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Notes on a Cellar-Book
George Saintsbury; Edited by Thomas Pinney; Contributions by Thomas Pinney
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R776
Discovery Miles 7 760
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Ships in 12 - 17 working days
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Since its first publication in 1920, George Saintsbury's classic
Notes on a Cellar-Book has remained one of the greatest tributes to
drink and drinking in the literature of wine. A collection of
tasting notes, menus, and robust opinions, the work is filled with
anecdotes and recollections of wines and spirits consumed—from
the heights of Romanée-Conti to the simple pleasures of beer,
flip, and mum. Thomas Pinney brings this unique work alive for
contemporary audiences by providing the keys to a full
understanding of Notes on a Cellar-Book in a new edition that
includes explanatory endnotes, an essay on the book's legacy, and
additional articles on wine by Saintsbury.
Shakespeare by George Saintsbury was published as part of the
Cambridge Miscellany series in 1934. The book contains two chapters
on Shakespeare which had previously appeared in the fifth volume of
the Cambridge History of English Literature. The chapters were
printed together in the 'Miscellany' edition in the year following
the author's death with the addition of a few footnotes and an
appreciation by Helen Waddell.
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Dryden (Paperback)
George Saintsbury
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R809
Discovery Miles 8 090
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Ships in 12 - 17 working days
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John Dryden (1631-1700) was an English poet and playwright, whose
works led to the English Restoration period becoming known as 'The
Age of Dryden'. Published in 1881 in the first series of English
Men of Letters, this biography by George Saintsbury (1845-1933),
author and critic, sets Dryden's work against the literary
landscape of its time, arguing that he reformed English literature,
and exploring how he did so, the nature of the reform, and Dryden's
contribution to literary history. He shows Dryden to have been a
man without moral, political or intellectual agendas who, while not
achieving perfection, created works free of elitism and which
therefore had far wider relevance to the ordinary man than those of
his predecessors. This leads Saintsbury to conclude that while
Dryden was no extraordinary genius, he deserves to be considered
the greatest craftsman in English letters.
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