Get designing and building with architect and TV presenter GEORGE CLARKE. From marvellous materials to future tech – discover the stories behind our homes. Our EXPERTS are famous for their incredible know-how and passion for their subjects, and now they have made it their mission to share that knowledge with you in LITTLE EXPERTS: the inspirational non-fiction series for six- to nine-year-olds. This jaw-dropping non-fiction journey has colourful, playful artwork throughout by Robert Sae-Heng. Little Experts is an unmissable series that will empower and inspire a new generation of experts. Also available in the LITTLE EXPERTS series: • Superhero Animals by CHRIS PACKHAM CBE, one of the UK’s leading naturalists and an award-winning conservationist, who began his TV career presenting children’s series The Really Wild Show. • How Families Are Made by Dr Amir Khan, an award-winning full-time GP and resident doctor on Lorraine and Good Morning Britain. • Why Money Matters by DEBORAH MEADEN, entrepreneur, Dragons’ Den investor and host of the BBC Radio 5 Live’s The Big Green Money Show podcast. • Amazing Bodies by DR RONX, award-winning trans non-binary emergency doctor and TV presenter. • Marvellous Vehicles by JAMES MAY, a writer and broadcaster who is best known for co-presenting Top Gear and The Grand Tour.

This beautifully illustrated book tells the stories behind 60 remarkable buildings chosen from the many thousands at National Trust properties across England, Wales and Northern Ireland. Spanning 900 years of history, this selection of 60 remarkable buildings in the care of the National Trust ranges from a 13th-century tithe barn in Oxfordshire to a 20th-century suburban semi in Liverpool; from a medieval guildhall in Suffolk to a Victorian lighthouse in Tyne and Wear; from an Arts and Crafts village in County Antrim to an atomic research facility in East Anglia. The book has an introduction by George Clarke and concludes with a useful illustrated glossary of terms and architectural features.

This beautifully illustrated book tells the stories behind 60 remarkable buildings chosen from the many thousands at National Trust properties across England, Wales and Northern Ireland Spanning 900 years of history, this selection of 60 remarkable buildings in the care of the National Trust ranges from a 13th-century tithe barn in Oxfordshire to a 20th-century suburban semi in Liverpool; from a medieval guildhall in Suffolk to a Victorian lighthouse in Tyne and Wear; from an Arts and Crafts village in County Antrim to an atomic research facility in East Anglia. The book has an introduction by George Clarke and concludes with a useful illustrated glossary of terms and architectural features.

The Cambridge Shakespeare was published in nine volumes between 1863 and 1866. Its careful editorial principles, attractive page design and elegant typography have withstood the test of time. This text was based on a thorough collation of the four Folios and of all the Quarto editions of the separate plays, the base text being the 1623 Folio. The critical apparatus appears at the foot of the page, but for passages where the Quarto differs significantly the entire Quarto text appears in small type after the received text. Notes at the end of each play explain variants, emendations, and passages of unusual difficulty or interest. Grammar and metre were generally left unchanged by the editors, but punctuation was normalised and nineteenth-century orthography was adopted instead of the variable Elizabethan spelling. In a bold move for a Victorian edition, the editors restored various 'profane' expressions where metre or sense demanded it.

The Cambridge Shakespeare was published in nine volumes between 1863 and 1866. Its careful editorial principles, attractive page design and elegant typography have withstood the test of time. This text was based on a thorough collation of the four Folios and of all the Quarto editions of the separate plays, the base text being the 1623 Folio. The critical apparatus appears at the foot of the page, but for passages where the Quarto differs significantly the entire Quarto text appears in small type after the received text. Notes at the end of each play explain variants, emendations, and passages of unusual difficulty or interest. Grammar and metre were generally left unchanged by the editors, but punctuation was normalised and nineteenth-century orthography was adopted instead of the variable Elizabethan spelling. In a bold move for a Victorian edition, the editors restored various 'profane' expressions where metre or sense demanded it.

