From the Pavane pour une Infante defunte to Bolero, much of the music of Maurice Ravel (1875-1937) is among the most accessible of any written during the last 100 years. The man himself, on the other hand, was notoriously difficult to get to know, partly because of his natural modesty and inherent reserve, but partly also because there were aspects of his character which he preferred to conceal even from his closest friends. It is Gerlad Larner's aim in this biography to trace the development of the composer's personality not only through events in his life and in the society around him, but also through his music, which is more revealing in this respect than is generally believed.