Henri-Georges Clouzot co-writes and directs this French thriller set in the South American jungle where supplies of nitroglycerine are urgently needed at a remote oil field. After a Mexican oil well catches fire, the unscrupulous American oil company pays four out-of-work men (Yves Montand, Charles Vanel, Folco Lulli and Peter Van Eyck) to deliver the delicate and deadly supplies in two hulking trucks. A tense rivalry quickly develops between the two sets of drivers, a tension magnified by the unforgiving heat, the lure of filthy lucre and the rough and rocky roads where the slightest jolt could result in agonising death.

First of the Ealing comedies. A bunch of crooks use a comic paper, featuring stories penned by Felix H. Wilkinson (Alastair Sim), to pass on coded messages for robberies. When the comic's readership, a bunch of East End boys, discover what's going on they go to the police. The local constabulary, however, are no help, and so the plucky lads set out to foil the robbers themselves.

Jean Cocteau's classic fantasy re-casts the well-known fairy tale. When Beauty's father picks a rose at a deserted castle, a beast in Prince's clothing appears and tells him he must die. He sends the man home to say good-bye to his family, whereupon Beauty offers to take her father's place. She goes off to the castle but instead of killing her, the beast falls in love with her.

Sid James triple. In 'The Big Job' (1965), a gang of hapless crooks successfully perpetrate a robbery only to be caught after the fact. Fifteen years later they emerge from prison intent on retrieving their stolen loot - and discover that a police station has been built over its hiding place. Sylvia Syms, Dick Emery, Jim Dale and Joan Sims co-star. In 'Make Mine a Milluion' (1959), an ad-man teams up with a make-up artist in a cunning plot to advertise Bonko detergent on non-commercial television. Despite the trouble it causes, the plan proves a great success and the two chaps soon set up a pirate television station with the intention of beaming their advertisements into other company's TV shows. Again the idea proves successful - but just how long can these two go on avoiding their come-uppance? 'The Lavender Hill Mob' (1951) is a classic Ealing comedy. Nobody would ever suspect gold bullion delivery man Henry Holland (Alec Guinness) of anything other than total devotion to his job. However, with the aid of fellow lodger Pendlebury (Stanley Holloway), he gathers together a gang to carry out a heist, intending to smuggle the gold out of the country by melting it down into miniature models of the Eiffel Tower. All goes well until the consignment of models becomes muddled up with another, non-golden batch. Watch out for an early cameo by Audrey Hepburn.

Additional Authors Include W. Mellers, Theodore Chanler, Howard Hanson And Others. Edited By Minna Lederman And Frani Muser.

A collection of five classic Ealing comedies. 'Kind Hearts and Coronets' (1949) is a period comedy set in the early 20th century. Young Louis Mazzini (Dennis Price) vows to take revenge on his family, the D'Ascoynes, when he learns how they disinherited his mother. Working his way into their trust, Louis begins to bump off his distant relatives (all played by Alec Guinness) one by one, but complications set in when Edith D'Ascoyne (Valerie Hobson), the widow of his first victim, falls in love with him. In 'The Ladykillers' (1955), eccentric landlady Mrs Wilberforce (Katie Johnson) believes her new lodger Professor Marcus (Guinness) and his associates the Major (Cecil Parker), Louis (Herbert Lom), Harry (Peter Sellers) and One-Round (Danny Green) to be amateur musicians. They are in fact, however, the perpetrators of a bank heist, looking to whisk their ill-gotten gains out of London. All goes well until Mrs Wilberforce is persuaded by Marcus to claim his 'trunk' from the station; it is only then that the criminal genius's carefully laid plans begin to go awry. In 'The Man in The White Suit' (1951), Sidney Stratton (Guiness) is a laboratory cleaner in a textile factory who invents a material that will neither wear out nor become dirty. Initially hailed as a great discovery, Sidney's astonishing invention is suffocated by the management when they realise that if it never wears out, people will only ever have to purchase one suit of clothing. In 'Passport to Pimlico' (1949), an unexploded bomb goes off in Pimlico, uncovering documents which reveal that this part of London in fact belongs to Burgundy in France. An automonous state is set up in a spirit of optimism, but the petty squabbles of everyday life soon shatter the Utopian vision of a non-restrictive nation. Finally, in 'The Lavender Hill Mob' (1951), nobody would ever suspect gold bullion delivery man Henry Holland (Guinness) of anything other than total devotion to his job. However, with the aid of fellow lodger Pendlebury (Stanley Holloway), he gathers together a gang to carry out a heist, intending to smuggle the gold out of the country by melting it down into miniature models of the Eiffel Tower. All goes well until the consignment of models becomes muddled up with another, non-golden batch. Watch out for an early cameo by Audrey Hepburn.

Realist drama from Ealing Studios, based on a novel by Arthur La Bern and set in London's working-class East End just after World War 2. The action unfolds over the course of one dismal, rainy Sunday. Tommy Swann (John McCallum) has escaped from Dartmoor prison and turns up at the drab East End home of his former love Rose (Googie Withers), who is now married to the staid George (Edward Chapman) with three children. Rose has a difficult decision to make: should she help Tommy, or put her marriage - and the claustrophobic domesticity it entails - first?