The Cambridge Shakespeare was published in nine volumes between 1863 and 1866. Its careful editorial principles, attractive page design and elegant typography have withstood the test of time. This text was based on a thorough collation of the four Folios and of all the Quarto editions of the separate plays, the base text being the 1623 Folio. The critical apparatus appears at the foot of the page, but for passages where the Quarto differs significantly the entire Quarto text appears in small type after the received text. Notes at the end of each play explain variants, emendations, and passages of unusual difficulty or interest. Grammar and metre were generally left unchanged by the editors, but punctuation was normalised and nineteenth-century orthography was adopted instead of the variable Elizabethan spelling. In a bold move for a Victorian edition, the editors restored various 'profane' expressions where metre or sense demanded it.

The Cambridge Shakespeare was published in nine volumes between 1863 and 1866. Its careful editorial principles, attractive page design and elegant typography have withstood the test of time. This text was based on a thorough collation of the four Folios and of all the Quarto editions of the separate plays, the base text being the 1623 Folio. The critical apparatus appears at the foot of the page, but for passages where the Quarto differs significantly the entire Quarto text appears in small type after the received text. Notes at the end of each play explain variants, emendations, and passages of unusual difficulty or interest. Grammar and metre were generally left unchanged by the editors, but punctuation was normalised and nineteenth-century orthography was adopted instead of the variable Elizabethan spelling. In a bold move for a Victorian edition, the editors restored various 'profane' expressions where metre or sense demanded it.

The Cambridge Shakespeare was published in nine volumes between 1863 and 1866. Its careful editorial principles, attractive page design and elegant typography have withstood the test of time. This text was based on a thorough collation of the four Folios and of all the Quarto editions of the separate plays, the base text being the 1623 Folio. The critical apparatus appears at the foot of the page, but for passages where the Quarto differs significantly the entire Quarto text appears in small type after the received text. Notes at the end of each play explain variants, emendations, and passages of unusual difficulty or interest. Grammar and metre were generally left unchanged by the editors, but punctuation was normalised and nineteenth-century orthography was adopted instead of the variable Elizabethan spelling. In a bold move for a Victorian edition, the editors restored various 'profane' expressions where metre or sense demanded it.

The Cambridge Shakespeare was published in nine volumes between 1863 and 1866. Its careful editorial principles, attractive page design and elegant typography have withstood the test of time. This text was based on a thorough collation of the four Folios and of all the Quarto editions of the separate plays, the base text being the 1623 Folio. The critical apparatus appears at the foot of the page, but for passages where the Quarto differs significantly the entire Quarto text appears in small type after the received text. Notes at the end of each play explain variants, emendations, and passages of unusual difficulty or interest. Grammar and metre were generally left unchanged by the editors, but punctuation was normalised and nineteenth-century orthography was adopted instead of the variable Elizabethan spelling. In a bold move for a Victorian edition, the editors restored various 'profane' expressions where metre or sense demanded it.

The Cambridge Shakespeare was published in nine volumes between 1863 and 1866. Its careful editorial principles, attractive page design and elegant typography have withstood the test of time. This text was based on a thorough collation of the four Folios and of all the Quarto editions of the separate plays, the base text being the 1623 Folio. The critical apparatus appears at the foot of the page, but for passages where the Quarto differs significantly the entire Quarto text appears in small type after the received text. Notes at the end of each play explain variants, emendations, and passages of unusual difficulty or interest. Grammar and metre were generally left unchanged by the editors, but punctuation was normalised and nineteenth-century orthography was adopted instead of the variable Elizabethan spelling. In a bold move for a Victorian edition, the editors restored various 'profane' expressions where metre or sense demanded it.

