Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The first comprehensive history of squash in the United States, Squash incorporates every aspect of this increasingly popular sport: men's and women's play, juniors and intercollegiates, singles and doubles, hardball and softball, amateurs and professionals.

Invented by English schoolboys in the 1850s, squash first came to the United States in 1884 when St. Paul's School in New Hampshire built four open-air courts. The game took hold in Philadelphia, where players founded the U.S. Squash Racquets Association in 1904, and became one of the primary pastimes of the nation's elite. Squash launched a U.S. Open in 1954, but its present boom started in the 1970s when commercial squash clubs took the sport public. In the 1980s a pro tour sprung up to offer tournaments on portable glass courts in dramatic locales such as the Winter Garden at the World Trade Center.

James Zug, with access to private archives and interviews with hundreds of players, describes the riveting moments and sweeping historical trends that have shaped the game. He focuses on the biographies of legendary squash personalities: Eleo Sears, the Boston Brahmin who swam in the cold Atlantic before matches; Hashim Khan, the impish founder of the Khan dynasty; Victor Niederhoffer, the son of a Brooklyn cop; and Mark Talbott, a Grateful Dead groupie who traveled the pro circuit sleeping in the back of his pickup. A gripping cultural history, Squash is the book for which all aficionados of this fast-paced, exciting game have been waiting.

When it comes to popularity, American enthusiasm for sports is right up there with mom and apple pie. From this long love affair with the games of men and boys--and, increasingly, women--has sprung a vast literature that moves across fiction, nonfiction, and poetry. Now Plimpton has compiled an incredible collection of the best sports writing ever.

A brilliant and unique biography of Andy Warhol's tragic muse, the 60s icon Edie Sedgwick

‘Exceptionally seductive… You can’t put it down’ LA Times

Outrageous, vulnerable and strikingly beautiful - in the 1960s Edie Sedgwick became both an emblem of, and a memorial to, the doomed world spawned by Andy Warhol.

Born into a wealthy New England Edie’s childhood was dominated by a brutal but glamourous father. Fleeing to New York, she became an instant celebrity, known to everyone in the literary, artistic and fashionable worlds. She was Warhol's twin soul, his creature, the superstar of his films and, finally, the victim of a life which he created for her.

Jean Stein’s classic biography of Edie is an American fable on an epic scale - the story of a short, crowded and vivid life which is also the story of a decade like no other.

‘Edie Sedgwick was the spirit of the sixties, and these pages capture her power to dazzle us… This is the book of the Sixties we have been waiting for’ Norman Mailer

This Is A New Release Of The Original 1919 Edition.

This Is A New Release Of The Original 1910 Edition.

This Is A New Release Of The Original 1910 Edition.

Contributing Authors Include John H. Muirhead, D. S. Mackay, W. R. Dennes, And Many Others. University Of California Publications In Philosophy, V10, October, 1928.

Additional Editor Is Benson Mates. Contributing Authors Include Richard Popkin, Celestine Sullivan, Edward Strong, And Many Others. University Of California Publications In Philosophy, V29. Lectures Delivered Before The Philosophical Union Of The University Of California In Honor Of The Two Hundredth Anniversary Of The Death Of George Berkeley, Bishop Of Cloyne, 1685-1753.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

The fourth book in the Modern Library’s Paris Review Writers at Work series, Latin American Writers at Work is a thundering collection of interviews with some of the most important and acclaimed Latin American writers of our time. These fascinating conversations were compiled from the annals of The Paris Review and include a new, lyrical Introduction by Nobel Prize–winning author Derek Walcott.

Iron Mike collects the best writing on the tumultuous fifteen-year career of the most reviled and idolized athlete in the world, Michael Gerard Tyson. Since becoming, at age nineteen, the youngest heavyweight champion in history, Tyson's dramatic rise, fall, and continuing struggle has provoked more passionate writing, both in and out of the sports pages, than that of any other boxer since Muhammad Ali. Iron Mike is about more than boxing. Like no other athlete, Mike Tyson is at the nexus of America's cultural anxieties about race, class, masculinity, violence, and celebrity; like no other athlete his story of high drama and low comedy inspires writers to wrestle with these themes, with Tyson often no more than the occasion for the writer's own preoccupations. And Tyson has provided many such occasions: his rise to the Undisputed World Heavyweight Championship at age twenty-one; his rocky marriage to Robin Givens; his controversial conviction for the rape of Desiree Washington; his return to boxing and reclamation of the WBC and WBA belts; his biting of Evander Holyfield. Iron Mike is a kaleidoscopic portrait of a man who, for better and worse, is one of the most recognizable, popular, and defining icons of our time. The book includes selections from Joyce Carol Oates, Pete Hamill, Jose Torres, Pete Dexter, Phil Berger, Christopher Hitchens, Robert Lipsyte, Dave Anderson, Jonathan Yardley, Richard Rodriguez, Katherine Dunn, Budd Schulberg, William Plummer, David Remnick, Keith Botsworth, and others.

