WINNER OF THE INTERNATIONAL BOOKER PRIZE 2023 A GUARDIAN AND FINANCIAL TIMES BOOK OF THE YEAR 'The most exquisite kind of literature... I've put it on a special shelf in my library that I reserve for books that demand to be revisited every now and then. ' OLGA TOKARCZUK, author of Drive Your Plow Over the Bones of the Dead 'Could not be more timely... It's funny and absurd, but it's also frightening, because even as Gospodinov plays with the idea as fiction, the reader begins to recognise something rather closer to home... A writer of great warmth as well as skill' GUARDIAN 'In equal measure playful and profound, Time Shelter renders the philosophical mesmerizing, and the everyday extraordinary. I loved it' CLAIRE MESSUD, author of The Woman Upstairs 'A genrebusting novel of ideas... Gospodinov's vision of tomorrow is the nightmare from which Europe knows it must awake. And accident, in combination with the book's own merits, may just have created a classic' THE TIMES 'Gospodinov is one of Europe's most fascinating and irreplaceable novelists, and this his most expansive, soulful and mind-bending book' DAVE EGGERS, author of The Circle 'Touching and intelligent' NEW YORK TIMES 'A powerful and brilliant novel: clear-sighted, foreboding, enigmatic' SANDRO VERONESI, author of The Hummingbird 'An immensely enjoyable book which achieves depth with an affable narrative voice' IRISH TIMES In Time Shelter, an enigmatic flâneur named Gaustine opens a 'clinic for the past' that offers a promising treatment for Alzheimer's sufferers: each floor reproduces a decade in minute detail, transporting patients back in time. As Gaustine's assistant, the unnamed narrator is tasked with collecting the flotsam and jetsam of the past, from 1960s furniture and 1940s shirt buttons to scents and even afternoon light. But as the rooms become more convincing, an increasing number of healthy people seek out the clinic as a 'time shelter', hoping to escape from the horrors of our present - a development that results in an unexpected conundrum when the past begins to invade the present. Intricately crafted, and eloquently translated by Angela Rodel, Time Shelter cements Georgi Gospodinov's reputation as one of the indispensable writers of our times, a major voice in international literature. Georgi Gospodinov is one of Europe's most acclaimed writers. Originally from Bulgaria, his novels have won his country's most prestigious literary prize twice and have been shortlisted for more than a dozen international prizes - including the 2015 PEN Literary Award for Translation, the Premio Gregor von Rezzori, the Premio Strega Europeo, the Bruecke Berlin Preis, and the Haus der Kulturen der Welt Literaturpreis. He has won the 2016 Jan Michalski Prize for Literature, the 2019 Angelus Literature Central Europe Prize and the 2021 Premio Strega Europeo, among others.

"At one point they tried to calculate when time began, when exactly the earth had been created," begins Time Shelter's enigmatic narrator, who will go unnamed. "In the mid-seventeenth century, the Irish bishop Ussher calculated not only the exact year, but also a starting date: October 22, 4,004 years before Christ." But for our narrator, time as he knows it begins when he meets Gaustine, a "vagrant in time" who has distanced his life from contemporary reality by reading old news, wearing tattered old clothes, and haunting the lost avenues of the twentieth century. In an apricot-colored building in Zurich, surrounded by curiously planted forget-me-nots, Gaustine has opened the first "clinic for the past," an institution that offers an inspired treatment for Alzheimer's sufferers: each floor reproduces a past decade in minute detail, allowing patients to transport themselves back in time to unlock what is left of their fading memories. Serving as Gaustine's assistant, the narrator is tasked with collecting the flotsam and jetsam of the past, from 1960s furniture and 1940s shirt buttons to nostalgic scents and even wisps of afternoon light. But as the charade becomes more convincing, an increasing number of healthy people seek out the clinic to escape from the dead-end of their daily lives-a development that results in an unexpected conundrum when the past begins to invade the present. Through sharply satirical, labyrinth-like vignettes reminiscent of Italo Calvino and Franz Kafka, the narrator recounts in breathtaking prose just how he became entrenched in a plot to stop time itself. "A trickster at heart, and often very funny" (Garth Greenwell, The New Yorker), prolific Bulgarian author Georgi Gospodinov masterfully stalks the tragedies of the last century, including our own, in what becomes a haunting and eerily prescient novel teeming with ideas. Exquisitely translated by Angela Rodel, Time Shelter is a truly unforgettable classic from "one of Europe's most fascinating and irreplaceable novelists" (Dave Eggers).

Some smuggle cigarettes or alcohol, others weapons, but for renowned Bulgarian novelist Georgi Gospodinov, the most dangerous contraband is carried by writers, who surreptitiously move stories across borders. In The Story Smuggler, Gospodinov explores how smugglers, writers, and translators are all involved in transporting whatever may be desired, valued, missing, repressed, or forbidden. There's a melancholic tone here, as Gospodinov's exploration focuses on his childhood in Communist Bulgaria and on the fantasies of other lives and places that this childhood engendered. Accompanying the text are drawings by award-winning Bulgarian animator and graphic artist Theodore Ushev, adding a further layer to its exposition of border-crossing.

Stories within stories, a few contemporary fables, a hint of the narrative complexity of Borges, a whiff of the gritty realism of pre- and post-communist life in Eastern Europe - these are the elements that come together in a unique and surprising way in the wildly imaginative and endlessly engaging short stories of Georgi Gospodinov. Whether a tongue-in-cheek crime/horror story or the Christmas story of a pig, a language game leading to an unexpected epiphany or an inward-looking tale built on the complexity of a puzzle box, the work in this collection offers a kaleidoscopic experience of a writer whose style has been described as ""anarchic, experimental"" (""New Yorker"") and ""compulsively readable"" (""New York Times""). Gospodinov's debut prose work ""Natural Novel"" was hailed as a ""go-for-broke postmodern construction - a devilish jam of jump-cut narration, pop culture riffs, wholesale quotation, and Chinese-box authorship"" (""Village Voice""). At once familiar and fantastic, his writing is high comedy, high seriousness, and of very high order.

Stories within stories, a few contemporary fables, a hint of the narrative complexity of Borges, a whiff of the gritty realism of pre- and post-communist life in Eastern Europe - these are the elements that come together in a unique and surprising way in the wildly imaginative and endlessly engaging short stories of Georgi Gospodinov. Whether a tongue-in-cheek crime/horror story or the Christmas story of a pig, a language game leading to an unexpected epiphany or an inward-looking tale built on the complexity of a puzzle box, the work in this collection offers a kaleidoscopic experience of a writer whose style has been described as ""anarchic, experimental"" (""New Yorker"") and ""compulsively readable"" (""New York Times""). Gospodinov's debut prose work ""Natural Novel"" was hailed as a ""go-for-broke postmodern construction - a devilish jam of jump-cut narration, pop culture riffs, wholesale quotation, and Chinese-box authorship"" (""Village Voice""). At once familiar and fantastic, his writing is high comedy, high seriousness, and of very high order.