Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In recent years, classicists have begun aggressively to explore the impact of performance on the ways in which Greek and Roman plays are constructed and appreciated, both in their original performance context and in reperformances down to the present day. While never losing sight of the playscripts, it is necessary to adopt a more inclusive point of view, one integrating insights from archaeology, art, history, performance theory, theatre semiotics, theatrical praxis, and modern performance reception. This volume contributes to the restoration of a much-needed balance between performance and text: it is devoted to exploring how performance-related considerations (including stage business, masks, costumes, props, performance space, and stage-sets) help us attain an enhanced appreciation of ancient theatre.

Animated feature for the Fab Four. The Beatles - John (voiced by John Clive), Paul (Geoffrey Hughes), George (Peter Batten) and Ringo (Paul Angelis) - are shocked to be transported to a world inhabited by the evil, apple-wielding Blue Meanies. Travelling to Pepperland in their yellow submarine, the foursome attempt to halt the Meanies reign of terror by showing them that all you really need is love. The real Beatles make a cameo appearance at the end of the film.

British sex comedy. Mary Millington, 70's sex goddess, stars as a lady who leads a takeover of a health farm, developing some interesting new treatments along the way. When a pair of forgers hide out at the farm, events reach a hilariously naughty climax.

Title: Two Months in Brittany with my knapsack and fly rod.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The HISTORY OF EUROPE collection includes books from the British Library digitised by Microsoft. This collection includes works chronicling the development of Western civilisation to the modern age. Highlights include the development of language, political and educational systems, philosophy, science, and the arts. The selection documents periods of civil war, migration, shifts in power, Muslim expansion into Central Europe, complex feudal loyalties, the aristocracy of new nations, and European expansion into the New World. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Harrison, George; 1868]. 8 . 10169.b.23.

Psychedelic late 1960s pop fantasy released by the Beatles' Apple films, with music by George Harrison and surreal brightly-coloured sets. Jack MacGowran plays Oscar Collins, an eccentric butterfly scientist who becomes obsessed with his neighbour, Penny Lane (Jane Birkin) after discovering a secret peephole in the wall between their flats. Penny is a young and beautiful fashion model, who spends her days in her rainbow painted pop apartment smoking dope, cavorting around in various states of undress and making love to her sexy boyfriends. Collins is soon overcome by his delusional fantasies about her, and repeatedly loses himself in trippy musical daydreams.

A classic reprint from 1918 giving the history of the Bolsheviks & I.W.W. Today, locked behind several sets of steel bars in one of those dungeons Capitalism has prepared for workers who challenge its rule, the writer watches the play of social forces in the greatest of crises ever yet facing this stage of civilization. Someone has said that the people of any given period do not grasp the significance of events transpiring under their eyes; that events are only historically understood as they move into the past and afford perspective. It may be that my interested isolation, my severance from active participation in the great; drama, affords such perspective. But, be that as it may, the writer feels constrained to point out what, in his opinion, is the lesson to the workers contained in recent and current history what means that inspiring light that penetrates even the prison windows and floods my cell with the glory of the Red Dawn?