George Lillo's domestic tragedies provided the impetus for the development of new forms of serious drama during and after the eighteenth century, on the Continent as well as in the English-speaking theatre. This edition makes available for the first time all of the plays known or thought to have been written by the playwright, in reliable old-spelling texts following modern bibliographical principles. Some have not been reprinted since 1810. Even the much-studied London Merchant has not previously been published in an edition that recognizes the errors contained in the first edition and the authorial revisions introduced in early reprints. The introduction to each play treats its sources, histories of publication and reception in the theatre, and textual problems. The apparatus criticus and historical collations provide full bibliographical detail. Commentary notes discuss the author's use or adaptation of sources and furnish information about links among his own plays, topical background, and literary allusions. Steffensen edition makes possible an informed awareness of Lillo's lesser-known plays in a variety of genres, as an enlightening context for further study of these influential domestic dramas.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Fatal Curiosity: A Tragedy, In Three Acts: Correctly Given, As Performed At The Theatres Royal; With Remarks George Lillo Hughes, 1820

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Elmerich. Trauerspiel In Vier Aufzugen. Nach Dem Englischen George Lillo Bodner, 1790

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++John Rylands University Library of ManchesterT169896London: printed for Henry Lintot, 1758. 70, 2]p.: ill.; 12

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++National Library of ScotlandT212969Anonymous. By George Lillo. The libretto only. A possible Scottish piracy with a false imprint?London: printed for J. Watts, 1731. 2],74p.; 12