Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

To everyone who has ever laid in bed wondering about life after death, or the existence of God.

For all of us, reaching out for any tiny piece of evidence to corroborate our beliefs, or strengthen our doubts. For everyone undergoing a serious illness at home, or in the hospital, or are nearing the end of our journey, and now reside in a hospice, or nursing home. For all of us crying out for some sense to our suffering, this book may offer some relief.

This book is not meant to be an academic study, but a source of hope, a comforting perspective, and a reassurance of the existence of God.

It is my presumption that the actual orders of creation are very similar. In fact when compared to any other religious beliefs, Genesis is the closest in description, to the actual scientific order of creation we know today.

This book is an informal look at the origins of life on this planet, looking at science and Genesis.

The question is simple. Does the Book of Genesis, written thousands of years ago, accurately describe the chronological Order of Creation on this planet?

Is this coincidence, or divine inspiration?

Staging the Amistad collects in print for the first time plays about the Amistad slave revolt by three of Sierra Leone's most influential playwrights of the latter decades of the twentieth century: Charlie Haffner, Yulisa Amadu "Pat" Maddy, and Raymond E. D. de'Souza George. Until the late 1980s, when the first of these plays was performed, the 1839 shipboard slave rebellion and the return of its victors to their homes in what is modern-day Sierra Leone had been an unrecognized chapter in the country's history. The plays recast the tale of heroism, survival, and resistance to tyranny as a distinctly Sierra Leonean story, emphasizing the agency of its African protagonists. For this reason, Haffner, Maddy, and de'Souza George counterbalance the better-known American representations of the rebellion, which center on American characters and American political and cultural concerns. The first public performances of these plays constituted a watershed moment. Written and staged immediately before and after the start of Sierra Leone's decade-long conflict, they brought the Amistad rebellion to public consciousness. Furthermore, their turn to a uniquely Sierra Leonean history of heroic resistance to tyranny highlights the persistent faith in nation-state nationalism and the dreams of decolonization.

There's a man in the world who is never turned down, wherever he chances to stray; he gets the glad hand in the populous town, or out where the farmers make hay; he's greeted with pleasure on deserts of sand, and deep in the aisles of the woods; wherever he goes there's the welcoming hand-he's The Man Who Delivers The Goods. The failures of life sit around and complain; the gods haven't treated them white; they've lost their umbrellas whenever there's rain, and they haven't their lanterns at night; men tire of the failures who fill with their sighs the air of their own neighborhoods; there's one who is greeted with love-lighted eyes-he's The Man Who Delivers The Goods. One fellow is lazy, and watches the clock, and waits for the whistle to blow; and one has a hammer, with which he will knock, and one tells a story of woe; and one, if requested to travel a mile, will measure the perches and roods; but one does his stunt with a whistle or smile -- he's The Man Who Delivers The Goods....