Thoughts of Sorts, one of Georges Perec's final works, was published posthumously in France in 1985. With this translation, David Bellos, Perec's preeminent translator, has completed the Godine list of Perec's great works translated into English and has provided an introduction to this master of "systematic versatility." Thoughts of Sorts is a compilation of musings and essays attempting to circumscribe, in Perec's words, "my experience of the world not in terms of the reflections it casts in distant places, but at its actual point of breaking surface." Perec investigates the ways by which we define our place in the world, reveling in listmaking, orientating, classifying. This book employs all of the modes of questioning explored by his previous books, and at the same time breaks new ground of its own, ending with a question mark in typical/atypical Perec fashion.

Originally published in French in 1978 as La Vie mode d'emploi by Editions Hachette Litterature, Paris--T.p. verso."

The writing methods of the mainly French authors who make up the Oulipo are becoming better known as more and more of their works become translated into English. This collection contains the original story, 'The Winter Journey', and all the current sequels, some so recent they are published here for the first time."

One overcast weekend in October 1974, Georges Perec set out in quest of the "infraordinary": the humdrum, the non-event, the everyday--"what happens," as he put it, "when nothing happens." His choice of locale was Place Saint-Sulpice, where, ensconced behind first one cafe window, then another, he spent three days recording everything to pass through his field of vision: the people walking by; the buses and driving-school cars caught in their routes; the pigeons moving suddenly en masse; a wedding (and then a funeral) at the church in the center of the square; the signs, symbols and slogans littering everything; and the darkness that finally absorbs it all. In "An Attempt at Exhausting a Place in Paris," Perec compiled a melancholic, slightly eerie and oddly touching document in which existence boils down to rhythm, writing turns into time and the line between the empirical and the surreal grows surprisingly thin.

'A problem of space first of all, then a problem of order' One of the most singular and extravagant imaginations of the twentieth century, the novelist and essayist Georges Perec was a true original who delighted in wordplay, puzzles, taxonomies and seeing the extraordinary in the everyday. In these virtuoso writings about books and language, he discusses different ways of reading, a list of the things he really must do before he dies and the power of words to overcome the chaos of the world. One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.

Anton Vowl is missing. Ransacking his Paris flat, a group of his faithful companions trawl through his diary for any hint as to his location and, insidiously, a ghost, from Vowl's past starts to cast its malignant shadow. This virtuoso story, chock-full of plots and subplots, shows the skill of both author and translator who impart all the action without a crucial grammatical prop: the letter 'e'.

Gaspard Winckler, master forger, is trapped in a basement studio on the outskirts of Paris, with his paymaster's blood on his hands. The motive for this murder? A perversion of artistic ambition. After a lifetime lived in the shadows, he has strayed too close to the sun. Fittingly for such an enigmatic writer, Portrait of a Man is both Perec's first novel and his last. Frustrated in his efforts to find a publisher, he put it aside, telling a friend: "I'll go back to it in ten years when it'll turn into a masterpiece, or else I'll wait in my grave until one of my faithful exegetes comes across it in an old trunk." An apt coda to one of the brightest literary careers of the twentieth century, it is - in the words of David Bellos, the "faithful exegete" who brought it to light - "connected by a hundred threads to every part of the literary universe that Perec went on to create - but it's not like anything else that he wrote".

Things: A Story of the Sixties is the story of a young couple who want to enjoy life, but the only way they know how to do so is through ownership of 'things'. Perec's first novel won the Prix Renaudot and became the cult book for a generation.
In "A Man Asleep," a young student embarks upon a disturbing and exhaustive pursuit of indifference, following his experience in non-existence with relentless logic.

Georges Perec produced some of the most entertaining and spirited essays of his age. His literary output was amazingly varied in form and style and this generous selection of Perec's non-fictional work also demonstrates his characteristic lightness of touch, wry humour and accessibility.

One of the most dazzling and ingeniously contrived works of twentieth-century fiction, an entire microcosm brought to life in a Paris apartment block. Serge Val-ne, one of the inhabitants of the apartment block, has conceived the idea of a painting which will show in exact detail the inside of each apartment within the building, every person, every object. As he thinks of his picture, he contemplates the lives of all the people he has ever known or heard about in sixty years living there.

Chapter by chapter, room by room, the narrative moves around the building, revealing as it does so a marvellously diverse cast of characters in a series of ever more unlikely tales, which range from an avenging murderer to an eccentric English millionaire who has devised the ultimate pastime…

'Perec is serious fun' The Guardian Both an affectionate portrait of mid-century Paris and a daring memoir, Georges Perec's I Remember is now available in English to UK readers for the first time, with an introduction by David Bellos. In 480 numbered statements, all beginning identically with 'I remember', Perec records a stream of individual memories of a childhood in post-war France, while posing wider questions about memory and nostalgia. As playful and puzzling as the best of his novels, I Remember is an ode to life: the ordinary, the extraordinary, and the sometimes trivial, as seen through the eyes of the irreplaceable Georges Perec.

Written in alternating chapters, W or the Memory of Childhood, tells two parallel tales, in two parts. One is a story created in childhood and about childhood. The other story is about two people called Gaspard Winckler: one an eight-year-old deaf-mute lost in a shipwreck, the other a man despatched to search for him, who discovers W, an island state based on the rules of sport. As the two tales move in and out of focus, the disturbing truth about the island of W reveals itself. Perec combines fiction and autobiography in unprecedented ways, allowing no easy escape from these stories, or from history.