Reflections on Sentiment not only addresses current scholarly interest in feeling and affect but also provides an occasion to celebrate the career of George Starr, who, in more than fifty years of incisive scholarship and committed teaching, haselucidated the work of Daniel Defoe and the role of sentimentalism in what was once reductively termed an age of reason and realism. Due to the critique Starr spearheaded, scholars today can approach with greater assurance the complex interplay of reason and emotion, thought and sensibility, science and feeling, rationality and enthusiasm, judgment and wit, as well as forethought and instinct, as these shaped the scientific, religious, political, social, literary, and cultural revolutions of the Enlightenment. Indeed, contributors to this anthology take inspiration from Starr's work to shed new light on Enlightenment thought and sociocultural formations generally, offering fresh interpretations of a period in which Reflection and Sentiment circulated, mutually influenced each other, and contended equally for cultural attention. In nine separate essays they explore: the ways sentiment and sentimentalism inflect the moral and ideological ambit of Enlightenment discourses; the sociopolitics of religious debate; the issues promoted by women writers, by gender and family relations; the artistic and rhetorical uses of lived language; the impacts of cultural developments on novelistic form; and the wide shifts in the literary marketplace. Deploying tools advanced by new work in animal studies, gender criticism, media analysis, genre studies, the new formalism, and ethical inquiry, and enabled by the power of digitization and new databases, the authors of this volume explain how and to what ends denizens of the Enlightenment were touched and moved.

The publication of the 44-volume Works of Daniel Defoe continues with this collection of Defoe's satirical poetry and fantasy writings, and writings on the supernatural.

The publication of the 44-volume Works of Daniel Defoe continues with this collection of Defoe's satirical poetry and fantasy writings, and writings on the supernatural.

The publication of the 44-volume Works of Daniel Defoe continues with this collection of Defoe's satirical poetry and fantasy writings, and writings on the supernatural.

The publication of the 44-volume Works of Daniel Defoe continues with this collection of Defoe's satirical poetry and fantasy writings, and writings on the supernatural.

This Broadview edition pairs two of Frances Burney's linked comedies. They both present the character of Lady Smatter, a "femme savante" whose lineage may be traced back to Moliere; they both centre on the misfortunes of the "elle" figure, the dispossessed heiress and wife who appears frequently in Burney's fiction; and they both criticize a culture of misogyny that breeds suspicion and resentment. The Witlings, lighter and more comic, derives from late seventeenth-century conventions; The Woman-Hater, more melodramatic, both expresses and warns against the excessive sensibility of romanticism. Together, these two plays constitute a miniature history of English drama from the Restoration to the French Revolution and beyond. This edition contains a valuable selection of appendices, including: Burney's "Epilogue to Gerilda"; letters and diary entries; contemporary writings on comedy; and Burney's cast-list for The Woman-Hater.

Frances Burney (1752-1840), author Evelina and other novels, was an active diarist and correspondent with a wide circle of relatives and friends throughout her adult life. Her journals and letters are an important source of information about English social life from 1768 to 1838. In the years 1786-91, she served Queen Charlotte as Keeper of the Robes, acquiring a detailed knowledge of the events and people in the court of King George III. This volume is the record of one of those years, 1789, a year in which the King recovered from his madness, the Court took a leisurely tour through the southwest counties of England, and Burney was disappointed in love by the romantic (if sometimes melancholy) Vice-Chamberlain of the Queen, Colonel Stephen Digby. To her sister Susannah Phillips, Burney confided her most secret hopes and reservations, subjecting herself to a rigorous examination as she sought to balance prudence with feeling. Fatigued by her service to the Queen and distressed by the inscrutable moodiness of Colonel Digby, Burney lived through and recorded the details of one of the most memorable years of the national life of Great Britain. This volume is the fifth of six volumes that will present in their entirety Frances Burney's journals and letters from July 1786, when she assumed the position of Keeper of the Robes to Queen Charlotte, to her resignation in July 1791. Burney's later journals have been edited as The Journals and Letters of Fanny Burney (Madame d'Arblay), 1791-1840 (12 vols., 1972-84). Her earlier journals have been edited as The Early Journals and Letters of Fanny Burney (4 vols. to date, 1988- ). The Court Journals and Letters of Frances Burney continues the modern editing of Burney's surviving journals and letters, from 1768 until her death in 1840. This volume includes all of her journals, diaries, and letters from the momentous year 1789, the year in which the King recovered from his madness, the Court toured the southwestern counties of England, and Burney endured a frustrating romance with the Queen's Vice-Chamberlain. The text is a full and accurate edition of Burney's manuscripts held at the New York Public Library and the British Library.

This 2001 study examines the role of the passions in the rise of the English novel. Geoffrey Sill locates the origins of the novel in the breakdown of medical and religious dogmas prior to the eighteenth century, leading to a crisis in the regulation of the passions which the novel helped to address. He examines medical, religious and literary efforts to anatomize the passions, paying particular attention to the works of Dr Alexander Monro of Edinburgh, Reverend John Lewis of Margate and Daniel Defoe, novelist and natural historian of the passions. He shows that the figure of the 'physician of the mind' features prominently not only in Defoe's novels, but also in those of Fielding, Richardson, Smollett, Burney and Edgeworth. The 'rise' of the novel comes to an end when the passions give way at the end of the century to the more modern concept of the emotions.

This new study examines the role of the passions in the rise of the English novel. Geoffrey Sill examines medical, religious, and literary efforts to anatomize the passions, paying particular attention to the works of Dr. Alexander Monro of Edinburgh, Reverend John Lewis of Margate, and Daniel Defoe, novelist and natural historian of the passions. He shows that the figure of the "physician of the mind" is prominent not only in Defoe's novels, but also in those of Fielding, Richardson, Smollett, Burney, and Edgeworth.

Daniel Defoe's fifth novel, Colonel Jack is the supposed autobiography of an English gentleman who begins life as a child of the London streets. He and his two brothers (both also named Jack) are brought up as pickpockets and highwaymen, but Colonel Jack seeks to improve himself. Kidnapped and taken to America, he becomes first a slave, then an overseer on plantations in Maryland and Virginia. Returning to England, he is drawn into the Jacobite rebellion and into a succession of marriages, all of which end badly for him. Escaping back to Virginia, Jack becomes a successful planter, ending his life as a gentleman despite his mistakes along the way. Historical appendices relate to eighteenth-century Virginia and Maryland and contemporary crime, punishment, and imprisonment.