Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

With its loving portrayal of aging, caring for the elderly, and the keen nature of kids' sensibilities, this is a must-purchase for all libraries serving children. --School Library Journal, Starred Review A quiet story and pleasant music combine for a calming, peaceful, and even uplifting performance. --Kirkus Reviews Did you hear the story about Max, the boy who kidnapped his grandfather from a nursing home? You didn't see it on the news? Well, let me tell you about it. Max lives in a small town, much smaller than yours. His grandpa is losing his memory, but still remembers quite a bit. You can imagine how they hurried, Max and his grandpa, followed by old Miss Schneider, who insisted on coming along. Why were they in a hurry? Because everyone was after them. Max had skipped school to rescue his grandpa, and they were just starting out on what promised to be one of the best days of their entire lives. A touching story about dementia and the special relationship between grandparents and grandchildren, with full-color illustrations and a read-along CD audiobook featuring twelve classical pieces for children by Georges Bizet and Sergei Prokofiev.

"Bizet describes himself as 'pagan', and Carmen has a savage Mediterranean beauty quite unique in music. The essays included in this guide suggest some reasons for its legendary theatrical appeal. Martin Cooper describes the traditional mixture of spoken words and song that stimulated Bizet to exclaim, 'I want to revolutionize opera-comique!': the translators show the ingenious and inspired ways in which he set about it. Lesley Wright analyses the score and Michael Rabaud shows the uncanny appropriateness of Nietzche's support for Bizet in his famous attacks on the decadence of Wagner. This is the first time that the complete text of the verses that Bizet set to music and the full dialogue (much of it especially translated for this Opera Guide), have ever been published. Contents: Introduction, Nicholas John; Opera-Comique, Martin Cooper; A Musical Commentary, Lesley A. Wright; 'Carmen': A tragedy oflove, sun and death, Michel Rabaud; Carmen: French text by Henri Meilhac and Ludovic Halevy after the novel by Prosper Merimee; Carmen: English version by Nell and John Moody"

Collection of ballets making up the Gala des Étoiles of 2015. David Coleman conducts the Teatro alla Scala in performances of, amongst others, 'La Rose Malade' by Gustav Mahler, 'The Dying Swan' by Camille Saint-Saëns and Aram Khatchaturian's 'Spartacus'.

Collection of scenes from 12 productions performed at the Glyndeboure Festival Opera over the last 13 years. The operas featured are: 'Le nozze di Figaro', 'The Cunning Little Vixen', 'Gianni Schicchi', 'Cosi fan tutte', 'Billy Budd', 'Falstaff', 'Carmen', 'Giulio Cesare', 'Tristan und Isolde', 'The Rake's Progress', 'La Cenerentola' and 'Die Meistersinger von Nürnberg'.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

In 1873, Bizet arranged five movements from his 1871 suite for piano duet for a new series of orchestral concerts organized by the publisher Georges Hartmann and the conductor Edouard Colonne at the Odeon Theatre in Paris. The premiere took place there on March 2nd of that year and the "Petite suite d'orchestre" entered the repertoire soon afterwards. This newly engraved score has been carefully edited by Richard Sargeant from the first edition and other primary sources. Printed in a very convenient, highly readable format, the new edition will be welcomed by orchestral musicians and Bizet fans worldwide.