The A Z of String Players surveys the lives, careers and recordings of over 300 string players from the past and present. Many great string players who have made recordings are included, from Accardo to Zukerman. The text covers artists from the earliest recording processes to contemporary, cutting-edge technology. In this clear and straight-forward publication, the artists are listed alphabetically, with a summary of their career, notable recordings, biography and critical appraisal of their recorded legacy. In addition, four compact discs present a selection of recordings from 69 artists. This package will appeal to enthusiast and scholar alike as a readable, informed and fascinating work of reference.

This famous movement from the flute sonata is a great piece that is accessible to many players. This short tuneful piece would work well on any concert or recital. (2:10)

Twelve Fantasias - Telemann/Klages for unaccompanied BC Euphonium In the baroque era the distinction between performers and composers was not nearly as clear as it has since become. Telemann was typical of most composers in that he was also a professional performer--at a very high level, in fact--and most performers were far better versed in composition and improvisation than their twentieth-century counterparts. Accepting the invitation implicit in the title, I like to think of Telemann's Fantasias as written-down improvisations by a very quick-witted composer/flutist, able to imply two-part counterpoint (not so far-fetched, when we recall that Bach could improvise at the keyboard in strict four-part counterpoint), and with a variety of surprises in store for the attentive listener. - JK

Originally for 2 horns and strings, this arrangement now features the 2 trumpets with the remainder of the ensemble performing the string parts. The first trumpet part works best when played on E-flat trumpet to keep the lightness and grace in the writing and an agile trombone player is required to perform the arpeggiated string lines. The stately maestoso is an often performed work especially by period instrument ensembles and the fanfare-type figures lend themselves well to the brass quintet. At less than 3 minutes in length, this work is not too strenuous but is an interesting addition to the quintet repertoire.