Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Finally available, a high quality book of the original classic edition of Some Account of Gothic Architecture in Spain. It was previously published by other bona fide publishers, and is now, after many years, back in print.

This is a new and freshly published edition of this culturally important work by George Edmund Street, which is now, at last, again available to you.

Get the PDF and EPUB NOW as well. Included in your purchase you have Some Account of Gothic Architecture in Spain in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW.

Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Some Account of Gothic Architecture in Spain:

Look inside the book:

Seeing, then, how complete is the ignorance which up to the present time we have laboured under, as to the true history and nature of Gothic architecture in Spain, I commit this volume to the reader with a fair trust that what has been the occupation of all my leisure moments for the last two or three years, -a work not only of much labour at home, but of considerable labour also in long journeys taken year after year for this object alone, -will not be found an unwelcome addition to the literature of Christian art. ...I believe that for a day and a half our mayoral never slept a wink, and spent something like a fourth of his time running with the mules: though I am bound to say that subsequent experience has convinced me that he was exceptionally lively and wakeful, for elsewhere, in travelling by night, I have generally found that the mules become their own masters after dark, walking or standing still as seemeth them best, and seldom getting over much more than half the ground they travel in the same number of hours of daylight.

About George Edmund Street, the Author:

11 Charles Locke Eastlake, writing in 1872, saw this as a prime example of the 'revolt from English national style' that was occurring amongst Gothic Revival architects at this time, at least in part inspired by John Ruskin's enthusiasm for the medieval architecture of Northern Italy, and by the publication of Viollet-le-Duc's exhaustive Dictionnaire raisonne de l'Architecture Franchise du XIe au XVIe Siecle: ...His work was not exclusively in the Gothic revival manner, as is demonstrated by Ralli's dramatic Lycian-Byzantine temple at Norwood Cemetery, the Romanesque reworking of the nearby church of St Luke and the rebuilding of All Saints' at Roydon, in West Norfolk, in a style to match its two Norman doorways .

Finally available, a high quality book of the original classic edition of Some Account of Gothic Architecture in Spain. It was previously published by other bona fide publishers, and is now, after many years, back in print.

This is a new and freshly published edition of this culturally important work by George Edmund Street, which is now, at last, again available to you.

Get the PDF and EPUB NOW as well. Included in your purchase you have Some Account of Gothic Architecture in Spain in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW.

Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Some Account of Gothic Architecture in Spain:

Look inside the book:

Seeing, then, how complete is the ignorance which up to the present time we have laboured under, as to the true history and nature of Gothic architecture in Spain, I commit this volume to the reader with a fair trust that what has been the occupation of all my leisure moments for the last two or three years, -a work not only of much labour at home, but of considerable labour also in long journeys taken year after year for this object alone, -will not be found an unwelcome addition to the literature of Christian art. ...I believe that for a day and a half our mayoral never slept a wink, and spent something like a fourth of his time running with the mules: though I am bound to say that subsequent experience has convinced me that he was exceptionally lively and wakeful, for elsewhere, in travelling by night, I have generally found that the mules become their own masters after dark, walking or standing still as seemeth them best, and seldom getting over much more than half the ground they travel in the same number of hours of daylight.

About George Edmund Street, the Author:

11 Charles Locke Eastlake, writing in 1872, saw this as a prime example of the 'revolt from English national style' that was occurring amongst Gothic Revival architects at this time, at least in part inspired by John Ruskin's enthusiasm for the medieval architecture of Northern Italy, and by the publication of Viollet-le-Duc's exhaustive Dictionnaire raisonne de l'Architecture Franchise du XIe au XVIe Siecle: ...His work was not exclusively in the Gothic revival manner, as is demonstrated by Ralli's dramatic Lycian-Byzantine temple at Norwood Cemetery, the Romanesque reworking of the nearby church of St Luke and the rebuilding of All Saints' at Roydon, in West Norfolk, in a style to match its two Norman doorways .

An architect and architectural theorist, George Edmund Street (1824 81) was one of the key proponents of the 'High Victorian' Gothic style in nineteenth-century Britain. He is best known as the mind behind London's Royal Courts of Justice. Elected an associate of the Royal Academy in 1866, Street became its professor of architecture in 1880. In 1874 he received the gold medal of the Royal Institute of British Architects after John Ruskin declined it, and he served as the Institute's president in 1881. Street's Gothic architecture was influenced by continental examples: this book, first published in 1855, serves as an important source for interpreting his output. It is copiously illustrated, arranged as a travelogue of mostly pointed-arch architecture seen in Italy, and covers exterior and interior elevations, sculptural details, metalwork and furniture.