Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

First published in 1979, Irish Identity and the Literary Revival, through the works of W.B. Yeats, James Joyce, J. M. Synge, and Sean O'Casey, documents the complex spectrum of political, social and other pressures that helped fashion modern Ireland. At least three sets of cultural assumptions coexisted in Ireland during the years between 1890 and 1930, -- English, Irish and Anglo-Irish, each united by a common language but divided by considerable tensions and strain. The question of Irish identity forms the central theme of the study, and illustrates how it was a major, even obsessive concern for these writers. Subsidiary and interwoven themes constantly recur. Themes such as the concepts of the peasant and the hero, political nationalism, the meaning of Ireland's history and the validity of her cultural traditions. Rather than use the literature concerned as merely endorsing evidence for a sociological or political thesis, this study allows its major themes and issues to emerge and develop from direct and close study of the work of the writers. This book will be of interest to students of literature and history.

Originally published in 1957, The Unservile State looks at the theme of liberty in the Welfare State. Has it survived Welfare - is it even better for it? What of Parliament and our civil liberties? Does the present state of property distribution, of industry, agriculture and our social services satisfy the Liberal mind? And what would a liberal policy for foreign and Commonwealth affairs be like? These are some of the questions which this book sets out to answer. It is the first full scale study of the attitudes and policies of contemporary British Liberalism.

Originally published in 1957, The Unservile State looks at the theme of liberty in the Welfare State. Has it survived Welfare - is it even better for it? What of Parliament and our civil liberties? Does the present state of property distribution, of industry, agriculture and our social services satisfy the Liberal mind? And what would a liberal policy for foreign and Commonwealth affairs be like? These are some of the questions which this book sets out to answer. It is the first full scale study of the attitudes and policies of contemporary British Liberalism.

First published in 1966. Despite the intense interest in Coleridge in the twentieth century, this book represents the first study of Coleridge's poetry to be published in Britain. It is also the first to be based upon the conclusion that Coleridge's greatness as a poet is a matter of achievement rather than aspiration and to argue that his literary career was nearly half a century long, consisting of more than just well-known texts like The Ancient Mariner and Kubla Khan. The author argues the formality of the romantic achievement and its success in creating whole and fully realised poems in the established literary kinds.

First published in 1966. Despite the intense interest in Coleridge in the twentieth century, this book represents the first study of Coleridge's poetry to be published in Britain. It is also the first to be based upon the conclusion that Coleridge's greatness as a poet is a matter of achievement rather than aspiration and to argue that his literary career was nearly half a century long, consisting of more than just well-known texts like The Ancient Mariner and Kubla Khan. The author argues the formality of the romantic achievement and its success in creating whole and fully realised poems in the established literary kinds.

The English ideology is parliamentary. In this study, which first appeared in 1973, George Watson shows how literary evidence, much of it fictional, can illuminate the life of a great institution like the British parliament. The book contains chapters on political oratory and the parliamentary novel ' that uniquely Victorian form ' which Disraeli created and in which Trollope excelled. It is the first comprehensive attempt to use literary evidence to expose the politics of a whole age. It expounds nineteenth century controversies over democracy, class, race, morality and empire ' a study of political language in the era when modern politics was born.

'Critical theorists in our time sought foundations of knowledge because they knew there were none to be found, and critical scepticism became a convenient way of burying evidence and saving face. By now, however, no one is interested, the audience has gone home, and the case for studying literature needs to begin again. It cannot start too soon.' In 'Take Back the Past', George Watson examines the reasons and motives for the failure of critical theory. Why, he asks, is it more fashionable to look knowing than to know? Why did literature destroy its own case? The book shows how the collapse of socialism in the late twentieth century and how the exposure of its unique responsibility for genocide panicked the prophets of advanced thought into the denial of knowledge itself. It is a story of betrayal and deceit - achieved, like a conjurer's trick, by the suppression of evidence. The Author: George Watson is Fellow in English at St John's College, Cambridge, and editor of the 'New Cambridge Bibliography of English Literature'. He has published extensively on literature and political thought, including 'The Lost Literature of Socialism', 'Never Ones for Theory', and 'The English Ideology'.

