Knowing Your Place directs groundbreaking attention to the role of rural and urban places in identity construction. Written to redress the longstanding neglect and denigration of the rural, this book argues that the cultural dominance of the city has been reinforced by postmodern theory's near fixation on the urban and the sophisticated.
The essays explore rural identity in a number of cultures and situations, and look at issues of contemporary interest. Topics covered include the uses of popular and high culture, the explosion of high technology, the social and economic impact of ecological policy, the role of labor in the global marketplace, museum curatorship, and post-colonial politics. Throughout, the essays address the many ways in which place identity alters and influences the experience of race, class, gender and ethnicity.

Knowing Your Place directs groundbreaking attention to the role of rural and urban places in identity construction. Written to redress the longstanding neglect and denigration of the rural, this book argues that the cultural dominance of the city has been reinforced by postmodern theory's near fixation on the urban and the sophisticated.
The essays explore rural identity in a number of cultures and situations, and look at issues of contemporary interest. Topics covered include the uses of popular and high culture, the explosion of high technology, the social and economic impact of ecological policy, the role of labor in the global marketplace, museum curatorship, and post-colonial politics. Throughout, the essays address the many ways in which place identity alters and influences the experience of race, class, gender and ethnicity.

Gerald W. Creed analyzes contemporary mumming rituals in rural Bulgaria for what they reveal about life after socialism and the current state of postsocialist studies. Mumming rituals have flourished in the post-Soviet era. Elaborately costumed dancers go from house to house demanding sustenance and bestowing blessings. Through the analysis of these rites, Creed critiques key themes in postsocialist studies, including understandings of civil society and democracy, gender and sexuality, autonomy and community, and ethnicity and nationalism. He argues that these events reveal indigenous cultural resources that could have been used both practically and intellectually to ease the postsocialist reconstruction of Bulgarian society, but were not."