea' as a young girl who speaks out against Caine, testifying that that she witnessed him shooting a man, after he is put on trial for a murder he did not commit. In 'The Praying Mantis Kills', a young boy defends a jail against the gunmen who killed his father, the sheriff. Caine is captured and forced to labour as a slave in a silver mine in 'Superstition'. The mine then caves in, trapping him and the other miners. 'The Stone' sees Caine get tangled up in an affair involving a priceless diamond, a Brazilian slave, and the three revenge-seeking sons of a woman spurned by her lover. In 'The Third Man', a gambler who has been injured by thieves is then shot by an anonymous gunman. Finally, 'The Ancient Warrior' sees Caine attempting to honour the death wish of an Indian warrior who wants to die at his predestined burial place - which just happens to be in the middle of an Indian-hating community.

Box set of eight classic Clint Eastwood films. In 'Play Misty for Me' (1971) Dave Garland (Clint Eastwood) is a Californian DJ who runs a late night call-in show, and receives regular requests from a female caller for Erroll Garner's 'Misty'. The fan, Evelyn Draper (Jessica Walter), turns out to be a maniacal stalker. In the western 'High Plains Drifter' (1973) the unwelcome arrival of a stranger (Eastwood) in the town of Lagos causes resentment and fear among the locals. However, when they come under threat from a band of escaped convicts, it is to the stranger that the townsfolk turn for salvation. In 'The Beguiled' (1970), during the American Civil War, a wounded Union soldier (Eastwood) is taken in by the all-female staff of a Confederate Louisiana girls' school as their 'prize'. However, the soldier cunningly plays the women off against each other, working on their sexual frustrations and biding his time until he can make an escape. 'Breezy' (1973) is an Eastwood-directed effort in which Breezy (Kay Lenz) is a teenage hippy hitchhiker taken advantage of by a ruthless rotter who wants to use her for sex. She escapes in a remote area and meets kindly middle-aged man Frank Harmon (William Holden) whom she hopes will take her in. Harmon is (rightfully) reluctant and his worst imaginable scenario comes true when the impressionable teen falls in love with him. In 'Joe Kidd' (1972) Eastwood plays a drunken tracker coerced by American business tycoon Robert Duvall to go in search of Mexican agitator John Saxon. The film is scripted by renowned crime writer Elmore Leonard. In 'Two Mules for Sister Sarah' (1969) a gold-digger (Eastwood) in old Mexico shows his fundamentally noble nature by saving a 'nun' (Shirley Maclaine) from being raped. She turns out in fact to be a prostitute, and the odd couple team up, facing continual confrontation with the French forces. In 'Coogan's Bluff' (1968) Eastwood is Arizona deputy Walt Coogan, sent to New York city to escort a prisoner home. The prisoner isn't ready to be transferred back to Arizona so Coogan cuts a few corners. This helps the prisoner escape and, after Coogan clashes with the Sherrif McElroy (Lee J. Cobb), he is ordered back to Arizona. In 'The Eiger Sanction' (1975) college lecturer Jonathan Hemlock (Eastwood) tops up his university paypacket by carrying out the occasional assassination. His latest assignment involves joining a climbing expedition up the Eiger, identifying the Russian killer amongst the group, and then neutralising his threat.

Box set of eight classic Clint Eastwood films.

Play Misty for Me (1971)
Dave Garland (Clint Eastwood) is a Californian DJ who runs a late night call-in show, and receives regular requests from a female caller for Erroll Garner's 'Misty'. The fan, Evelyn Draper (Jessica Walter), turns out to be a maniacal stalker.

High Plains Drifter (1973)
The unwelcome arrival of a stranger (Eastwood) in the town of Lagos causes resentment and fear among the locals. However, when they come under threat from a band of escaped convicts, it is to the stranger that the townsfolk turn for salvation.

The Beguiled (1970)
During the American Civil War, a wounded Union soldier (Eastwood) is taken in by the all-female staff of a Confederate Louisiana girls' school as their 'prize'. However, the soldier cunningly plays the women off against each other, working on their sexual frustrations and biding his time until he can make an escape.