An unexploded bomb goes off in Pimlico, uncovering documents which reveal that this part of London in fact belongs to Burgundy in France. An automonous state is set up in a spirit of optimism, but the petty squabbles of everyday life soon shatter the Utopian vision of a non-restrictive nation. This Ealing classic earned an Oscar nomination for Best Screenplay.

First of the Ealing comedies. A bunch of crooks use a comic paper, featuring stories penned by Felix H. Wilkinson (Alastair Sim), to pass on coded messages for robberies. When the comic's readership, a bunch of East End boys, discover what's going on they go to the police. The local constabulary, however, are no help, and so the plucky lads set out to foil the robbers themselves.

Collection of three films from Britain's Ealing Studios all starring Alec Guinness. In 'Kind Hearts and Coronets' (1949) an embittered aristocrat sets out to murder the eight heirs that stand between him and succession to the family title. Louis Mazzini (Dennis Price) holds no love for the aristocratic family he counts as relations, the D'Ascoynes. The family cast his mother out when she decided to marry a 'commoner', Louis's father, and on her death refuse to allow her to be buried in the family vault. An outraged Louis vows revenge and begins working his way into the trust of the family to provide him with the opportunity to bump off the male heirs (all played by Guinness) one by one. However, complications arise when he becomes romantically entangled with one of the widows of his victims, Edith D'Ascoyne (Valerie Hobson). Will Louis be able to stay the course and murder his way to a Dukedom? In 'The Lavender Hill Mob' (1951) Guinness stars as a mild-mannered bank clerk whose sudden compulsion to rob the bank he works for causes all manner of chaos. Henry Holland (Guinness) has been trusted with delivering gold bullion for 20 years and is considered a safe pair of hands by his employers. However, Henry harbours dreams of becoming rich and hatches a plan to steal the gold when he makes the acquaintance of the artist, Alfred Pendlebury (Stanley Holloway). The pair realise that if Alfred melts the stolen gold into miniature statues of the Eiffel Tower, it could be smuggled safely to France and sold on. However, things go awry when the gold statues become mixed in with a group of ordinary statues, leading to a frantic chase as Henry and Alfred try to recover the gold without their crime being detected. The film features a brief cameo from a young Audrey Hepburn. In 'The Man in the White Suit' (1951) eccentric Sidney Stratton (Guiness) is a laboratory cleaner in a textile factory, who invents a material that will neither wear out nor become dirty. Initially hailed as a great discovery, Sidney's astonishing invention is suffocated by the management when they realise that if it never wears out, people will only ever have to purchase one suit of clothing.

Box-set collection of five of Audrey Hepburn's most famous films. In her Hollywood debut 'Roman Holiday' (1953), Hepburn won an Academy Award as Princess Anne, the bored royal who absconds from her duties and meets up with Gregory Peck's American ex-pat journalist. Billy Wilder directs her in 'Sabrina Fair' (1954) as the shy daughter of a wealthy family's chauffeur, who returns from two years in Paris as a sophisticated young woman. The musical romantic comedy 'Funny Face' (1957) sees Hepburn playing alongside Fred Astaire to the music of Gershwin as a young bookshop clerk transformed into an international fashion model. Adapted from the Truman Capote novella, 'Breakfast at Tiffany's' (1961) sees Hepburn in her archetypal role as dizzy call-girl Holly Golightly, trying not to fall for George Peppard's failed writer in New York. In 'Paris When it Sizzles' (1964), Hepburn plays a secretary hired to help alcoholic writer Richard Benson (William Holden) finish up a screenplay for a Hollywood producer, with only two days until the end of his deadline.

Audrey Hepburn and Gregory Peck star in this classic romantic drama from director William Wyler. Bored with royal protocol while in Rome for an official engagement, Princess Anne (Hepburn) escapes her claustrophobic entourage in order to see what life beyond the castle is like. Down-at-heel American reporter Joe Bradley (Peck) is just one of many journalists vying for an interview, but he realises he has a major scoop on his hands when he meets the princess and initially pretends not to know who she is. Roping in a photographer friend, Bradley takes her on a tour of the city over 24 hours, all the while falling more in love with her. The film, which was shot on location in Rome, was nominated for ten Academy Awards, with Hepburn's performance winning her an Oscar, a BAFTA and a Golden Globe.

Pair of films by French poet, novelist, dramatist and artist Jean Cocteau bookending his film career: 'Un Sang D'Un Poete' (1930) is his debut and a surrealist classic in which the action begins with a young poet sketching faces. The mouth of one of the sketches comes to life, becomes affixed to the poet's hand, and is then wiped from the hand onto a statue. The poet then flees into a mirror and a series of adventures in an alarming fantasy world. 'Le Testament D'Orphee' (1959) is the personal, final film from Cocteau who stars as the poet, wandering through a dream world populated with figures and motifs from his earlier works. Features an all-star cast, including the likes of Charles Aznavour, Yul Brynner and Pablo Picasso.