Landscape architecture is a form of high art for Erik Dhont, who has brought both nuance and sensitivity to various sites. Playing with flowers, grasses, shrubs or trees, he creates unique spaces, structures and textures. His timeless green paradises which are the result of true craftsmanship, are deeply rooted in the European garden tradition. They stand for longevity, evolution, dreams, and life. In this second monograph, Dhont presents his creations from over the last twenty years, combining photographs with abstract drawings, colorful planting plans, and sculptural models that reflect on his artistic approach. Intimate views of seminal creations such as the garden of fashion designer Dries van Noten immerse one into Dhont's creative and sensual universe.

Dieter Kienast (1945-1998) is a key Swiss figure in European landscape architecture. Amidst a striking change in the relationship between society and nature in the 1970s, he sought a synthesis between design and ecology. As a designer, planner, researcher, and university lecturer, Kienast introduced new facets to those fields. Critiques of urban planning, processes of participation, and the significance of spontaneous urban vegetation played just as prominent a role in these discussions as did art, literature, architecture, and the popularity of postmodernism. This book not only vividly deconstructs the ways in which design, theory, and representation are interwoven in Kienast's work, but also sheds light on a specific period of landscape architecture.

Georg Aerni is a photographic artist with a particular interest in architecture. Educated as an architect himself, he has been working with the camera on this subject with great precision and consistence for the past fifteen years Paris, Barcelona, Hong Kong, Mumbai and Tokyo: each metropolis is also a zone where mankind's will to create is driving constant change. Aerni documents this change in scrupulously prepared and carefully designed series of images. But also when he focuses on receding glaciers in the Alps, his studies of cages in zoological gardens and of mankind's interventions in nature, the extraordinary carefulness and quality inherent to all of Aerni's work is captivating. It sets his oeuvre in sharp contrast to the quickly done, impromptu photography that has become so widespread in recent years. Sites and Signs is the first comprehensive monograph on Aerni's photographic work. The book presents his complete work with an emphasis on the most recent series. Essays on his work in the context of contemporary photography and on images of architecture and landscape, and a complete catalogue of Aerni's oeuvre so far round out the book.