Marveling Religion: Critical Discourses, Religion, and the Marvel Cinematic Universe is an edited volume that explores the intersection of religion and cinema through the lenses of critical discourse. The focus of the shared inquiry are various films comprising the first three phases of the Marvel Cinematic Universe (MCU) and corresponding Netflix series. The contributors explore various religious themes and how they intersect with culture through the canon on the MCU. The first part focuses on responses to the societal, governmental, and cultural context that solidified with clarity during the 2016 Presidential Election cycle in the United States and in the following administration. Additionally, it provides lenses and resources for engaging in productive public actions. Part two explores cultural resources of sustaining activism and resistance as well as some of the key issues at stake in public action. The third part centers on militarization and resistance to state violence. Taken in concert, these three sections work together to provide frames for understanding while also keeping us engaged in the concrete action to mobilize social change. The overarching aim of the volume is to promote critical discourse regarding the dynamics of activism and political resistance.

As a director, writer, and producer, Christopher Nolan has substantially impacted contemporary cinema through avant garde films, such as Following and Memento, and his contribution to wider pop culture with his Dark Knight trilogy. His latest film, Interstellar, delivered the same visual qualities and complex, thought-provoking plotlines his audience anticipates. The Philosophy of Christopher Nolan collects sixteen essays, written by professional philosophers and film theorists, discussing themes such as self-identity and self-destruction, moral choice and moral doubt, the nature of truth and its value, whether we can trust our perceptions of what's "real," the political psychology of heroes and villains, and what it means to be a "viewer" of Nolan's films. Whether his protagonists are squashing themselves like a bug, struggling to create an identity and moral purpose for themselves, suffering from their own duplicitous plots, donning a mask that both strikes fear and reveals their true nature, or having to weigh the lives of those they love against the greater good, there are no simple solutions to the questions Nolan's films provoke; exploring these questions yields its own reward.

In Rene Girard, Theology, and Popular Culture, fifteen contributors consider how Girard's mimetic theory can be used to uncover and probe the theological depths of popular culture. Creative and critical engagement with Girard's theory enables the contributors to offer fresh and exciting interpretations of movies (The Devil Wears Prada, Mean Girls, Star Wars), television (Hoarders, Cobra Kai), classical literature and graphic novels, and issues ranging from anorexia to social media. The result is a volume that establishes Girard as an innovative interpreter of culture and shows him as an invaluable guide for theologically reflecting on desire, violence, redemption, and forgiveness. Written in fresh and lively prose, the contributors demonstrate not only that Girard provides a powerful lens through which to view culture but also-and more provocatively-challenge readers to consider what popular culture reveals about them. Readers looking for an accessible introduction to mimetic theory and exploring its theological application will find this a welcome resource.

In Rene Girard, Theology, and Popular Culture, fifteen contributors consider how Girard's mimetic theory can be used to uncover and probe the theological depths of popular culture. Creative and critical engagement with Girard's theory enables the contributors to offer fresh and exciting interpretations of movies (The Devil Wears Prada, Mean Girls, Star Wars), television (Hoarders, Cobra Kai), classical literature and graphic novels, and issues ranging from anorexia to social media. The result is a volume that establishes Girard as an innovative interpreter of culture and shows him as an invaluable guide for theologically reflecting on desire, violence, redemption, and forgiveness. Written in fresh and lively prose, the contributors demonstrate not only that Girard provides a powerful lens through which to view culture but also-and more provocatively-challenge readers to consider what popular culture reveals about them. Readers looking for an accessible introduction to mimetic theory and exploring its theological application will find this a welcome resource.

A New Politics for Philosophy: Essays on Plato, Nietzsche, and Strauss presents meticulous readings of key philosophical works of towering figures from both the classical and modern intellectual traditions: Protagoras, Aeschylus, Xenophon, Plato, Descartes, Nietzsche, and Leo Strauss. Inspired by the scholarship of Laurence Lampert, the international group of scholars explore questions of the nature or identity of the philosopher, with an emphasis on painstaking exegesis informed by close attention to detail. The chapters touch on topics ranging from Plato's Charmides, Aeschylus' Prometheia Trilogy, Xenophon's Hiero or Tyrannicus, Nietzsche's Thus Spoke Zarathustra and Ecce Homo, Nietzsche's Plato, whether Nietzsche thought of himself as a modern-day Socrates, philosophy's relationship to science, the function of the noontide image in the center of Part IV of Nietzsche's Zarathustra, a re-evaluation of the young Nietzsche's break from the spell of Schopenhauer, the dramatic date of the conversation presented in Plato's Republic, Xenophon's dialogical investigation of the troubled tyrant's soul, Leo Stauss's furtive discussion of Descartes and the modern aspiration to master nature, and Nietzschean environmentalism. The book also includes an interview with Laurence Lampert.