Ivory is a wonderful material: tactile, beautiful, workable into many different forms and the strongest in the animal kingdom. Unfortunately for the elephant, it has been highly prized from the Palaeolithic to the present day, in part by virtue of its rarity and the difficulty of acquiring it. During the early first millennium bc - the `Age of Ivory' - literally thousands of carved ivories found their way to the Assyrian capital city of Kalhu, or modern Nimrud, in northern Iraq. The majority were not made there, in the heart of ancient Assyria, but arrived as gift, tribute or booty gathered by the Assyrian kings from the small neighbouring states of the ancient Middle Eastern world. The ivories were first unearthed in the mid-19th century by renowned Victorian traveller and adventurer Austen Henry Layard, but it was not until the mid-20th century that the extent of the treasure was realized by Max Mallowan, the archaeologist husband of Agatha Christie. Thousands of extraordinary ivories have since been excavated from the ruins of the ancient city's extravagant palaces, temples and forts. In recent years, many have been destroyed or remain at risk following the invasion of Iraq and the sacking of the Iraq Museum, as well as in the ongoing conflict and destruction of cultural heritage in the region. As a result, the ivories preserved in these pages form a unique and unparalleled record of the otherwise lost art of the Middle East.

This is a new study of the history, archaeology and numismatics of Central Asia, an area of great significance for our understanding of the ancient and early medieval world. This vast, land-locked region, with its extreme continental climate, was a centre of civilization with great metropolises. Its cosmopolitan population followed different religions (Zoroastrianism, Christianity, Buddhism), and traded extensively with China, India, the Middle East, and Europe. The millennium from the overthrow of the first world empire of Achaemenian Persians by Alexander the Great to the arrival of the Arabs and Islam was a period of considerable change and conflict.
The volume focuses on recent investigations in Uzbekistan and Turkmenistan. It provides a complex analysis of the symbiosis between the city life based on oases, and the nomadic peoples grazing their animals in the surrounding semi-deserts. Other topics include the influence of the Greek colonists on military architecture, and the major impact of the Great Kushans on the spread of Buddhism and on the development of the Central Asian metropolis. And although written documents rarely survive, coinage has provided essential evidence for the political and cultural history of the region.
These essays will be of interest to the scholar, the student, and the armchair traveller.

The fifth in a five volume series. Volume V deals with small collections of ivories found at Fort Shalmaneser and tries to place them in their positions before the final assault and looting on the palace.

Archaeological research and ancient records have been combined in this work to provide a comprehensive account of the buildings of Merv, an oasis city in the middle of the Turkmenistani desert. Founded in the sixth century BC, Merv was a key staging post along the Central Asian trade routes linking Europe and India, and its buildings - palaces, pavilions, gardens and towers springing from the sand - impressed all who visited it. Although eroded by time and weather, enough remains of these buildings to illustrate the evolution of architectural styles in the early medieval and Seljuk eras (7th to 13th cents AD), a period during which the Islamic world developed its own unique range of building types and decorative motifs. This book examines in detail each of the surviving buildings of Merv, discussing their form and function - from palaces to ice-houses, from fortified watch-towers to libraries and dovecotes. Details of doors, windows, corridors and stairways, monumental entrances, rooms, domes and vaults, niches, wall decoration and flooring are described and illustrated in great detail. The book will serve as a major resource for scholars of Islamic architecture.