The Cambridge Shakespeare was published in nine volumes between 1863 and 1866. Its careful editorial principles, attractive page design and elegant typography have withstood the test of time. This text was based on a thorough collation of the four Folios and of all the Quarto editions of the separate plays, the base text being the 1623 Folio. The critical apparatus appears at the foot of the page, but for passages where the Quarto differs significantly the entire Quarto text appears in small type after the received text. Notes at the end of each play explain variants, emendations, and passages of unusual difficulty or interest. Grammar and metre were generally left unchanged by the editors, but punctuation was normalised and nineteenth-century orthography was adopted instead of the variable Elizabethan spelling. In a bold move for a Victorian edition, the editors restored various 'profane' expressions where metre or sense demanded it.

The Cambridge Shakespeare was published in nine volumes between 1863 and 1866. Its careful editorial principles, attractive page design and elegant typography have withstood the test of time. This text was based on a thorough collation of the four Folios and of all the Quarto editions of the separate plays, the base text being the 1623 Folio. The critical apparatus appears at the foot of the page, but for passages where the Quarto differs significantly the entire Quarto text appears in small type after the received text. Notes at the end of each play explain variants, emendations, and passages of unusual difficulty or interest. Grammar and metre were generally left unchanged by the editors, but punctuation was normalised and nineteenth-century orthography was adopted instead of the variable Elizabethan spelling. In a bold move for a Victorian edition, the editors restored various 'profane' expressions where metre or sense demanded it.

Examinations of the date of Beowulf have tremendous significance for Anglo-Saxon culture in general. This book will be a milestone, and deserves to be widely read. The early Beowulf that overwhelmingly emerges here asks hard questions, and the same strictly defined measures of metre, spelling, onomastics, semantics, genealogy, and historicity all cry out to be tested further and applied more broadly to the whole corpus of Old English verse. Andy Orchard, Rawlinson and Bosworth Professor of Anglo-Saxon, University of Oxford. The datingof Beowulf has been a central question in Anglo-Saxon studies for the past two centuries, since it affects not only the interpretation of Beowulf, but also the trajectory of early English literary history. By exploring evidence for the poem's date of composition, these essays contribute to a wide range of pertinent fields, including historical linguistics, Old English metrics, onomastics, and textual criticism. Many aspects of Anglo-Saxon literary culture are likewise examined, as contributors gauge the chronological significance of the monsters, heroes, history, and theology brought together in Beowulf. Discussions of methodology and the history of the discipline also figure prominently in this collection. Overall, the dating of Beowulf here provides a productive framework for evaluating evidence and drawing informed conclusions about its chronological significance. These conclusions enhance our appreciation of Beowulf and improve our understanding of the poem's place in literary history. Leonard Neidorf is a Junior Fellow at the Harvard Society of Fellows. Contributors: Frederick M. Biggs, Thomas A. Bredehoft, George Clark, Dennis Cronan, Michael D.C. Drout, Allen J. Frantzen, R.D. Fulk, Megan E. Hartman, Joseph Harris, Thomas D. Hill, Leonard Neidorf, Rafael J. Pascual, Tom Shippey

This short book derives from an article published in the periodical Vacation Tourists and Notes of Travel, edited by Francis Galton, in 1860. W. G. Clark (1821-78) was most famous as co-editor of the Cambridge Shakespeare, but was originally a classical scholar, whose Peloponnesus (1858) is also reissued in this series. This lively account of a critical period in Italian history, 'during the occurrence of events so strange and sudden that they resembled incidents of a romantic melodrama rather than real history', deliberately avoids the usual landscapes, ruins and peasants to give a day-by-day description of events in Naples at the time when Garibaldi had arrived in the city during his campaign for the liberation of the Kingdom of the Two Sicilies. However, as well as narrating political and military developments, Clark introduces some picturesque notes, including an account of the famous 'miracle' of the liquefaction of St Gennaro's blood.

Founded in 1868 by the Cambridge scholars John Eyton Bickersteth Mayor (1825 1910), William George Clark (1821 78), and William Aldis Wright (1831 1914), this biannual journal was a successor to The Journal of Classical and Sacred Philology (also reissued in the Cambridge Library Collection). Unlike its short-lived precursor, it survived for more than half a century, until 1920, spanning the period in which specialised academic journals developed from more general literary reviews. Predominantly classical in subject matter, with contributions from such scholars as J. P. Postgate, Robinson Ellis and A. E. Housman, the journal also contains articles on historical and literary themes across the 35 volumes, illuminating the growth and scope of philology as a discipline during this period. Volume 1, comprising issues 1 and 2, was published in 1868.

