Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

'The Angel of the Revolution' is part of a relatively new literary genre, the British speculative future war novel. Interpretated in many ways - fin-de-siecle, technophobia, British imperialism - they anticipated modern science fiction.

There are two kinds of patriotism, a smaller and a greater, a National and an Imperial. Both are equally good and noble, and it is necessary that the first should precede the second. But it is equally necessary that it should not supersede or obscure it, and it is to this later and greater, this Imperial patriotism that I shall appeal, and I would ask my readers, whatever their nationality, to remember that on the burning plains of India and the rolling prairies of Canada, in the vast expanses of the Australian Bush and the African Veld, there are neither Englishmen nor Scotsmen, Welshmen nor Irishmen; but only Citizens of the Empire, brothers in blood and speech, and fellow-workers in the building up of the noblest and stateliest fabric that human hands have ever reared or God's sun has ever shone upon.