On a reality television show, six remarkable - and remarkably young - geniuses are competing for the coveted Golden Brain trophy and the title 'Britain's Brainiest Child'. As the contestants battle it out round after round, the pressure mounts, the spotlight gets harsher, and each is faced with questions they were never expecting. Who will win and who will lose - and what exactly does winning mean anyway? Georgia Christou's Bright. Young. Things. is a funny, fast-paced play about identity, truth and the challenge of finding out who you really are. It is part of Platform, an initiative from Tonic Theatre in partnership with Nick Hern Books. Aimed at achieving greater gender equality in theatre, Platform comprises big-cast plays with predominantly, or all, female casts, written specifically for performance by young actors.

Fifteen year old Billie has lived with her Dad in their little flat for as long as she can remember, but all that's about to change. She's got big plans - get Dad a job, sort out her grades, and live in a house with five bathrooms. But one reckless night threatens to undo all her hard work and derail her ambitions...When it's always been just the two of you, how easy is it to get out, or to let anyone else in? Georgia Christou's debut play is a moving portrayal of the conflict between personal aspiration and familial responsibility, and what happens when those you should depend on need you more than you need them.

Contains: one confused alien, two brave kids and a busted spaceship. What do you do if you think your aunt is an alien? Twelve-year-old Jelly and her brother, Jonjo, have their suspicions. She won't let them leave the house. Or ask questions. And she definitely won't let them in the attic. Join Jelly and Jonjo on their quest to discover the truth in a rip-roaring adventure through space, full of friendship, fun and flying saucers. Georgia Christou's play How To Spot An Alien is ideal for space cadets age five and up to watch, read and perform. It was first produced in 2018 by Paines Plough in their pop-up theatre, Roundabout, in a co-production with Theatr Clwyd.

Eight short plays, commissioned and developed as part of the Women Centre Stage Festival, that together demonstrate the range, depth and richness of women's writing for the stage. Selected by Sue Parrish, Artistic Director of Sphinx Theatre, these plays offer a wide variety of rewarding roles for women, and are perfect for schools, youth groups and theatre companies to perform. How to Not Sink by Georgia Christou looks at duty, love and dependency across three generations of women. In Wilderness by April De Angelis, a patient and her psychiatrist head into the wilderness to find out how sane any of us really are. In Chloe Todd Fordham's The Nightclub, three very different women at a gay nightclub in Orlando are caught up in a terrifying hate crime. Fucking Feminists by Rose Lewenstein is a fiercely funny investigation of what feminism means, and what it has become. Winsome Pinnock's Tituba is a one-woman show about Tituba Indian, the enslaved woman who played a central role in the seventeenth-century Salem Witch Trials. In The Road to Huntsville by Stephanie Ridings, a writer researching women who fall in love with men on death row finds herself crossing the line. White Lead by Jessica Sian explores the expectations and responsibilities of being an artist and a woman. In What is the Custom of Your Grief? by Timberlake Wertenbaker, an English schoolgirl whose brother has been killed on active duty in Afghanistan is befriended online by an Afghan girl. Sphinx Theatre has been at the vanguard of promoting, advocating and inspiring women in the arts through productions, conferences and research for more than forty years.