Founded in 1868 by the Cambridge scholars John Eyton Bickersteth Mayor (1825 1910), William George Clark (1821 78), and William Aldis Wright (1831 1914), this biannual journal was a successor to The Journal of Classical and Sacred Philology (also reissued in the Cambridge Library Collection). Unlike its short-lived precursor, it survived for more than half a century, until 1920, spanning the period in which specialised academic journals developed from more general literary reviews. Predominantly classical in subject matter, with contributions from such scholars as J. P. Postgate, Robinson Ellis and A. E. Housman, the journal also contains articles on historical and literary themes across the 35 volumes, illuminating the growth and scope of philology as a discipline during this period. Volume 2, comprising issues 3 and 4, was published in 1869.

Founded in 1868 by the Cambridge scholars John Eyton Bickersteth Mayor (1825 1910), William George Clark (1821 78), and William Aldis Wright (1831 1914), this biannual journal was a successor to The Journal of Classical and Sacred Philology (also reissued in the Cambridge Library Collection). Unlike its short-lived precursor, it survived for more than half a century, until 1920, spanning the period in which specialised academic journals developed from more general literary reviews. Predominantly classical in subject matter, with contributions from such scholars as J. P. Postgate, Robinson Ellis and A. E. Housman, the journal also contains articles on historical and literary themes across the 35 volumes, illuminating the growth and scope of philology as a discipline during this period. Volume 3, comprising issues 5 and 6, was published in 1871.

Founded in 1868 by the Cambridge scholars John Eyton Bickersteth Mayor (1825 1910), William George Clark (1821 78), and William Aldis Wright (1831 1914), this biannual journal was a successor to The Journal of Classical and Sacred Philology (also reissued in the Cambridge Library Collection). Unlike its short-lived precursor, it survived for more than half a century, until 1920, spanning the period in which specialised academic journals developed from more general literary reviews. Predominantly classical in subject matter, with contributions from such scholars as J. P. Postgate, Robinson Ellis and A. E. Housman, the journal also contains articles on historical and literary themes across the 35 volumes, illuminating the growth and scope of philology as a discipline during this period. Volume 4, comprising issues 7 and 8, was published in 1872.

Founded in 1868 by the Cambridge scholars John Eyton Bickersteth Mayor (1825 1910), William George Clark (1821 78), and William Aldis Wright (1831 1914), this biannual journal was a successor to The Journal of Classical and Sacred Philology (also reissued in the Cambridge Library Collection). Unlike its short-lived precursor, it survived for more than half a century, until 1920, spanning the period in which specialised academic journals developed from more general literary reviews. Predominantly classical in subject matter, with contributions from such scholars as J. P. Postgate, Robinson Ellis and A. E. Housman, the journal also contains articles on historical and literary themes across the 35 volumes, illuminating the growth and scope of philology as a discipline during this period. Volume 5, comprising issues 9 and 10, was published in 1874.

Founded in 1868 by the Cambridge scholars John Eyton Bickersteth Mayor (1825 1910), William George Clark (1821 78), and William Aldis Wright (1831 1914), this biannual journal was a successor to The Journal of Classical and Sacred Philology (also reissued in the Cambridge Library Collection). Unlike its short-lived precursor, it survived for more than half a century, until 1920, spanning the period in which specialised academic journals developed from more general literary reviews. Predominantly classical in subject matter, with contributions from such scholars as J. P. Postgate, Robinson Ellis and A. E. Housman, the journal also contains articles on historical and literary themes across the 35 volumes, illuminating the growth and scope of philology as a discipline during this period. Volume 6, comprising issues 11 and 12, was published in 1876.