The third installment in the Modern Library's Paris Review "Writers at Work" series, this is an all-new gathering of interviews with the most important and compelling playwrights of our time. Their singular takes on their craft, their influences, their lives, the state of contemporary theater, and the tricks of the trade create an illuminating and unparalleled record of the life of the theater itself.

"At its best,  theater is an antidote to the whiff of barbarity in the millennial air. 'My feeling is that people in a group, en masse, watching something, react differently, and perhaps more profoundly, than they do when they're alone in their living rooms,' Arthur Miller says here. In the dark, facing the stage, surrounded by others, the paying customer can let himself go; he is emboldened. The theatrical encounter allows a member of the public to think against received opinions. He can submerge himself in the extraordinary, admit his darkest, most infantile wishes, feel the pulse of the contemporary, hear the sludge of street talk turned into poetry. This enterprise can be joyous and dangerous; when the theater's game is good and tense, it is both."
--from the Introduction by John Lahr

Kerouac, Burroughs, Ginsberg; On the Road, Naked Lunch, Howl: The names and titles continue to reverberate as the Beats remain a vital source of inspiration to successive generations of readers and writers. In their Writers at Work series, The Paris Review has interviewed all the key Beats and their cousins, the Black Mountain School of experimental poets. In this new collection, they describe their art and lives, creating a unique and fascinating record of the writers and their inspirations.

Allen Ginsberg interviews Andrei Voznesensky and Amiri Baraka and is interviewed himself, alongside Jack Kerouac, William S. Burroughs, Paul Bowles, Charles Olson, Gary Snyder, Robert Creely, Ken Kesey, and Denise Levertov. Beat Writers at Work also includes a previously unpublished interview with Lawrence Ferlinghetti.

Rick Moody, the author of Garden State, The Ice Storm, and Purple America has written a new Introduction.

In the mid-1960s, George Plimpton talked his way into the Detroit Lions' pre-season training camp and in doing so set the bar for participatory sports journalism. With his characteristic wit, Plimpton recounts his experience of a month practising and living with the team - getting to know the pressures and tensions rookies confront, the hijinks, taking behind the scenes snaps and capturing a host of American football rites and rituals. Plimpton might not have made it as a quarterback, but fifty years after its first publication, Paper Lion remains one of the most insightful and entertaining classics of sports literature.

The book that made a legend--and capture's America's sport in detail that's never been matched, now featuring a foreword by Nicholas Dawidoff a and never-before-seen content from the Plimpton Archives. George Plimpton was perhaps best known for PAPER LION, the book that set the bar for participatory sports journalism. With his characteristic wit, Plimpton recounts his experiences in talking his way into training camp with the Detroit Lions, practicing with the team, and taking snaps behind center. His breezy style captures the pressures and tensions rookies confront, the hijinks that pervade when sixty high-strung guys live together in close quarters, and a host of football rites and rituals. One of the funniest and most insightful books ever written on football, PAPER LION is a classic look at the gridiron game and a book The Wall Street Journal calls "a continuous feast...The best book ever about football--or anything!"

From the author of Paper Lion It began as a fun filled stunt and came to a deeply hellish, nearly humiliating end. George Plimpton had the chance to answer every baseball fan's question: could I strike out a major league star? Out of My League chronicles what happened next as his inspired idea - to get on the mound and pitch a few innings to the All-Stars of the American and National Leagues - got seriously out of hand. The original foray into participatory journalism that started it all, Out of my League announced George Plimpton as a giant of sports journalism, able to penetrate deep into the very spirit of sport, with his characteristic wit, charm and grace.

He was the most social of writers, and at the height of his career, he was the very nexus of the glamorous worlds of the arts, politics and society, a position best exemplified by his still legendary Black and White Ball. Truman truly knew everyone, and now the people who knew him best tell his remarkable story to bestselling author and literary lion, George Plimpton.

Using the oral-biography style that made his Edie (edited with Jean Stein) a bestseller, George Plimpton has blended the voices of Capote's friends, lovers, and colleagues into a captivating and narrative. Here we see the entire span of Capote's life, from his Southern childhood, to his early days in New York; his first literary success with the publication of Other Voices, Other Rooms; his highly active love life; the groundbreaking excitement of In Cold Blood, the first "nonfiction novel"; his years as a jet-setter; and his final days of flagging inspiration, alcoholism, and isolation. All his famous friends and enemies are here: C.Z. Guest, Katharine Graham, Lauren Bacall, Gore Vidal, Norman Mailer, Joan Didion, John Huston, William F. Buckley, Jr., and dozens of others.

Full of wonderful stories, startlingly intimate and altogether fascinating, this is the most entertaining account of Truman Capote's life yet, as only the incomparable George Plimpton could have done it.