It has been known for over 150 years that hallmarks of inflammation can be observed in the wall of atherosclerotic vessels. It was, however, not clear if this inflammation is the cause or the consequence of atherogenesis. More recently, it has become evident that inflammation mediated both by innate and adaptive immunity is instrumental even in the earliest stages of the development of atherosclerotic lesions, i.e., that it plays an important pathogenetic role. In this volume, international experts in the field discuss the pathogenetic, diagnostic, preventive and possible therapeutic relevance of inflammation in atherogenesis. This book is intended for researchers and physicians in the fields of vascular biology, immunology and atherosclerosis.

James Laughlin was first introduced to Henry Miller's writing in 1934 when he was studying with Ezra Pound in Rapallo, Italy. As Laughlin remembers it, one day Pound tossed a book at him across the table at which they were sitting, saying, "Waal Jas, here's a dirty book that's really good. You'd better read that if your morals can stand it". Laughlin was so impressed with the book, Tropic of Cancer, that he promptly initiated a correspondence with Miller which soon turned into a publisher/author relationship when Laughlin, at Pound's urging, founded New Directions in 1936. Ever mercurial in temperament, an idealist who struggled financially to meet his material needs, Miller relied on his publisher Laughlin's generosity and expert editorial advice for decades. Although Miller's letters, sometimes quite teasingly, decried the conservatism of American book publishing, Miller nevertheless trusted Laughlin with intimate details about his work and personal life. The resulting correspondence, spanning from 1935 to shortly before Miller's death in 1980, is a remarkable, uncensored record of the ideas and intentions that spawned many of Miller's most provocative and memorable literary endeavors. Henry Miller and James Laughlin: Selected Letters is a powerful, sometimes poignant and often startling documentation of the complex friendship forged through the written word among two of the twentieth century's most influential figures in the world of literature and publishing.

It has been known for over 150 years that hallmarks of inflammation can be observed in the wall of atherosclerotic vessels. It was, however, not clear if this inflammation is the cause or the consequence of atherogenesis. More recently, it has become evident that inflammation mediated both by innate and adaptive immunity is instrumental even in the earliest stages of the development of atherosclerotic lesions, i.e., that it plays an important pathogenetic role. In this volume, international experts in the field discuss the pathogenetic, diagnostic, preventive and possible therapeutic relevance of inflammation in atherogenesis. This book is intended for researchers and physicians in the fields of vascular biology, immunology and atherosclerosis.

Title: Love in a Time of War: Diaries and Letters from World War I. This book is a story of World War I, told primarily in the diaries and letters of a young Belgian woman and an American man. The woman, Germaine Attout lived with her family throughout four years of German occupation. The man, Francis Wickes, came to Belgium in 1915 as a member of the Commission for Relief in Belgium, led by Herbert Hoover. He writes of this relief work and subsequently of his service with the U.S. Army in Paris. Included are eyewitness accounts of Belgian civilians, unarmed, resisting the occupation and of the Belgian army, under it's great King, Albert I, defending their country against overwhelming odds. The book contains background material about this period of history and over 50 contemporary photos It is being published as the centennial of World War I approaches. This is a love story too, told by Francis as it began in the midst of war, told by Germaine as it continued in a long married life.

"Henry Miller - American Writers 56 " was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Frederic Mistral (1830-1914) was without a doubt the greatest modern Provencal poet and the foremost champion of his native Provence, the guiding spirit of a group of latter-day troubadours who revived and refined the language of Southern France as a literary medium. For this achievement and for his own poetry, Mistral was awarded the Nobel prize in 1904--characteristically, he gave the prize money to a folklore museum he had founded in Arles. Two years later, at the age of seventy-six, Mistral published his charming book of Memoirs, which is not so much an autobiography as a recollection of the life of ordinary country people in his early years, filled with delightful anecdotes, tales, folksongs, and poetry. Written in the relaxed conversational style of an elderly gentleman reminiscing about the old days, the Memoirs describe the circumstances of Mistral's childhood and early manhood - the Provencal landscapes, the seasonal life of the farm, the religious observances and seasonal festivities, many clearly of pagan origin. Although educated in the classics and law in Avignon and Aix, Mistral felt out of place among the French-speaking bourgeois and returned to his family farm to devote his life to writing for the simple farming people of his region. He soon began his long poem Mireio (eventually transformed into the opera Mireille by Gounod), whose heroine was modeled on the peasant girls he saw and worked with daily. At the same time, he and several other young men came together to form the Felibrige, a society dedicated to restoring the Provencal language and preserving local traditions. The Memoirs concludes with the death of young Mistral's father and the success of Mireio (1859), so quietly understated that one would hardly suspect that the author had been hailed as a major poet while still in his twenties. Mistral wrote his Memoirs in Provencal and himself translated them into French. A previous English translation (abridged and paraphrased from the French) was published in 1907 and has been out of print ever since. In his new translation, George Wickes of the University of Oregon has mined Mistral's monumental dictionary, Lou Tresor dou Felibrige. This illustrated edition includes the original texts of Provencal songs and verse, with Professor Wickes' English versions printed en face.