This volume presents the proceedings of the 11th IFIP/IEEE International Conference on Management of Multimedia and Mobile Networks and Services (MMNS 2008), which was held on Samos, Greece during September 22-26 as part of the 4th International Week on Management of Networks and Services (Manweek 2008). As in the previous three years, the Manweek umbrella - lowed an international audience of researchers and scientists from industry and academia - who are researching and developing management systems - to share views and ideas and present their state-of-the-art results. The other events co-located with Manweek 2008 were the 19th IFIP/IEEE International Workshop on Distributed Systems: Operations and Management (DSOM 2008), the 8th IEEE Workshop on IP Operations and Management (IPOM2008), the Third IEEE International Workshop on Modeling Autonomic CommunicationsEnvironments(MACE2008),the4thIEEE/IFIPInternational Workshop on End-to-End Virtualization and Grid Management (EVGM 2008) andthe5thInternationalWorkshoponNext-GenerationNetworkingMiddleware (NGNM 2008). Under this umbrella, MMNS again proved itself as a top public venue for dissemination of results and intellectual collaboration with speci?c emphasis on the management of emerging mobile and wireless networks. The objective of the conference is to bring together researchers and scientists from academia and industry interested in state-of-the-artmanagementof convergedmultimedia networks and services across heterogeneous networking infrastructures.

Thisstate-of-the-artsurveyoftechnologies, algorithms, models, andexperiments in the area of Internet Quality of Service is the ?nal report of COST (European Cooperation in the ?eld of Scienti?c and Technical Research) Action 263, Qu- ity of future Internet Services, http: //www. fokus. fraunhofer. de/cost263 (QofIS). COST 263 ran from January 1999 until October 2003 with the participation of some 70 researchers from 38 organizations from 14 European countries (France, Hungary, Italy, Sweden, UK, Belgium, Germany, the Netherlands, Portugal, Slovenia, Switzerland, Finland, Greece, Romania, and Spain). The Action - longed to the COST area "Multimedia and Internet Communication"; together with COST 264, Networked Group Communication, this Action continued the e?ort started in 1992 by COST 237, Multimedia Telecommunications Services. Both groups have combined their e?orts now in the Network of Excellence in Emerging Networking Experiments and Technologies, http: //www. ist-e-next. net (E-NEXT) of the 6th European Framework program. The book consists of seven chapters that were written in 18 months by 67 individual authors. The main objective of this book is to report the state of the art in the area of QofIS, as percieved by the authors, including achievements that wereoriginatedby the authors. The book wasdesigned in a top-downm- ner: after three years of running the Action with close co-ordination of research e?orts, it was easy to achieve a consensus on the table of contents. To ensure the content quality the following roles were de?ned and assigned to COST 263 members: chapter editor, chapter author, chapter reader.

When mergers go wrong...a Credit Crunch comedy. What happens when an American Investment Bank buys a very British Insurance company then changes its mind to look for better deals in India and China? The break up, selling off and shutting down of a major London based Financial Services player, seen through the eyes of a romantically smitten insurance clerk called Eric, a neurotic and chaotic Sales Director, Nigel and a 60s rock guitar playing Compliance Officer, Stan aka Feral Wilde. From the offshore banking centres of Bermuda and the Isle of Man, to the insurance streets of London, Edinburgh and East Grinstead. This is as irreverent and humorous as it gets, from an insider at the heart of insurance, investments and banking for the last 30 years.

This book offers a significant and original contribution to studies on D.W. Griffith and film, through a systematic analysis of the director's chase scenes, which create suspense and resolution in his films. The predominance of the emphasis of building suspense differs in the various stages of his chase scenes. The primary source of material discussed here is Griffith's films after 1913 when he left the Biograph Company. Griffith's post-Biograph films are more complete and representative of his techniques than his earlier films, which were subject to financial constraints while he was still innovating and developing his cinematic techniques. Most of his films used in this analysis were provided by the Museum of Modern Art in New York City. The purpose of this study is to determine a definition of a Griffithian chase scene in terms of his editing techniques. Categories are established, defining specific tools. This is done by determining and documenting consistencies, comparisons, and specific patterns occurring in his chase scenes that generally do not occur in his general editing. Griffith's basic mechanics in editing are filmic time and space, parallel action, referential crosscutting, and decomposition.A major finding in this book is that Griffith's chase scenes are the most important part of his films in terms of suspense and resolution. His chase scenes are complex, unique and sometimes even unpredictable. As such, this is an important new work on D.W. Griffith, and will be of interest to scholars and others interested in both the director and film, and will also be an asset to libraries and bookstores.