Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

"The Malcontent," usually recognized as John Marston's masterpiece, is one of the most original and complex plays of the Elizabethan theatre. Complex in genre, structure and language, it poses interesting problems for theatre history and textual transmission. The aim of this edition is to offer answers to the various questions raised by the play (derived from the thirty-six copies now extant), to establish a reliable text, to date the play and relate it to the aesthetic cross-currents flowing at the turn of the seventeenth century. It also seeks to place "The Malcontent" within the theatrical traditions both of boy-players and of Shakespeare's company, which stole the play from the boys and adapted to their own theatre.

"Big Bob" Bashara put on a respectable face. To his friends in Detroit's affluent suburb of Grosse Pointe, he was a married father of two, Rotary Club President, church usher and soccer dad who organized charity events with his wife, Jane. To his "slaves," he was "Master Bob," cocaine-snorting slumlord who operated a sex dungeon and had a submissive girlfriend to do his bidding. But Bashara knew he couldn't rule a household of concubines on his income alone. He eyed his wife's sizable retirement account and formulated a murderous plan.

Usually considered to be John Marston's masterpiece, The Malcontent is one of the most original and complex plays of the Elizabethan theatre - complex in genre, structure and language. A major reason for the play's pre-eminence lies in the balance it achieves between the opposite claims of laughter and horror which elsewhere in Marston's work show a less stable relationship. This edition, using the same authoritative text as the standard Revels edition has notes designed for modern undergraduate use. The introduction has been rewritten to take into account the most recent scholarship.

"Galatea" and "Midas" are two of John Lyly's most engaging plays. Shortly after his early success with Campaspe and Sappho and Phao in 1583-4, he took up the story of two young women, Galatea (or Gallathea) and Phillida who are dressed up in male clothes by their fathers so that they can avoid the requirement of the god Neptune that every year "the fairest and chastest virgin in all the country" be sacrificed to a sea-monster. Hiding together in the forest, the two maidens fall in love, each supposing the other to be a young man. "Galatea" has become the subject of considerable feminist critical study in recent years. "Midas" (1590) uses mythology in quite a different way, dramatizing two stories about King Midas (the golden touch and the ass's ears) in such a way as to fashion a satire of King Philip of Spain (and of any tyrant like him) for colossal greediness and folly. In the wake of the defeat of Philip's Armada fleet and its attempted invasion of England in 1588, this satire was calculated to win the approval of Queen Elizabeth and her court. The plays are newly presented here by the scholars who have recently edited Campaspe, Sappho and Phao, and Endymion for the Revels series.

Description: Liang Fa holds a unique place in the history of Christianity in China. Baptized and ordained by the first Protestant missionaries to China, Liang aided the first two generations of missionaries and conducted his own work as an evangelist and writer. Liang alone in the first generation wrote and published under his name, and his most famous tract is believed to have influenced the Taiping Rebellion. While George McNeur's biography of Liang has been republished regularly in Chinese, this is the first republication in English since the 1930s. It remains the best work on an influential but little-studied figure. Annotated and with a critical introduction, this work seeks to revive scholarship on Liang as we approach the two-hundredth anniversary of his baptism.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++York University Law School Libraryocm33026513Includes index.Edinburgh: Bell & Bradfute, 1859. xxiii, 396, cxxxi p.: ill.; 24 cm.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School Libraryocm21209767Edinburgh: Bell & Bradfute, 1881. xxxi, 685 p.: forms; 23 cm.