A man moves from a capital city to a remote town in the border country, where he intends to spend the last years of his life. It is time, he thinks, to review the spoils of a lifetime of seeing, a lifetime of reading. Which sights, people, books, fictional characters, turns of phrase and lines of verse will survive into the twilight? Feeling an increasing urgency to put his mental landscape in order, the man sets to work cataloguing his memories, little knowing what secrets they will yield and where his `report' will lead.Border Districts is a jewel of a farewell from one of the greatest living writers of English prose. Winner of the Australian 2018 Prime Minister's Literary Award and shortlisted for the 2018 Miles Franklin Award, this is Murnane's first work to be published in the UK in thirty years.

Inland is a work which gathers in emotional power as it moves across the grasslands of its narrator's imagination--from Szolnok County on the great plains of Hungary where a man writes in the library of his manor house, to the Institute of Prairie Studies in Tripp County, South Dakota, where the editor of the journal Hinterland receives his writing, to the narrator's own native district in Melbourne County, between Moonee Ponds and the Merri, where he recalls the constant displacements of his childhood. "No thing in the world is one thing," he declares; "some places are many more than one place." These overlapping worlds are bound by recurring motifs--fish pond, fig-tree, child-woman, the colours white, red and green--and by deep feelings of intimacy and betrayal, which are brought to full expression as the book moves to its close.

In the first days of spring in his eighty-second year, Gerald Murnane--perhaps the greatest living writer of English prose--began a project that would round off his strange career as a novelist. He would read all of his books in turn and prepare a report on each. His original intention was to lodge the reports in two of his legendary filing cabinets: in the Chronological Archive, which documents his life as a whole, and the Literary Archive, which is devoted to everything he has written. As the reports grew, however, they themselves took on the form of a book, a book as beguiling and hallucinatory, in its way, as the works on which they were meant to report. These miniature memoirs or stories lead the reader through the capacious territory Murnane refers to as his mind: they dwell on the circumstances that gave rise to his writing, on images and associations, on Murnane's own theories of fiction, and then memories of a deeply personal kind. The final essay is, of course, on Last Letter to a Reader itself: it considers the elation and exhilaration that accompany the act of writing, and offers a moving finale to what must surely be Murnane's last work, as death approaches. "Help me, dear one," he writes, "to endure patiently my going back to my own sort of heaven."

Clement Killeaton transforms his father's gambling, his mother's piety, his fellow pupils' cruelty and the mysterious but forbidden attractions of sex into an imagined world centred on horse-racing and played out in the dusty backyard of his home, across the landscapes of the district, and the continent of Australia. An unsparing evocation of a Catholic childhood in a country town in the late 1940s, Tamarisk Row's lyrical prose is charged with the yearning, boredom, fear and fascination of boyhood. First published in Australia in 1974, and previously unpublished in the UK, Tamarisk Row is Gerald Murnane's debut novel, and in many respects his masterpiece.

Originally published between 1985 and 2012, these stories offer an enthralling introduction to the work of one of contemporary fiction's greatest magicians, and a map of Gerald Murnane's evolution as a writer. Spare, transparent and profane, This career-spanning volume ranges from 'Finger Web', a fractal tale of the scars of war and the roots of misogyny, to 'Land Deal', which imagines Australia's colonisation and the ultimate vengeance of its indigenous people as a series of nested dreams, to 'The Interior of Gaaldine', a story which finds its anxious protagonist stranded beyond the limits of fiction itself, and which points the way toward Murnane's later works, from Barley Patch to Border Districts. With potent style and determined vision, Murnane creates sensitive portraits of intimate relationships - with parents, uncles and aunts, and particularly children - and probes each situation for anxiety and embarrassment, shame or delight. Murnane treats emotions and thoughts as he does minor objects: he shines light through them and makes them new, remaking the vessel of literature as he goes.

'Someone has written that all art aspires to the condition of music. My experience is that all art, including all music, aspires to the condition of horse-racing.' This collection of essays leads the reader into the searching and wildly fertile imagination of Gerald Murnane, one of the masters of contemporary Australian writing, author of the classics Border Districts and Tamarisk Row, and winner of the Patrick White Literary Award. He writes of himself: as a boy making racehorses of his marbles, an obsession shared with Jack Kerouac; as a writer, working his first ten years in secret; as a reader, trying to understand the mystery of the right sentence by way of Virginia Woolf and Robert Frost; as a teacher, exploring the endless ways in which words can express the contours of our thoughts. From these vantage points Murnane sees the worlds of significance that lie within, or just beyond, the everyday details of Australian life. Carrying the reader with him across the valleys, plains and grasslands of his mind, this singular author creates an immersive landscape in which every word has its own space, shape and weight.

Fiction. Born in Melbourne, Austrailia, in 1939, Gerald Murnane recently retired as the senior lecturer in fiction writing at Deakin University with a reputation as one of the finest writers in his country. He is the author of seven highly praised books of fiction, most of which are still widely unknown and underappreciated by American readers. "The Plains is parable, fable, allegory, analogue, mythology, and vision. It is also subtly satirical and often ingeniously funny . . . Gerald Murnane is unquestionably one of the most original writers working in Australia today and THE PLAINS is a fascinating and rewarding book"--The Australian. Foreword by Andrew Zawacki, editor of VERSE magazine. The Plains was first published in Austrailia in 1982.