Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The first comprehensive history of squash in the United States, Squash incorporates every aspect of this increasingly popular sport: men's and women's play, juniors and intercollegiates, singles and doubles, hardball and softball, amateurs and professionals.

Invented by English schoolboys in the 1850s, squash first came to the United States in 1884 when St. Paul's School in New Hampshire built four open-air courts. The game took hold in Philadelphia, where players founded the U.S. Squash Racquets Association in 1904, and became one of the primary pastimes of the nation's elite. Squash launched a U.S. Open in 1954, but its present boom started in the 1970s when commercial squash clubs took the sport public. In the 1980s a pro tour sprung up to offer tournaments on portable glass courts in dramatic locales such as the Winter Garden at the World Trade Center.

James Zug, with access to private archives and interviews with hundreds of players, describes the riveting moments and sweeping historical trends that have shaped the game. He focuses on the biographies of legendary squash personalities: Eleo Sears, the Boston Brahmin who swam in the cold Atlantic before matches; Hashim Khan, the impish founder of the Khan dynasty; Victor Niederhoffer, the son of a Brooklyn cop; and Mark Talbott, a Grateful Dead groupie who traveled the pro circuit sleeping in the back of his pickup. A gripping cultural history, Squash is the book for which all aficionados of this fast-paced, exciting game have been waiting.

When it comes to popularity, American enthusiasm for sports is right up there with mom and apple pie. From this long love affair with the games of men and boys--and, increasingly, women--has sprung a vast literature that moves across fiction, nonfiction, and poetry. Now Plimpton has compiled an incredible collection of the best sports writing ever.

In the mid-1960s, George Plimpton talked his way into the Detroit Lions' pre-season training camp and in doing so set the bar for participatory sports journalism. With his characteristic wit, Plimpton recounts his experience of a month practising and living with the team - getting to know the pressures and tensions rookies confront, the hijinks, taking behind the scenes snaps and capturing a host of American football rites and rituals. Plimpton might not have made it as a quarterback, but fifty years after its first publication, Paper Lion remains one of the most insightful and entertaining classics of sports literature.

The fourth book in the Modern Library’s Paris Review Writers at Work series, Latin American Writers at Work is a thundering collection of interviews with some of the most important and acclaimed Latin American writers of our time. These fascinating conversations were compiled from the annals of The Paris Review and include a new, lyrical Introduction by Nobel Prize–winning author Derek Walcott.

From the author of Paper Lion It began as a fun filled stunt and came to a deeply hellish, nearly humiliating end. George Plimpton had the chance to answer every baseball fan's question: could I strike out a major league star? Out of My League chronicles what happened next as his inspired idea - to get on the mound and pitch a few innings to the All-Stars of the American and National Leagues - got seriously out of hand. The original foray into participatory journalism that started it all, Out of my League announced George Plimpton as a giant of sports journalism, able to penetrate deep into the very spirit of sport, with his characteristic wit, charm and grace.

From the author of Paper Lion What happens when a weekend athlete - of average skill at best - joins the professional golf circuit? George Plimpton spent a month of self-imposed torture on the PGA tour to find out, meeting amateurs, pros, caddies, officials, fans and hangers-on along the way. In The Bogey Man we find golf legends, adventurers, stroke-saving theories, superstitions, and other golfing lore, and best of all, Plimpton's thoughts and experiences - frustrating, humbling and, sometimes, thrilling - from the first tee to the last green.

This Is A New Release Of The Original 1919 Edition.

This Is A New Release Of The Original 1910 Edition.

This Is A New Release Of The Original 1910 Edition.

Contributing Authors Include John H. Muirhead, D. S. Mackay, W. R. Dennes, And Many Others. University Of California Publications In Philosophy, V10, October, 1928.

Additional Editor Is Benson Mates. Contributing Authors Include Richard Popkin, Celestine Sullivan, Edward Strong, And Many Others. University Of California Publications In Philosophy, V29. Lectures Delivered Before The Philosophical Union Of The University Of California In Honor Of The Two Hundredth Anniversary Of The Death Of George Berkeley, Bishop Of Cloyne, 1685-1753.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

A brilliant and unique biography of Andy Warhol's tragic muse, the 60s icon Edie Sedgwick

‘Exceptionally seductive… You can’t put it down’ LA Times

Outrageous, vulnerable and strikingly beautiful - in the 1960s Edie Sedgwick became both an emblem of, and a memorial to, the doomed world spawned by Andy Warhol.

Born into a wealthy New England Edie’s childhood was dominated by a brutal but glamourous father. Fleeing to New York, she became an instant celebrity, known to everyone in the literary, artistic and fashionable worlds. She was Warhol's twin soul, his creature, the superstar of his films and, finally, the victim of a life which he created for her.

Jean Stein’s classic biography of Edie is an American fable on an epic scale - the story of a short, crowded and vivid life which is also the story of a decade like no other.

‘Edie Sedgwick was the spirit of the sixties, and these pages capture her power to dazzle us… This is the book of the Sixties we have been waiting for’ Norman Mailer

Iron Mike collects the best writing on the tumultuous fifteen-year career of the most reviled and idolized athlete in the world, Michael Gerard Tyson. Since becoming, at age nineteen, the youngest heavyweight champion in history, Tyson's dramatic rise, fall, and continuing struggle has provoked more passionate writing, both in and out of the sports pages, than that of any other boxer since Muhammad Ali. Iron Mike is about more than boxing. Like no other athlete, Mike Tyson is at the nexus of America's cultural anxieties about race, class, masculinity, violence, and celebrity; like no other athlete his story of high drama and low comedy inspires writers to wrestle with these themes, with Tyson often no more than the occasion for the writer's own preoccupations. And Tyson has provided many such occasions: his rise to the Undisputed World Heavyweight Championship at age twenty-one; his rocky marriage to Robin Givens; his controversial conviction for the rape of Desiree Washington; his return to boxing and reclamation of the WBC and WBA belts; his biting of Evander Holyfield. Iron Mike is a kaleidoscopic portrait of a man who, for better and worse, is one of the most recognizable, popular, and defining icons of our time. The book includes selections from Joyce Carol Oates, Pete Hamill, Jose Torres, Pete Dexter, Phil Berger, Christopher Hitchens, Robert Lipsyte, Dave Anderson, Jonathan Yardley, Richard Rodriguez, Katherine Dunn, Budd Schulberg, William Plummer, David Remnick, Keith Botsworth, and others.

The third installment in the Modern Library's Paris Review "Writers at Work" series, this is an all-new gathering of interviews with the most important and compelling playwrights of our time. Their singular takes on their craft, their influences, their lives, the state of contemporary theater, and the tricks of the trade create an illuminating and unparalleled record of the life of the theater itself.

"At its best,  theater is an antidote to the whiff of barbarity in the millennial air. 'My feeling is that people in a group, en masse, watching something, react differently, and perhaps more profoundly, than they do when they're alone in their living rooms,' Arthur Miller says here. In the dark, facing the stage, surrounded by others, the paying customer can let himself go; he is emboldened. The theatrical encounter allows a member of the public to think against received opinions. He can submerge himself in the extraordinary, admit his darkest, most infantile wishes, feel the pulse of the contemporary, hear the sludge of street talk turned into poetry. This enterprise can be joyous and dangerous; when the theater's game is good and tense, it is both."
--from the Introduction by John Lahr