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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Originally published in 1916, this book was based upon the Rede
Lecture for that year, which was delivered at Cambridge University
by the archaeologist and bishop George Forrest Browne (1833-1930).
The text presents an examination of the Anglo-Saxon crosses of
Bewcastle and Ruthwell, providing information on their appearance
and the broader context of their creation. Notes and illustrative
figures are also included, with photographs and reproductions of
ruins. This book will be of value to anyone with an interest in
archaeology, ancient crosses and Anglo-Saxon history.
Originally published in 1921, this book presents a detailed
discussion of antiquities, must notably stone circles, discovered
in the area around Dunecht House, Aberdeenshire. The text was
prepared by the archaeologist and bishop George Forrest Browne
(1833-1930), following an initial invitation to create a basic
guide to the discoveries for visitors to Dunecht. Illustrative
figures and notes are incorporated throughout. This book will be of
value to anyone with an interest in archaeology and the prehistory
of Aberdeenshire.
In the early 1970s, an era of grand gestures in rock, no band could
match the scale of Emerson, Lake and Palmer. Boasting an impressive
pedigree in previous bands, Keith Emerson, Greg Lake and Carl
Palmer were huge from the off, the ultimate progressive rock group.
Their eponymous 1970 debut album mixed new band compositions with
reinterpretations of classical pieces, an approach that reached its
apogee with the 1973 concept album 'Brain Salad Surgery'. The band
live were a spectacle like no other, with their giant quadrophonic
PA and a shirtless Emerson hurling knives into his Hammond organ -
but when punk happened ELP abruptly fell out of fashion, splitting
in 1978. Subsequent reformations culminated in a final gig at
London's High Voltage festival in celebration of the band's 40th
anniversary. 'The Show That Never Ends ... Encore', first published
in 2000 and now fully revised and updated, chronicles the epic ELP
saga. Drawing on interviews with band members and associates, and a
host of archive sources, it is a gripping account of ego, band
politics, period detail and sweeping musical ambition. Foruli
Classics - classic music and popular culture books reborn.
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