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The ten original lectures by Gerald Massey are presented here complete - together they offer the reader profound and detailed accounts of ancient Egypt, early Christian myths, and Gnosticism. Although never a major figure in the scholarly establishment, Gerald Massey was a prolific author who spent his many years studying Ancient Egyptian history, society and hieroglyphics. Struck by what he perceived to be similarities between ancient Egyptian mythological lore, and the writings of Christianity, Massey authored these lectures as part of his attempts to draw comparisons. The resulting lectures were delivered in London in the late 19th century. In them, Massey notes numerous similarities between the New Testament Gospels and the Book of Horus; the incidence of wise men, healing of the sick; resurrection; and the symbol of the cross occur in the earlier Egyptian texts.

After enjoying years as a popular journalist and poet, intellectual and freethinker Gerald Massey turned his vast studies in the field of Egyptology into A Book of the Beginnings, a bold statement that the origin of all civilization lays in ancient Egypt. His assertions, radical at the time-indeed, almost a century before the discovery of three-million-year-old human remains in Africa-resonate loudly today, when molecular biology is making corresponding discoveries alongside the still-raging creation-versus-evolution controversy. In Volume II, Massey intelligently argues an Egyptian origin for Biblical symbology, lexicography, and mythology. Here, he not only asks if the oldest Jewish and Christian axioms were really born on the banks of the Nile, he offers a stalwart and profound "Yes " British author GERALD MASSEY (1828-1907) published works of poetry, spiritualism, Shakespearean criticism, and theology, but his best-known works are in the realm of Egyptology, including The Natural Genesis and Ancient Egypt: The Light of the World.

After enjoying years as a popular journalist and poet, intellectual and freethinker Gerald Massey turned his vast studies in the field of Egyptology into A Book of the Beginnings, a bold statement that the origin of all civilization lays in ancient Egypt. His assertions, radical at the time-indeed, almost a century before the discovery of three-million-year-old human remains in Africa-resonate loudly today, when molecular biology is making corresponding discoveries alongside the still-raging creation-versus-evolution controversy. In Volume I, Massey lays the foundation of the Egypt-centric position through a scholarly comparative analysis of language, names, and mythology-delving not only into our most basic actions of naming and communicating, but also man's beloved, universal myths of death, awakenings, and love. British author GERALD MASSEY (1828-1907) published works of poetry, spiritualism, Shakespearean criticism, and theology, but his best-known works are in the realm of Egyptology, including The Natural Genesis and Ancient Egypt: The Light of the World.

With his earlier two series in Egyptology, Gerald Massey turned existing doctrine on its head to argue that not only had Egypt spawned human civilization, but that Egyptian mythology was the basis for Jewish and Christian beliefs. The culmination of his years at this particular intellectual pursuit, Ancient Egypt: The Light of the World is Massey's crown jewel. In this, the most philosophical (in both tone and concept) of his Egyptological works, Massey, ever the intrepid escort, leads a tour through thousands of years of sociological, cultural, and spiritual development, all the while pointing, with dazzling reason and persuasive prose, to a distant, common, Egyptian origin. British author GERALD MASSEY (1828-1907) published works of poetry, spiritualism, Shakespearean criticism, and theology, but his best-known works are in the realm of Egyptology, including A Book of the Beginnings and The Natural Genesis.

Egyptologist Gerald Massey challenged readers in A Book of the Beginnings to consider the argument that Egypt was the birthplace of civilization and that the widespread monotheistic vision of man and the metaphysical was, in fact, based on ancient Egyptian mythos. In The Natural Genesis, Massey delivers a sequel, delving deeper into his compelling polemic. Volume II provides detailed discourse on the Egyptian origin of the delicate components of the monotheistic creed. With his agile prose, Massey leads an adventurous examination of the epistemology of astronomy, time, and Christology-and what it all means for human culture. British author GERALD MASSEY (1828-1907) published works of poetry, spiritualism, Shakespearean criticism, and theology, but his best-known works are in the realm of Egyptology, including A Book of the Beginnings and Ancient Egypt: The Light of the World.

Egyptologist Gerald Massey challenged readers in A Book of the Beginnings to consider the argument that Egypt was the birthplace of civilization and that the widespread monotheistic vision of man and the metaphysical was, in fact, based on ancient Egyptian mythos. In The Natural Genesis, Massey delivers a sequel, delving deeper into his compelling polemic. In Volume I, he offers a more intellectual, fine-tuned analysis of the development of society out of Egypt. From the simplest signs (numbers, the cross) to the grandest archetypes (darkness, the mother figure), Massey carefully and confidently lays the cultural and psychosocial bricks of Evolutionism. British author GERALD MASSEY (1828-1907) published works of poetry, spiritualism, Shakespearean criticism, and theology, but his best-known works are in the realm of Egyptology, including A Book of the Beginnings and Ancient Egypt: The Light of the World.

Gerald Massey's work of 1888 presented a strong argument against the many theorists who viewed Shakespeare's Sonnets as autobiographical - 'a permanent reply to Shakespeare's misinterpreters'. Beginning by outlining the known background and context of the Sonnets, Massey proceeds to wage what he terms his 'battle against fictions, fallacies, forgeries, and groundless assumptions'. Who were the Sonnets addressed to, if anyone, and what is the significance of the inscription in the edition of 1609? What is the correct arrangement of the Sonnets, and why did Shakespeare himself give personal testimony to their 'purity'? Following detailed descriptions of the many different theories, Massey provides close readings and analysis of the Sonnets themselves to dispute the autobiographical claims, and to demonstrate that the Sonnets are 'partly personal and partly dramatic'.

This expansive and fascinating treatment of ancient Egyptian mythology and its influence on the traditions that followed from it includes explorations of sign language in mythological representation, totemism, fetishism, spirits and gods, the Egyptian Book of the Dead and Egyptian wisdom in the Hebrew Genesis. Readers will enjoy the wealth of information offered by Gerald Massey, as well as his clear and readable style.