Tracing the Great War through the Millennium Bug, 1999 through 1900, Dadaism through Scientology through Sierra Leonean bicycle riding and back, award-winning Czech author Patrik Ourednik explores the horror and absurdity of the twentieth century in an explosive deconstruction of historical memory.Europeana: A Brief History of the Twentieth Century opens on the beaches of Normandy in 1944, comparing the heights of different forces’ soldiers and considering how tall, long, or good at fertilizing fields the men’s bodies will be. Probing the depths of humanity and inhumanity, this is an account of history as it has never been told: “engaging, even frightening.� At once recreating and uncreating the twentieth century, Ourednik explores the connections across the decades between the disparate figures, events, and politics we thought we knew. Patrik Ourednik’s Europeana merits the author’s reputation as a giant of post-1989 Czech literature. Now translated into 33 languages, the book is a masterwork of cubism, a polymorphic monologue of statistics and movements and fine print and discoveries that evokes the deadpan absurdity of Kafka and the gallows humor of Hašek. Ourednik has created a mesmerizing, maddening account of the past, and his interrogation of “truth� and objectivity resonates now more than ever.

It's 1979 in Communist Czechoslovakia, ten years into the crushing period known as normalization, and Ludvik Vaculik has writer's block. It has been nearly a decade since he wrote his powerful novel, The Guinea Pigs, and it was in 1968 that he wrote his anti-regime manifesto, Two Thousand Words, which the Soviet Union used as a pretext for invading Czechoslovakia. On the advice of his friend, the poet and surrealist painter Jiri Kolar, Vaculik begins to keep a diary, "a book about things, people, and events." This marks the beginning of A Czech Dreambook. Fifty-four weeks later, what Vaculik turns out to have written is a unique mixture of diary, dream journal, and outright fiction-an inverted roman a clef in which the author, his family, his mistresses, and the real leaders of the Czech underground play major roles. Undisputedly the most debated novel among the Prague dissident community of the 1980s, it is a work that Vaculik himself described as an amalgam of "hard-boiled documentary" and "magic fiction," while Vaclav Havel called it "a truly profound and perceptive account. . . . A great novel about modern life and the crisis of contemporary humanity." A Czech Dreambook has been hailed as the most important work of Czech literature in the past forty years. And yet it has never before been available in English. Flawlessly translated by Gerald Turner, Vaculik's masterpiece is a brilliant exercise in style, dry humor, and irony-an important portrait of the lives and longings of the dissidents and post-Communist elites.

Ivan Klima has been acclaimed by The Boston Globe as a literary gem who is too little appreciated in the West and a Czech master at the top of his game. In No Saints or Angels, a Washington Post Best Book of 2001, Klima takes us into the heart of contemporary Prague, where the Communist People's Militia of the Stalinist era marches headlong into the drug culture of the present. Kristyna is in her forties, the divorced mother of a rebellious fifteen-year-old daughter, Jana. She is beginning to love a man fifteen years her junior, but her joy is clouded by worry -- Jana has been cutting school, and perhaps using heroin. Meanwhile Kristyna's mother has forced on her a huge box of personal papers left by her dead father, a tyrant whose Stalinist ideals she despised. No Saints or Angels is a powerful book in which Mr. Klima's keen sense of history, his deep compassion for the ordinary people caught up in its toils, and his abiding awareness of the fragility and resilience of human life shine through.... Like Anton Chekhov, Mr. Klima is a writer able to show us what's extraordinary about ordinary life. (The Washington Times). Ultimately, it's Prague, with its centuries of glory and misery, that gives No Saints or Angels its humane power. -- Melvin Jules Bukiet, The Washington Post Book World A compassionate realist, [Klima] unflinchingly presents the problems facing modern Prague and civilization in general ... [and] fills it with mercy. -- Jennie Yabroff, San Francisco Chronicle Stirring and valuable. -- Jules Verdone, The Hartford Courant

This novel about the twentieth century begins when time was linear and ends when the notion of progress becomes less well defined. "It strikes me that Josef Brehme lived in an epoch when time still proceeded in a straight line from the past to the future," muses his grandson, the talented, handsome, and cynical Alex Brehme, in his diary in late 2001. The Brehmes' story guides the reader through revolution, war, the Holocaust, and ultimately exile and return. A novel about what man does to man and whether God intervenes. Translated by Gerald Turner. "remarkable"-Vaclav Havel.

Tomáš Halík provides a poignant reflection on Christianity’s crisis of faith while offering a vision of the self-reflection, love, and growth necessary for the church to overcome and build a deeper and more mature faith. In a world transformed by secularization and globalization, torn by stark political and social distrust, and ravaged by war and pandemic, Christians are facing a crisis of faith. In The Afternoon of Christianity, Tomáš Halík reflects on past and present challenges confronting Christian faith, drawing together strands from the Bible, historic Christian theology, philosophy, psychology, and classic literature. In the process, he reveals the current crisis as a crossroads: one road leads toward division and irrelevance, while the other provides the opportunity to develop a deeper, more credible, and mature form of church, theology, and spirituality—an afternoon epoch of Christianity. The fruitfulness of the reform and the future vibrancy of the Church depends on a reconnection with the deep spiritual and existential dimension of faith. Halík argues that Christianity must transcend itself, giving up isolation and self-centeredness in favor of loving dialogue with people of different cultures, languages, and religions. The search for God in all things frees Christian life from self-absorption and leads toward universal fraternity, one of Pope Francis’s key themes. This renewal of faith can help the human family move beyond a clash of civilizations to a culture of communication, sharing, and respect for diversity.

