Intersectionality in the Arts Psychotherapies advocates for contextualising of clinical thinking and experience within a social and political framework that acknowledges the importance of intersectionality. Bringing reflections on their own identity and their professional knowledge to the work, creative therapists address both practical work with clients and the theory behind these therapeutic practices. A call to reflexivity allows the reader to consider their own position as a practitioner. These chapters will challenge and develop thinking on intersectional identities. Beyond the individual, the book demonstrates the need to embed knowledge of intersectionality in the profession at large. Experienced practitioners write from diverse perspectives across the arts psychotherapies, exploring how structures of power, privilege and prejudice influence practice and outcomes.

This Element documents long-term changes in the political attitudes of occupational groups, shifts in the salience of economic and cultural issues, and the movement of political parties in the electoral space from 1990 to 2018 in eight Western democracies. We evaluate prominent contentions about how electoral contestation has changed and why support for mainstream parties has declined while support for challenger parties has increased. We contribute a new analysis of how the viability of the types of electoral coalitions assembled by center-left, center-right, radical-right, and Green parties changes over these decades. We find that their viability is affected by changes over time in citizens' attitudes to economic and cultural issues and shifts in the relative salience of those issues. We examine the contribution these developments make to declining support for mainstream center-left and center-right coalitions and increasing support for coalitions underpinning radical-right and Green parties.

This collection of essays arises from the 2005 Cambridge French Graduate Conference on the theme of threat. From the baleful and ubiquitous eyes of surveillance cameras to the ever-present possibility of total nuclear annihilation, threat is everywhere around us. Yet the phenomenon itself, if indeed it is a single phenomenon, has received little attention. This volume seeks to remedy this oversight with a collection of concise, hard-hitting essays on a variety of topics in French culture. Organized around central approaches to the problem of threat - (inter)cultural, philosophical, and approaches through the visual arts - the book examines anxiety, privacy, loss, invasion, and other issues related to the theme. Though emphasis is placed on the contemporary period, writers of the French Renaissance also receive due attention.