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Irish crime fiction, long present on international bestseller lists, has been knocking on the door of the academy for a decade. With a wide range of scholars addressing some of the most essential Irish detective writing, Guilt Rules All confirms that this genre has arrived. The essays collected here connect their immediate subjects - contemporary Irish crime writers - to Irish culture, literature, and history. Anchored in both canonical and emerging themes, this collection draws on established Irish studies discussions while emphasizing what is new and distinct about Irish crime fiction. Guilt Rules All considers best-sellers like Adrian McKinty and Liz Nugent, as well as other significant writers whose work may fall outside of traditional notions of Irish literature or crime fiction. The essays consider a range of themes - among them globalization, women and violence, and the Troubles - across settings and time frames, allowing readers to trace the patterns that play a meaningful role in this developing genre.
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Requiems for the Departed Irish Crime, Irish Myths. It has been said before, that every story has already been told. Maybe so. But if you've got the gift of the gab, you can tell the same tale as often as you like and still give it a life of its own every time. Requiems for the Departed flaunts that gift seventeen times over. The children of Conchobar are back to their old mischievous ways; ancient Celtic royalty and druids and banshees are set loose in the new Irish underbelly. Requiems for the Departed contains seventeen short stories, inspired by Irish mythology, from some of the finest contemporary writers in the business.
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