As George Watson playfully observes, the story is the best thing about a novel. The deliberately ambiguous title of his book reflects the fact that it combines a study of the art of narrative with the history of the novel as a literary form, since its emergence some three centuries ago. Employing a thematic approach, the author moves from one aspect of narrative to another rather than discussing novelists chronologically. The book considers various kinds of novels, such as the memoir novel and discusses issues such as the presentation of dialogue, the creation of scenes, tense and time and the relationship between the novel and history. Arguments are illustrated by well-known rather than obscure works, or novels likely to be familiar to students who take this book as a starting-point for the modern study of narrative. The reader is presented with a clear picture of how the novel has evolved and how its chief conventions have developed and changed since the seventeenth century. This new and revised edition brings back to life this invaluable and straightforward work on the technique of the novel, which first appeared in 1979.

A hard-hitting and controversial examination of the foundation texts of socialism. Drawing on an impressive range of sources from John Millar to Ken Livingstone, Watson lifts the lid off decades of sloppy scholarship and deliberate suppression to how closely socialism was linked to racist and genocidal ideas. He shows that socialism was often a conservative, nostalgic reaction to the radicalism of capitalism, and not always supposed to be advantageous to the poor. There have even been socialist monarchs - Napoleon III was one. The book includes a study of Hitler's claim that 'the whole of National Socialism' was based on Marx, and it analyses the common theoretical basis of the dogmas of Stalin and Hitler which led to the death camps. As a literary critic the author's concern is to pay due respect to the works of the founding fathers of socialism, to attend to what they say rather than to what their modern disciples wish they had said. The book forces the reader to abandon long-standing assumptions in political thought, enabling a genuine debate to be revived. George Watson is a Fellow in English at St John's College, Cambridge, and the general editor of the 'New Cambridge Bibliography of English Literature'. He is the author of studies in political literature and critical history including 'The Story of the Novel', 'Never Ones for Theory' and 'Take Back the Past'. 'The literature of socialism is lost only in the sense of not having been read for a very long time. George Watson has been re-reading this literature as a professional literary critic, with strong interests in both political affairs and the history of ideas. Many of his findings are extraordinary.' Antony Flew

In this enjoyably iconoclastic book, George Watson discusses some of the great heresies of the twentieth century, and the cultural heretics who espoused them, often with surprising results. Watson provides us with examples of 'true', original heretics, many of whom he has met and taught: from Sir Arthur Quiller-Couch, who asserted that his study of the remote past had made a radical of him, rather than any influence of modernism, to Douglas Adams, whom Watson knew as an undergraduate. Watson forces us to question various long-cherished political and intellectual assumptions in his witty and conversational style. Is snobbery really such a bad thing? Have we ignored the links between socialism and genocide? He touches entertainingly upon subjects as diverse as literary theory (experimental fiction is often the last resort of those who have nothing to say), and the unoriginal conformism of teenage Marxists (incapable of actually reading Marx, as he is too boring). This is a work which will delight any reader seeking a uniquely personal perspective on the culture, history, and personalities of the twentieth century.

For all English teachers, "190 Ready-to-Use Activities That Make English Fun" focuses on vocabulary and language development, grammar and usage, problem solving, thinking and reasoning, and creative writing--for use in all your classes with students of varying ability levels. All the activities are classroom-tested and presented in a variety of lively formats that are fun and entertaining to complete. They feature word grids, word searcher, word puzzles, alphabetizing, word sorts, word substitutions, sentence completions, story completions, and more-all within a context that is designed to ignite and hold students' interest. For quick access and easy use, the activities are printed in a large format that folds flat for photocopying and are organized into seven sections, each focusing on a different area of the English curriculum.

An unusual view of an agrarian region in the process of development by a colonial power. Taiwan (or Formosa), when it reverted to Chinese control in 1945, had been for fifty years the Japanese empire's most cherished foreign possession. Using the remarkable statistical data that the Japanese compiled to aid their administration--one of the most complete and creditable records for a population of this size that has ever been at the disposal of demographers--this book is able to present an authoritative picture of the social economic agricultural and demographic development of the island. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.