In this strange and lovely hymn to Prague, Michal Ajvaz repopulates the city of Kafka with ghosts, eccentrics, talking animals, and impossible statues, all lurking on the peripheries of a town so familiar to tourists. The Other City is a guidebook to this invisible, "other Prague," overlapping the workaday world: a place where libraries can turn into jungles, secret passages yawn beneath our feet, and waves lap at our bedspreads. Heir to the tradition and obsessions of Jorge Luis Borges, as well as the long and distinguished line of Czech fantasists, Ajvaz's Other City -- his first novel to be translated into English -- is the emblem of all the worlds we are blind to, being caught in our own ways of seeing.

In this masterfully written book, Tomas Halik calls upon Christians to touch the wounds of the world and to rediscover their own faith by loving and healing their neighbors. One of the most important voices in contemporary Catholicism, Tomas Halik argues that Christians can discover the clearest vision of God not by turning away from suffering but by confronting it. Halik calls upon us to follow the apostle Thomas's example: to see the pain, suffering, and poverty of our world and to touch those wounds with faith and action. It is those expressions of love and service, Halik reveals, that restore our hope and the courage to live, allowing true holiness to manifest itself. Only face-to-face with a wounded Christ can we lay down our armor and masks, revealing our own wounds and allowing healing to begin. Weaving together deep theological and philosophical reflections with surprising, trenchant, and even humorous commentary on the times in which we live, Halik offers a new prescription for those lost in moments of doubt, abandonment, or suffering. Rather than demanding impossible, flawless faith, we can look through our doubt to see, touch, and confront the wounds in the hearts of our neighbors and-through that wounded humanity, which the Son of God took upon himself-see God.

International best-selling author and theologian Tomas Halik shares for the first time the dramatic story of his life as a secretly ordained priest in Communist Czechoslovakia. Inspired by Augustine's candid presentation of his own life, Halik writes about his spiritual journey within a framework of philosophical theology; his work has been compared to that of C. S. Lewis, Thomas Merton, and Henri Nouwen. Born in Prague in 1948, Halik spent his childhood under Stalinism. He describes his conversion to Christianity during the time of communist persecution of the church, his secret study of theology, and secret priesthood ordination in East Germany (even his mother was not allowed to know that her son was a priest). Halik speaks candidly of his doubts and crises of faith as well as of his conflicts within the church. He worked as a psychotherapist for over a decade and, at the same time, was active in the underground church and in the dissident movement with the legendary Cardinal Tomasek and Vaclav Havel, who proposed Halik as his successor to the Czech presidency. Since the fall of the regime, Halik has served as general secretary to the Czech Conference of Bishops and was an advisor to John Paul II and Vaclav Havel. Woven throughout Halik's story is the turbulent history of the church and society in the heart of Europe: the 1968 Prague Spring, the occupation of Czechoslovakia, the self-immolation of his classmate Jan Palach, the "flying university," the 1989 Velvet Revolution, and the difficult transition from totalitarian communist regime to democracy. Thomas Halik was a direct witness to many of these events, and he provides valuable testimony about the backdrop of political events and personal memories of the key figures of that time. This volume is a must-read for anyone interested in Halik and the church as it was behind the Iron Curtain, as well as in where the church as a whole is headed today.

In his two previous books translated into English, Patience with God and Night of the Confessor, best-selling Czech author and theologian Tomas Halik focused on the relationship between faith and hope. Now, in I Want You to Be, Halik examines the connection between faith and love, meditating on a statement attributed to St. Augustine-amo, volo ut sis, "I love you: I want you to be"-and its importance for contemporary Christian practice. Halik suggests that because God is not an object, love for him must be expressed through love of human beings. He calls for Christians to avoid isolating themselves from secular modernity and recommends instead that they embrace an active and loving engagement with nonbelievers through acts of servitude. At the same time, Halik critiques the drive for mere material success and suggests that love must become more than a private virtue in contemporary society. I Want You to Be considers the future of Western society, with its strong division between Christian and secular traditions, and recommends that Christians think of themselves as partners with nonbelievers. Halik's distinctive style is to present profound insights on religious themes in an accessible way to a lay audience. As in previous books, this volume links spiritual and theological/philosophical topics with a tentative diagnosis of our times. This is theology written on one's knees; Halik is as much a spiritual writer as a theologian. I Want You to Be will interest both general and scholarly readers interested in questions of secularism and Christianity in modern life.

In his two previous books translated into English, Patience with God and Night of the Confessor, best-selling Czech author and theologian Tomas Halik focused on the relationship between faith and hope. Now, in I Want You to Be, Halik examines the connection between faith and love, meditating on a statement attributed to St. Augustine-amo, volo ut sis, "I love you: I want you to be"-and its importance for contemporary Christian practice. Halik suggests that because God is not an object, love for him must be expressed through love of human beings. He calls for Christians to avoid isolating themselves from secular modernity and recommends instead that they embrace an active and loving engagement with nonbelievers through acts of servitude. At the same time, Halik critiques the drive for mere material success and suggests that love must become more than a private virtue in contemporary society. I Want You to Be considers the future of Western society, with its strong division between Christian and secular traditions, and recommends that Christians think of themselves as partners with nonbelievers. Halik's distinctive style is to present profound insights on religious themes in an accessible way to a lay audience. As in previous books, this volume links spiritual and theological/philosophical topics with a tentative diagnosis of our times. This is theology written on one's knees; Halik is as much a spiritual writer as a theologian. I Want You to Be will interest both general and scholarly readers interested in questions of secularism and Christianity in modern life.