Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Legendary Grammy Award-winning and Academy Award-nominated record producer George Martin shares tales from his life and musical career with the Fab Four.

George Martin spotted the Beatles' talent, and recorded and produced The Fab Four from the start right through to The Beatles Anthology. Often called “the fifth Beatle,” Martin not only produced but also arranged some of the band’s most iconic and distinctive songs, including “Yesterday.” In this witty and charming autobiography, Martin describes exactly what it was like to work in the studio with the Beatles―from their first audition (and his decision to scrap Pete Best on drums) to the wild experimentation of Sgt. Pepper, complete with sound effects, animal noises, and full orchestras in evening dress at the direct request of Paul McCartney.

All You Need Is Ears is an intimate insider’s look at the most important pop group of all time, and how they made the music that changed the world: it’s an inimitable look at the Beatles’ creative process, and at the interplay of genius and practical improvisation that gave them their sound. It’s an indispensable read for Beatle lovers and anyone interested in how the world of popular music really works.

This PhD sought to determine the mechanisms for the reactor explosions by mapping, collecting and analysing samples from across the area of Japan that received radioactive fallout from the explosions. In doing this, the author conducted significant fieldwork in the restricted-access fallout zone using ground and novel UAV-based mapping of radiation to identify hot-spot areas for sample collecting but also using these tools to verify the efficacy of the clean-up operations ongoing in the prefecture. Such fieldwork was both technically pioneering for its use of UAVs (drones) but also selfless in terms of bravely entering a nuclear danger area to collect samples for the greater benefit of the scientific community.

The Organic Globalizer is a collection of critical essays which takes the position that hip-hop holds political significance through an understanding of its ability to at once raise cultural awareness, expand civil society's focus on social and economic justice through institution building, and engage in political activism and participation. Collectively, the essays assert hip hop's importance as an "organic globalizer:" no matter its pervasiveness or reach around the world, hip-hop ultimately remains a grassroots phenomenon that is born of the community from which it permeates. Hip hop, then, holds promise through three separate but related avenues: (1) through cultural awareness and identification/recognition of voices of marginalized communities through music and art; (2) through social creation and the institutionalization of independent alternative institutions and non-profit organizations in civil society geared toward social and economic justice; and (3) through political activism and participation in which demands are articulated and made on the state. With editorial bridges between chapters and an emphasis on interdisciplinary and diverse perspectives, The Organic Globalizer is the natural scholarly evolution in the conversation about hip-hop and politics.

The Autonomous Vehicle (AV) has been strongly heralded as the most exciting innovation in automobility for decades. Autonomous Vehicles are no longer an innovation of the future (seen only in science fiction) but are now being road-tested for use. And yet while the technical and economic success and possibilities of the AV have been widely debated, there has been a notable lack of discussion around the social, behavioural, and environmental implications. This book is the first to address these issues and to deeply consider the environmental and social sustainability outlook for the AV and how it will impact on communities. Environmental and social sustainability are goals unlike those of technical development (a new tool) and economic development (a new investment). The goal of sustainability is development of societies that live well and equitably within their ecological limits. Is it reasonable and desirable that only technical and economic success comprise the swelling AV parade, or should we be looking at the wider impacts on personal well-being, wider society, and the environment? The uptake for AVs looks to be lengthy, disjointed, and episodic, in large measure because it faces a range of known unknown risks. This book assesses the environmental and social sustainability potential for AVs based on their prospective energy use and their impacts on climate change, urban landscapes, public health, mobility inequalities, and individual and social well-being. It examines public attitudes about AV use and its risk of fostering a rebound effect that compromises potential sustainability gains. The book concludes with a discussion of critical issues involved in sustainable AV diffusion.