Founded in 1868 by the Cambridge scholars John Eyton Bickersteth Mayor (1825 1910), William George Clark (1821 78), and William Aldis Wright (1831 1914), this biannual journal was a successor to The Journal of Classical and Sacred Philology (also reissued in the Cambridge Library Collection). Unlike its short-lived precursor, it survived for more than half a century, until 1920, spanning the period in which specialised academic journals developed from more general literary reviews. Predominantly classical in subject matter, with contributions from such scholars as J. P. Postgate, Robinson Ellis and A. E. Housman, the journal also contains articles on historical and literary themes across the 35 volumes, illuminating the growth and scope of philology as a discipline during this period. Volume 7, comprising issues 13 and 14, was published in 1877.

William George Clark (1821 78) is probably best remembered as the co-editor (with W. Aldis Wright) of the Cambridge Shakespeare (1863 6; also reissued in this series). A fellow of Trinity College, Cambridge, he was a classical and literary scholar and editor, but travelled widely in his vacations, and this work, first published in 1858, is an account of a tour of Greece undertaken in 1856 with W. H. Thompson (1810 86), who later succeeded William Whewell as Master of Trinity. Clark's plan was to visit the archaeological sites of the Peloponnese using W. M. Leake's various surveys as a guide and comparing Leake's observations and his own with those of the ancient traveller Pausanias. The result is an engaging combination of travel narrative and serious archaeological and topographical research backed up by a profound knowledge of classical literature. It remains an interesting resource for those studying the history of Greek archaeology.

Sir George Clark discusses war as a factor for good and ill in European society in the seventeenth century. In particular, he shows how war helped to determine the emergence of modern Europe from a society geographically, politically and doctrinally confused: what Sir George calls the melee of the early part of the century. His first chapter stresses that war was accepted as part of the order of society. It was considered a legitimate instrument of policy, provided that it was just. The next chapter examines 'War as a Collision of Societies' and analyses the effect on war of religious issues, questions of manpower, supply and the relationship between trade and national policy (including some important remarks on the alleged nature of mercantilism). 'War in the European Community' examines the possibility of more civilised reactions to war - especially to atrocities. The final chapters deal with particular aspects: the depredations of the Barbary Corsairs on the trade of civilised Europe and the views held in the seventeenth century on the cycle of war and peace.

Examinations of the date of Beowulf have tremendous significance for Anglo-Saxon culture in general. This book will be a milestone, and deserves to be widely read. The early Beowulf that overwhelmingly emerges here asks hard questions, and the same strictly defined measures of metre, spelling, onomastics, semantics, genealogy, and historicity all cry out to be tested further and applied more broadly to the whole corpus of Old English verse. Andy Orchard, Rawlinson and Bosworth Professor of Anglo-Saxon, University of Oxford. The datingof Beowulf has been a central question in Anglo-Saxon studies for the past two centuries, since it affects not only the interpretation of Beowulf, but also the trajectory of early English literary history. By exploring evidence for the poem's date of composition, the essays in this volume contribute to a wide range of pertinent fields, including historical linguistics, Old English metrics, onomastics, and textual criticism. Many aspects of Anglo-Saxon literary culture are likewise examined, as contributors gauge the chronological significance of the monsters, heroes, history, and theology brought together in Beowulf. Discussions of methodology and the history of the discipline also figure prominently in this collection. Overall, the dating of Beowulf here provides a productive framework for evaluating evidence and drawing informed conclusions about its chronological significance. These conclusions enhance our appreciation of Beowulf and improve our understanding of the poem's place in literary history. Leonard Neidorf is a Junior Fellow at the Harvard Society of Fellows. Contributors: Frederick M. Biggs, Thomas A. Bredehoft, George Clark, Dennis Cronan, Michael D.C. Drout, Allen J. Frantzen, R.D. Fulk, Megan E. Hartman, Joseph Harris, Thomas D. Hill, Leonard Neidorf, Rafael J. Pascual, Tom Shippey