A SUNDAY TIMES, NEW STATESMAN AND SPECTATOR BOOK OF THE YEAR

'Vivid, illuminating and unbearably tense ... A masterly meditation on trauma, on beauty, on the idea of home and the limits of love' Guardian

Charlie's experiences at the Battle of Kohima and the months he spent lost in the remote jungles of Nagaland during the Second World War are now history. Home and settled on a farm in Norfolk and newly married to Claire, he is one of the lucky survivors. Starting a family and working the land seem the best things a man can be doing.

But a chasm exists between them. Memories flood Charlie's mind; at night, on rain-slicked roads and misty mornings in the fields, the past can feel more real than the present. Though hidden even to himself, the darkest secrets of Charlie's adventures in the strange and shadowy ridges of the Nagaland mountains, his dream-like encounters with the mysterious and ancient tribesmen, leak and bleed through his consciousness. What should be said and what left unsaid? Is it possible to forge a new life in the wake of unfathomable horror?

A beautifully conceived, deftly controlled and delicately wrought meditation on the isolating impact of war, the troubling legacies of colonialism and the inescapable reach of the past, Georgina Harding's haunting, lyrical novel questions the very nature of survival, and what it is that the living owe the dead.

SHORTLISTED FOR THE ORANGE PRIZE FOR FICTION 2012 Iasi, Romania, the early 1950s. A nameless man is found on the steps of a hospital. Deaf and mute, he is unable to communicate until a young nurse called Safta brings paper and pencils with which he can draw. Slowly, painstakingly, memories appear on the page. The memories are Safta's also. For the man is Augustin, son of the cook at the manor house which was Safta's family home. Born six months apart, they grew up with a connection that bypassed words. But while Augustin's world remained the same size Safta's expanded to embrace languages, society - and a fleeting love, one long, hot summer. But then came war, and in its wake a brutal Stalinist regime, and nothing would remain the same.

'I would compare her to writers like Helen Dunmore, Elizabeth Strout, Jon McGregor' BBC Radio 4 'Harding achieves a weighty sense of silence and things not said in this unsettling book about the aftershocks of trauma and the burdens of bearing witness' Sunday Times 'A masterly achievement, illuminating with wisdom and compassion the darkest corners of the human heart' Guardian A farm in Norfolk in the 1970s. A Japanese girl comes to visit her English lover in the house where he was born. She arrives on a day of perfect summer, stands with his mother in a garden filled with roses, watches as his brother walks fields of ripening wheat. But between the two brothers lies the shadow of their father's violent death almost twenty years before, the unresolved narrative of their childhood - a story that has gone untold, a story that began in the last war. In the presence of the girl, the old trauma begins to surface as the work of the harvest begins. 'Taut and unsettling ... A fine meditation on war's long reach' Mail on Sunday

A group of teenage boys take turns assessing each other's changing bodies before a Friday night disco... A grieving woman strikes up an unlikely friendship with a fellow traveller on a night train to Kiev... An unusually well-informed naturalist is eyed with suspicion by his comrades on a forest exhibition with a higher purpose... The stories shortlisted for the 2021 BBC National Short Story Award with Cambridge University take place in liminal spaces - their characters find themselves in transit, travelling along flight paths, train lines and roads, or in moments where new opportunities or directions suddenly seem possible. From the reflections of a new mother flying home after a funeral, to an ailing son's reluctance to return to the village of his childhood, these stories celebrate small kindnesses in times of turbulence, and demonstrate a connection between one another that we might sometimes take for granted. The BBC NSSA is one of the most prestigious prizes for a single short story, with the winning author receiving GBP15,000, and four further shortlisted authors GBP600 each. James Runcie is joined on the judging panel by a group of acclaimed writers and critics including: Booker Prize shortlisted novelist Fiona Mozley; award winning writer, poet and winner of the Desmond Elliott Prize, Derek Owusu; multi-award winning Irish novelist and short story writer, Donal Ryan; and returning judge, Di Speirs, Books Editor at BBC Radio.

A beautiful, powerful and utterly devastating novel from Orange-prize shortlisted author Georgina Harding 'Georgina Harding's novel is the finely tuned work of a writer exceptionally at ease with her craft and a testament to the power and poetry of clean and disciplined prose' Guardian The memory of war will stay with a man longer than anything else. Dawn, mist clearing over rice fields, a burning Vietnamese village, and a young photographer takes the shot that might make his career. The image, of a staring soldier in the midst of mayhem, will become one of the great photographs of the war. But what Jonathan has seen in that village is more than he can bear... He flees to Japan, to lose himself in the vastness of Tokyo, and to take different kinds of pictures: of streets and crowds and cherry blossom - and of a girl with whom he is no longer lost. Yet even here his history will catch up with him: that photograph and his responsibility in taking it; his responsibility as a witness to war, and to other events buried deep in his past. The first in Harding's cycle of acclaimed novels on themes of witness, memory and silence, The Gun Room is beautiful, powerful and utterly devastating.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

When she leaves the ward she feels the whiteness of the room still inside her, as if she is bleached out inside. It is the shock, she tells herself. She feels the whiteness like a dam holding back all the coloured flood of memory. Iasi, Romania, the early 1950s. A man is found on the steps of a hospital, frail as a fallen bird. He carries no identification and utters no words, and it is days before anyone discovers that he is deaf and mute. And then a young nurse called Safta brings paper and pencils with which he can draw. Slowly, painstakingly, memories appear on the page: a hillside, a stable, a car, a country house, dogs and mirrored rooms and samovars in what is now a lost world. The memories are Safta's also. For the man is Augustin, son of the cook at the manor at Poiana that was her family home. Born six months apart, they grew up with a connection that bypassed words. But while Augustin's world remained the same size Safta's expanded to embrace languages, society - and love, as Augustin watched one long hot summer, in the form of a fleeting young man in a green Lagonda. Safta left before the war. Augustin stayed. But even in the wide hills and valleys around Poiana he did not escape its horrors. He watched uncomprehending as armies passed through the place. Then the Communists came, and he found himself their unlikely victim. There are things that he must tell Safta that may be more than simple drawings can convey. Beautiful, spare and intense, Painter of Silence captures the loss and the hope of a tragic time through the extraordinary vision of a mute outsider.