Breezy (1973)
An Eastwood-directed effort in which Breezy (Kay Lenz) is a teenage hippy hitchhiker taken advantage of by a ruthless rotter who wants to use her for sex. She escapes in a remote area and meets kindly middle-aged man Frank Harmon (William Holden) whom she hopes will take her in. Harmon is (rightfully) reluctant and his worst imaginable scenario comes true when the impressionable teen falls in love with him.

Joe Kidd (1972)
Eastwood plays a drunken tracker coerced by American business tycoon Robert Duvall to go in search of Mexican agitator John Saxon. The film is scripted by renowned crime writer Elmore Leonard.

Two Mules for Sister Sarah (1969)
A gold-digger (Eastwood) in old Mexico shows his fundamentally noble nature by saving a 'nun' (Shirley Maclaine) from being raped. She turns out in fact to be a prostitute, and the odd couple team up, facing continual confrontation with the French forces.

Coogan's Bluff (1968)
Eastwood is Arizona deputy Walt Coogan, sent to New York city to escort a prisoner home. The prisoner isn't ready to be transferred back to Arizona so Coogan cuts a few corners. This helps the prisoner escape and, after Coogan clashes with the Sherrif McElroy (Lee J. Cobb), he is ordered back to Arizona. But Coogan does not want to give up his pursuit of the prisoner and takes the matter into his own hands.

The Eiger Sanction (1975)
College lecturer Jonathan Hemlock (Eastwood) tops up his university paypacket by carrying out the occasional assassination. His latest assignment involves joining a climbing expedition up the Eiger, identifying the Russian killer amongst the group, and then neutralising his threat.

Michael Cimino writes and directs this large-scale Western starring Kris Kristofferson and Christopher Walken. Set in the late 1800s in Johnson County, Wyoming, the film follows the conflict between American cattlemen and European immigrants. Harvard graduate James Averill (Kristofferson) is appointed marshal to keep the peace, but clashes with his friend, gunfighter Nate Champion (Walken), who is working for land baron Frank Canton (Sam Waterston). Champion, like Averill, is vying for the attentions of Ella Watson (Isabelle Huppert), the madam of the local brothel, which only adds to the rivalry between the two men. Soon the situation in Johnson County worsens and war breaks out with disastrous consequences. The cast also includes Joseph Cotton, Jeff Bridges, John Hurt and Mickey Rourke.

The Book of Dede Korkut is a collection of twelve stories set in the heroic age of the Oghuz Turks, a nomadic tribe who had journeyed westwards through Central Asia from the ninth century onwards. The stories are peopled by characters as bizarre as they are unforgettable: Crazy Karchar, whose unpredictability requires an army of fleas to manage it; Kazan, who cheerfully pretends to necrophilia in order to escape from prison; the monster Goggle-eye; and the heroine Chichek, who shoots, races on horseback and wrestles her lover. Geoffrey Lewis's classic translation retains the odd and oddly appealing style of the stories, with their mixture of the colloquial, the poetic and the dignified, and magnificently conveys the way in which they bring to life a wild society and its inhabitants. This edition also includes an introduction, a map and explanatory notes.

The Remarkable discoveries about what drives and sustains successful women leaders.
Based on five years of proprietary research, "How Remarkable Women Lead" speaks to you as no other book has, with its hopeful outlook and unique ideas about success. It's the new "right stuff" of leadership, raising provocative issues such as whether feminine leadership traits (for women and men) are better suited for our fast-changing, hyper-competitive, and increasingly complex world.
The authors, McKinsey & Company consultants Joanna Barsh and Susie Cranston, establish the links between joy, happiness, and distinctive performance with the groundbreaking model of Centered Leadership.
The book's personal stories and related insights show you the magic that happens when you put the five elements of Centered Leadership-meaning, framing, connecting, engaging, and energizing-to work. They include:
- How Alondra de la Parra built on her strengths and passions to infuse her life with meaning and make her way in the male-dominated world of orchestra conducting
- How Andrea Jung, the CEO of Avon, avoided a downward spiral when the company turned down by "firing herself" on Friday and re-emerging on Monday as the "new" turnaround CEO
- How Ruth Porat's sponsors at Morgan Stanley not only helped her grow but were also her ballast for coping with difficult personal and professional times
-How Eileen Naughton recovered after losing her dream job, landing on her feet at Google and open to a new leadership opportunity
- How Julie Coates of Woolworth's Australia makes energy key to her professional success, with reserves for her "second shift" as wife and mother
"How Remarkable Women Lead" is both profoundly moving and actionable. Woman or man, you'll find yourself in its pages and emerge with a practical plan for breaking through at both work and in life. "
"

"From the Hardcover edition."

