Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Originally published in 1921, this book presents a detailed discussion of antiquities, must notably stone circles, discovered in the area around Dunecht House, Aberdeenshire. The text was prepared by the archaeologist and bishop George Forrest Browne (1833-1930), following an initial invitation to create a basic guide to the discoveries for visitors to Dunecht. Illustrative figures and notes are incorporated throughout. This book will be of value to anyone with an interest in archaeology and the prehistory of Aberdeenshire.

Originally published in 1916, this book was based upon the Rede Lecture for that year, which was delivered at Cambridge University by the archaeologist and bishop George Forrest Browne (1833-1930). The text presents an examination of the Anglo-Saxon crosses of Bewcastle and Ruthwell, providing information on their appearance and the broader context of their creation. Notes and illustrative figures are also included, with photographs and reproductions of ruins. This book will be of value to anyone with an interest in archaeology, ancient crosses and Anglo-Saxon history.

In the early 1970s, an era of grand gestures in rock, no band could match the scale of Emerson, Lake and Palmer. Boasting an impressive pedigree in previous bands, Keith Emerson, Greg Lake and Carl Palmer were huge from the off, the ultimate progressive rock group. Their eponymous 1970 debut album mixed new band compositions with reinterpretations of classical pieces, an approach that reached its apogee with the 1973 concept album 'Brain Salad Surgery'. The band live were a spectacle like no other, with their giant quadrophonic PA and a shirtless Emerson hurling knives into his Hammond organ - but when punk happened ELP abruptly fell out of fashion, splitting in 1978. Subsequent reformations culminated in a final gig at London's High Voltage festival in celebration of the band's 40th anniversary. 'The Show That Never Ends ... Encore', first published in 2000 and now fully revised and updated, chronicles the epic ELP saga. Drawing on interviews with band members and associates, and a host of archive sources, it is a gripping account of ego, band politics, period detail and sweeping musical ambition. Foruli Classics - classic music and popular culture books reborn.