The prognosis of a disease often depends on the timing of therapeutic invention, which in turn strongly relies on a reliable and quick diagnosis. Laboratory diagnostic pathways are algorithms that give structure to the diagnostic process, thereby minimizing the risk of mistreatment, shortening the hospital stay, and lowering the cost for treatment. This book offers 70 diagnostic algorithms that lead physicians and laboratory personnel through the diagnostic process in a step-by-step fashion. In Part One, general basics, infrastructure, and economic aspects are discussed and tipps for implementation are given. Part Two introduces screening methods for cases without a suspected diagnosis as well as specific pathways for stepwise diagnosis of the most common diseases, accompanied by information on pathophysiology, preanalytical measures, implementation, and interpretation of results.

In Montaigne's age hardly anyone made a living through writing. This book examines the practical world in which he and his peers wrote in order to suggest that works like the Essays, for all the status they enjoy today as classics, neither originated in detached pursuits nor flourished as self-contained activities. From where did his wealth come? How did he spend his days at home on the family estate? How did he publish his book? Following Montaigne from his wine presses to the printing press reveals that he may have expended much more time and effort managing his family's property than has been thought, that publishing demanded he perform professional tasks such as financing, proofreading, and revising for his publisher, and finally that rather than an alternative to a political career, writing may have played an integral role in his political ambitions.

This is a rich collection of memories and reflections from the long-time abbot of La Trappe, Dom Marie-Gerard Dubois, OCSO. Starting with his entry into monastic life, he walks the reader through the dramatic changes in the Strict Observance of the Cistercian Order, including its liturgical reform and developments in the role of lay brothers. Dom Dubois also shares stories about the diverse group of men who entered the Order at that time, including WWII veterans, Holocaust survivors, and members of the French literary elite, and why they decided to become monks. His stories offer a fascinating inside view into twentieth-century Cistercian life.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Die Lehre Von Der Fides Implicita, Volume 1; Die Lehre Von Der Fides Implicita; Georg Hoffmann Georg Hoffmann J.C. Hinrichs, 1903 Creeds; Theology, Doctrinal

Reforming French Culture is a ground-breaking work on the literary genre of Reformation satire-colloquial, obscene, scatological-designed to mock the excesses as well as the essence of the Roman Catholic rite and hierarchy. Enticingly, Hoffmann proposes that while romance, with its episodic, heroic narrative, is the literary genre of Counter-Reformation, satire is the genre of Reformation. This minor category of Renaissance French literature is an unstudied continent that plays a key role, not only in French literature, but also in French history, and in the evolution of French culture more generally. From this deceptively small focus, the volume opens up huge vistas: on the Reformation, on French history, and on the symbiosis of spirituality and estrangement to which it views modern French culture as heir. Rather than using literature to illustrate history, or contextualizing literature through historical background, this book brings literary understanding (what satire is and what it does) to bear on historical understanding. Situated at the crossroads of religion, literature, and cultural history, it explores how France, in this period, became a culturally Protestant country while remaining confessionally Catholic.