The partition of Ireland in 1921, and the birth of Northern Ireland as a political entity, was the work of one man above all. Edward Carson, born in Dublin in 1854, was a brilliant lawyer whose cross-questioning of Oscar Wilde at his libel trial brought about Wilde's downfall. An inspiring orator and a political heavyweight at Westminster, his defense of Unionism in the years before the First World War, and of the rights of Ulster not to be swamped in an independent Ireland, made a united Ireland a political impossibility. While some of his actions were denounced in England as close to treason, Carson's idealism and religious tolerance were untypical of the sectarian bigotry that marred the later history of Northern Ireland. "Carson: The Man Who Divided Ireland" is the first modern biography of a major figure in both British and Irish politics.

Fletch (Chevy Chase), a reporter with a habit of assuming different disguises, flies to the enormous Louisiana home left to him in a will, only to find it a ruin. Before he can leave, a woman drops dead and he becomes embroiled in a murder mystery. Sequel to the 1985 original.

This is a trenchant, witty, scholarly, and sometimes hilarious account of the most radical language reform in history. It tells the story of an extraordinary episode in the history of Turkey and throws new light on the conflict between secular and religious power in the twentieth-century. Turkey aimed to "liberate its language from the yoke of foreign languages", to be secular and modern, and to turn decisively from its eastern and Islamic past. Geoffrey Lewis observed the changes at first hand and was able to discuss their progress with a wide range of Turkish people including their leader and the inspiration for reform, Kemal Ataturk.

Made-for-TV feature spin-off from the popular 1960s NBC series in which a pair of secret agents deal with global conspiracies and plots. Threats to the world order appear to have died down substantially in the years since Napoleon Solo (Robert Vaughn) and Illya Kuryakin (David McCallum) tackled international terrorists and other rogue agencies - to the extent that the organisation they worked for, U.N.C.L.E., has been disbanded and the two agents are now otherwise employed. However, when the terror network THRUSH raises its ugly head again - stealing a nuclear weapon and attempting to hold the world to ransom - Solo and Kuryakin are recalled to use their former skills to foil the plot. Can the two ageing agents roll back the years and save the world once again?

On November 2, 1917, Arthur Balfour, then Foreign Secretary, wrote to Lord Rothschild to say that the British Government viewed with favor the establishment in Palestine of a national home for the Jewish people. The consequences of this statement have reverberated throughout the world in a crescendo of bitterness and violence ever since. It interposed a European (mainly Russian) Jewish cultural idea in an Arab land and it led eventually to the Arab-Israeli conflict.
Eleven years before his declaration, Balfour had met the passionate Zionist and emigre chemist Chaim Weizmann while electioneering in Manchester. At the centre of Geoffrey Lewis's compelling book is the story of this encounter and the developing relationship between these two men: the Zionist and the Zealot, so different from each other, yet drawn together by forces that neither quite understood, with consequences that were to have a profound effect on the modern world.

Alice, the author's mother, is mentioned frequently in this account of his book. A disciplinarian to no small degree, she did her best in the trying pre-war times of unemployment. A fair amount of the author's recollections concerns the ups and downs of life in the small Derbyshire town of Clowne in the thirties. The history and records of shops and ownership in Clowne might be said to be as meticulous as the records in the Doomsday book!

But what makes this volume most valuable is the author's memories and insights into that ballerina of the skies, the Spitfire, the key player in the Battle of Britain. And who better qualified to sing these praises than a Spitfire pilot? For out of Clowne came Geoffrey Lewis, a living legend now in his eighties, one of our heroes who gives us first-hand information about his 'Spitty', apart from the absorbingly interesting account of his aircraft training in Prince Albert, in Canada, prior to engaging battle in Britain.